Firstly, I'd like to thank NetGalley for providing me with an ARC. This review is my honest opinion and NetGalley did not censor it in any way before being published.
What shines brightest for me in The Mother Act is that it goes beyond the experiences of an ordinary mother and daughter dealing with how the role of motherhood affects them. In this story both mother and daughter are actors, therefore expressing emotions is both natural and unnatural for them. Acting has been passionately pursued and developed by one, raised on and conditioned into by the other. While it’s visceral for both, expressing themselves through a “character” is also how they preferably choose to navigate through life, and be the lens through how they wish to express themselves when being themselves is less appealing an option. The Mother Act spotlights the push and pull motherhood demands on Sadie Jones, a struggling actor and fervent feminist who’d only ever viewed it as a threat, and how her choices later affect her daughter Jude.
Our formidable Sadie, an unorthodox actor, wears her heart on her sleeve as she spouts enlightenment on top of her feminist soapbox. She is self-centered, selfish, a narcissist that’s hard to like even in the sections told through her perspective. I don’t think Sadie is meant to be liked and there isn’t any real evidence as to why Damian, Jude’s father, is drawn to her. She’s so assertive about her views it doesn’t even settle as overwhelming. Every single time she’s in a scene she mentions how the patriarchy is bad, how motherhood is entrapping for women, being a mother is the worst thing that could happen to a woman, ultimately women should want more for themselves. And I respect those views, however having it dialed to an eleven in every scene she is present in makes her---as one of the two leading characters---unreachable, unrelatable, and makes it hard to believe she has any allies.
Then there’s her daughter Jude, a more classically trained actor and while a gifted performer, timid, and overly cautious about letting anyone too close to knowing the real her. She’s Sadie’s foil in personality where she isn’t in appearance. While on the surface readers will want to side with her without much evidence, Reimer fleshes her out enough that while we don’t blindly accept why Sadie abandoned her, we do see her as flawed as her mother.
The experiences and traumas of their childhoods and the image of how motherhood is understood by the generation before them set the blueprint for how they will go forward in life.
One of the interesting things I enjoyed regarding the portrayal of acting was that both mother and daughter start with unconventional stages but over time explore other mediums of acting—traditional theater performances or film.
Another fun decision Reimer makes to showcase their dynamic is by setting the stage of her novel using a creative, theater-reminiscent, six act structure in lieu of chapters. We get large doses of the past interwoven through snapshots of the present, see-sawing from mother to daughter, offering perspectives from both. Altogether an excellent character study and enjoyable for anyone in or interested in the theater world.
Finally, I absolutely love a title that takes on multiple meanings.