This early story—written in 1919, published in the amateur journal The Vagrant in 1920—is a simple but thoroughly effective tale of terror, based on one of Lovecraft’s dreams. Technically it could be considered part of Lovecraft’s Dunsanian Dream Cycle, since its hero Randolph Carter appears here too, but it reminds me more of Monsieur Valdemar than of anything by Dunsany. Indeed, its whole atmosphere is redolent of Poe, from its narrator whose memory is scarred by trauma to its melodramatic—AND ITALICIZED AND CAPITALIZED—last line.
Our narrator Randolph Carter tells of a night he accompanied Harley Warren--his friend and fellow student of the occult—to the graveyard near Big Cypress Swamp. Harley, long been obsessed with discovering “why certain corpses never decay, but rest firm and fat in their tombs for a thousand years,” is now armed with a newly acquired “ancient book in undecipherable characters” and wishes to test his theories. In the graveyard, the two men pry up a stone slab, revealing a flight of stone stairs beneath, and then . . . but the rest you must discover for yourself.
Yes, this is a simple story, but it scared me the first time I read it, and it scares me now just thinking about it.
It would take Lovecraft ten years to discover how to localize, anticipate, and prolong a good shock of terror, but The Statement of Randolph Carter shows us that, even in his earliest stories, he had mastered the art of delivering the shock.