To be fair, I don't tend to read a lot of Young Adult fiction.
This kind of book is exactly why.
Though I'm often not a fan or simply not drawn to YA fiction, I pick up the occasional book as light or easy reading in between others. And to give to due credit to Maureen Fergus, I read through the preceding two Gypsy King novels in single sittings; the plot was cheesy and the romance predictable, yes, but still they were enjoyable. But after reading Tomorrow's Kingdom after a somewhat-lengthy pause in between, I cannot help but wonder if the others were as dreadful as this, and I had only been temporarily blind to it.
Tomorrow's Kingdom had potential, but it was utterly dashed. The writing is simple and even mediocre, but this is to be expected from some YA fiction. Still, it did not help. The main villain, who by know readers of Fergus' series will know as the Regent Mordecai, is painted in an even weaker, flat light than I remember. Entirely Disney-esque in his villainy, he is the kind of antagonist that spells out his plans in great detail and (when chapters are told from his POV) repeats the same malicious thoughts in half-new sentences. He is boring, to put it plainly - as is Persephone. Beloved by the kingdom's people for seemingly no reason at all, good at everything she does, merciful, beautiful, somehow able to create complex battle plans with no prior experience in warfare, and able to escape any kind of nefarious scenario presented to her, she is quite plainly, a Mary Sue. A flat, boring, perfect character. The character flaws that made her likable in previous books - namely, her anger, which is trait present throughout the previous Gypsy King books - is notably absent in Tomorrow's Kingdom.
And most importantly, Fergus leans entirely on deus ex machina moments to help her protagonists along. Now, a coincidentally helpful (or comedic) moment coming in the form of a well-timed wave, gust of wind, or absent-minded guard is excusable, but the amount of times Persephone, Azriel & Co. prevail due to the aforementioned plot devices is hideous. They are plentiful enough to make me believe Fergus simply gave up on creating plausible ideas for plotlines, escape or rescue, instead deciding to simply throw as many horrible things at her characters as possible only to magically lift them out of it because she could not be bothered to think harder.
I did finish the book, if that means anything to reviewers. But partly, I pushed on because I wanted to see just how ridiculous things could get.
I have never left a review on GoodReads before because I couldn't be bothered. That is how much this book has effected me. Chuck Palahniuk said to write books not that people would like, but books that would be remembered; in that way, Tomorrow's Kingdom is a success. I don't see forgetting how ludicrous this book was anytime in the near future.