Rita loves her daughter Deb, but a dark evil from her past threatens the lives of anyone who gets too close to it. Can the bond between two women overcome a life built on blood and lies? And what secret is lurking in the Morando family’s apartment?
Written by Harvey Award-winning superstar MIRKA ANDOLFO (SWEET PAPRIKA, MERCY, UNNATURAL, Punchline) and illustrated by fan-favorite LAURA BRAGA (WITCHBLADE, Future State: The Next Batman, Harley Quinn, DC Bombshells), PURR EVIL is a stand-out story about the relationship between a mother who gave everything for her daughter and a daughter who needs to figure out her role in a world that she’s about to doom!
Neapolitan artist and writer, she is one of the most complete and eclectic Italian creators in the international field. Her upcoming Mercy is going to be published almos simultaneously in Italy (November 2019, Panini Comics), France (January 2020, Éditions Glénat) and United States (March 2020, Image Comics).
Her ControNatura (Panini Comics) is one of the most successful Italian series of the last few years. Published in the USA by Image Comics under the title Unnatural/b>, it’s a best seller hit with several reprints already. There are also Spanish, French, German, Polish, Mexican and (upcoming) Brazilian, Czech and Bulgarian editions.
Andolfo has been collaborating with DC Comics since 2015, having lent her pencil for titles such as Wonder Woman, Harley Quinn, Catwoman, Bombshells, Teen Titans, Green Arrow, R.W.B.Y. and Hex Wives (published under the cult-imprint Vertigo). Together with the writer Sylvain Runberg, she is creator of The Under York Chronicles (Éditions Glénat).
She also wrote stories for BOOM! Studios (The Amazing World of Gumball) and illustrated two issues of the award-winning Ms. Marvel series by Marvel Comics.
In 2012 she created Sacro/Profano (Edizioni Dentiblù), a huge bestseller published in United States, France, Netherlands, Germany, Serbia, Spain. As an artist she’s drawn comics for Dynamite and Aspen, as well as some short stories for Vertigo and DC’s Young Animal, and she’s actually working on covers for DC Comics, Marvel Comics, Valiant, BOOM! Studios, Aspen, Zenescope.
As a colorist, she worked on covers and comics books of important franchises such as Geronimo Stilton, Adventure Time, Ice Age, Peanuts and other series and volumes published all over the world.
During her collaboration with Topolino magazine (Disney’s Mickey Mouse), she has colored numerous covers (including the cover of the historical issue 3000) and stories, working with artists like Giorgio Cavazzano, Corrado Mastantuono and Fabio Celoni.
When she is not working, she loves good food, reading comics and… sharing photos of cats and wolves on Facebook.
The problem is, sphinx cats are already such creepy little fuckers that trying to make them scarier by changing the colour, giving them five eyes, two heads, making them minions of an extradimensional horror... it's just a hat on a hat. Additionally, while this is firmly sold as a Mirka Andolfo comic, industry economics mean that, like so many before her, a good artist has progressed through OK writer-artist to really not great writer for another, much less exciting artist. Leaving this as a sort of overwrought paranormal action telenovela that isn't even redeemed by its visuals, instead being left with stilted acting to match the stiff script. Avoid.
Confermo in pieno ciò che ho scritto l'anno scorso. Specialmente adesso che ho letto entrambi i volumi.
La storia bislacca, fatta di demoni e gattini, non sta in piedi. Ho rivalutato però il lavoro di Laura Braga: nel secondo volume cambia il disegnatore e la qualità già bassa del volume precipita.
Non capisco come mai Star Comics abbia aspettato così tanto per pubblicare il secondo volume. Non è che l'attesa abbia migliorato il tutto.
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2024.04.13
Ho sempre pensato che Mirka Andolfo se la cavasse molto meglio come disegnatrice che come sceneggiatrice. E questo ne è la dimostrazione!
La Andolfo lascia il tavolo da disegno per creare una storia che... fa acqua da tutte le parti. Inoltre i personaggi sono simpatici quanto un pomeriggio di pioggia in piena estate. Di solito non mi dispiacciono gli elementi horror in un racconto ma qua son buttati lì a casaccio. E l'artista non riesce a raggiungere le vette artistiche come avrebbe potuto fare la Andolfo.
Però, visto che son solo due volumi, recupererò anche il secondo.
(scrivo dopo aver letto entrambi i volumi) Amo le opere dell'Andolfo, le ho lette e apprezzate quasi tutte, ma questa veramente no. Personaggi che non ti catturano, storia che sembra scritta di fretta solo per essere pubblicata e vendere, disegni anche quelli realizzati in modo veloce e pigro.