What do you think?
Rate this book
Amory Ames #1
Murder at the Brightwell
Amory Ames is a wealthy young woman who regrets her marriage to her notoriously charming playboy husband, Milo. Looking for a change, she accepts a request for help from her former fiancé, Gil Trent, not knowing that she’ll soon become embroiled in a murder investigation that will test not only her friendship with Gil, but will upset the status quo with her husband.
Amory accompanies Gil to the Brightwell Hotel in an attempt to circumvent the marriage of his sister, Emmeline, to Rupert Howe, a disreputable ladies’ man. Amory sees in the situation a grim reflection of her own floundering marriage. There is more than her happiness at stake, however, when Rupert is murdered and Gil is arrested for the crime. Amory is determined to prove his innocence and find the real killer, despite attempted dissuasion from the disapproving police inspector on the case. Matters are further complicated by Milo’s unexpected arrival, and the two form an uneasy alliance as Amory enlists his reluctant aid in clearing Gil’s name. As the stakes grow higher and the line between friend and foe becomes less clear, Amory must decide where her heart lies and catch the killer before she, too, becomes a victim.
Murder at the Brightwell is a delicious mystery in which murder invades polite society and romance springs in unexpected places. Weaver has penned a debut in the tradition of Jacqueline Winspear.
Amory accompanies Gil to the Brightwell Hotel in an attempt to circumvent the marriage of his sister, Emmeline, to Rupert Howe, a disreputable ladies’ man. Amory sees in the situation a grim reflection of her own floundering marriage. There is more than her happiness at stake, however, when Rupert is murdered and Gil is arrested for the crime. Amory is determined to prove his innocence and find the real killer, despite attempted dissuasion from the disapproving police inspector on the case. Matters are further complicated by Milo’s unexpected arrival, and the two form an uneasy alliance as Amory enlists his reluctant aid in clearing Gil’s name. As the stakes grow higher and the line between friend and foe becomes less clear, Amory must decide where her heart lies and catch the killer before she, too, becomes a victim.
Murder at the Brightwell is a delicious mystery in which murder invades polite society and romance springs in unexpected places. Weaver has penned a debut in the tradition of Jacqueline Winspear.
325 pages, Hardcover
First published October 14, 2014
763 people are currently reading
8497 people want to read
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 - 30 of 1,472 reviews
September 18, 2024
You are so hard to read, you play hide-and-seek / With your true intentions, if you're only playin' games / I'll just have to say, abb-b-b-bye, b-b-b-bye (Straight Up – Paula Abdul).
Uh oh, I had to whip out the Paula Abdul lyrics. Don’t worry, that's not necessarily a bad thing. I actually love going back to my favorite mysteries because my limited memory makes every reread feel brand new! How’s the song go? “I sing this song 'cause you make me feel brand new?” Yeah, like that. Seriously though, something about my brain remembers the setting and the characters, but when it comes to the most important part, like, you know, remembering who the killer was in a murder mystery, my mind goes blank. Hey, remembering is hard sometimes because… I don’t even remember how I was going to finish this sentence! Anyway, I guess should probably write a summary, which is what I heard good reviews usually have. I swear that it’s something I always mean to do, but I get so distracted by my ramblings (I’m a rambling man), that it completely slips my mind more often than not! I’ll do it this time though. Coming up. In the next sentence? At first glance, this book series seems like simple cozy mysteries, but I think what makes it different from the rest lies in its exploration of the failing relationship between its main character, Amory, and her distant husband, Milo. Usually when a mystery series tries to add a romantic element into the mix, I’ve found that the balance between the character’s love life and their sleuthing always feels way off. This is actually why I’m always complaining about the love-interests in these books! Because their drama takes precious time away from the very important murder mystery bit! Surely there are more pressing matters! Yeah well, here’s the thing, not only has the Amory Ames series smartly interwoven the romance (and lack thereof) within the mystery so it never feels like set dressing, but it’s also so intrinsically linked to the main theme, that even with all my gripes over Milo, I still wouldn’t wish it gone. Because if memory serves (it usually doesn't), what I do remember the most about these books is the burning hatred I had for Milo. Well I mean, maybe "burning hatred" is the wrong phrase, because he’s surely no David from the Truly Devious series (that guy suu~uucks), but he can truly be something awful at several points! I was going somewhere with this… oh yeah, reading this again, I wouldn’t say that I’ve come to appreciate his role in the story, but I do understand why he’s an important addition to each novel. I even have to concede that I’ve somewhat come around to having a begrudging respect for the author’s dedication to showcasing Milo’s unwavering aloofness at every opportunity. This is noteworthy considering the fact that if any other book tried to feature a love-interest like this asshole so prominently, I’d probably throw it across the room immediately. Really though, just the fact that I still look back at this series as fondly as I do is a testament to how great of a writer Ashley Weaver is. Besides, I guess I don’t completely blame Amory for always going back to Milo, because if somebody called me “darling” at every opportunity, I’d probably go weak in the knees for them too. Hey, I never said I was consistent!
Wait! I was supposed to do a synopsis! Ugh. Okay, I’ll do it for real this time. Here I go. In the next sentence! We find Amory Ames as she's growing bored with her marriage to part-time playboy and full-time loser, Milo. The comedown from a whirlwind romance is a hell of a thing, because Amory is now realizing that she may have made a huge mistake in her choice of husband. He’s neglectful, nonchalant, dismissive, and is unfortunately, also the sexiest man in the world and “can’t help it if women throw themselves at his feet” (eye roll and a yawn and then another eye roll). Interrupting Amory’s miserable musings, the man himself shows up after vacationing for six months (seriously dude?) over in the town of “wherever-the-hell,” and pretends like nothing’s awry as by all accounts, he seemingly expects Amory to simply wait at his beck and call while he traipses around the world pretending to be Lou Bega. This blasé performance being the final tipping point and with her ire spilling over the edge, Amory up and leaves as she immediately takes her only lifeline left; an invitation from her previous lover, Gil, to travel with him to the Brightwell Hotel in order to help dissuade his younger sister from marrying a similar cad, Rupert Howe, and hopefully steer her from making the same mistake that Amory did all those five years ago. Oh, and this is a bit of a spoiler, but then Rupert Howe ends up getting killed and Amory ends up being the only one who can figure out the “who’s” the “what’s” and the “why’s!” Badum tss. And then blah and another blah. Phew… that was kind of hard! Now I know why I never bother with summaries. Yeah so like I’ve said before, most of this book is about Amory trying to prove Gil (her previous and maybe future lover) innocent, while also struggling with her worries that her regained feelings for him are only blossoming because her marriage has found itself in dire straits. I think it’s cool how the “murder mystery” aspect is rather cut and dry, while her troubled romance is where things get rather murky. There's an interesting and almost humorous statement somewhere in there that murder is preferable to marriage in a way that's very on brand for screwball romantic movies of the time period. Otherwise, this is a story about prideful miscommunication and the lengths people will go to never feel vulnerable again. There's some layers here! It's used as a reveal, but Milo actually acts as the secondary main character for most of the novel, and despite Amory leaving him, he predictably followed her to the hotel. Thus going back to the theme of broken marriages, because it's up to Amory to decide if his smooth attempts to show, albeit subtlety, that he is crazy in love with her are genuine, or if it really is true that players only love you when they’re playing.
I think it’s kind of obvious that most of what I have to say is in the way of anger directed at Milo. Because he kind of sucks, but I suppose that’s the point, as his character growth is the main thing that evolves over the course of these book. Whether or not he changes enough is up to the reader, because cozy mysteries are often written in a way where the characters never feel too different from installment to installment so that you could technically read any volume at any time, but the changes are there if you look hard enough. Anyway, he's a good example of one of those guys who are so damn obsessed with appearing indifferent and aloof at all times that he never actually realizes that he’s actively ruining his own life. He thinks he’s cooking, but no, he’s just cooked. Don’t get me wrong, I don’t actually think he’s a bad character per se, and I’m one of those people who thinks he does improve (from book three onward), but I don’t think the narrative fully explores the repercussions that Milo’s specific brand of toxicity can have on himself and the people around him. The author puts in other shitty dudes in order to make Milo look like a saint in comparison, but I hardly think it absolves this guy from all his shitty behavior, and it wasn't all that realistic to me how every character other than Amory bent over backwards for this tool. Sorry, but charm and good looks can only take you so far before people don’t want anything to do with you anymore. Maybe this is just my vindictive side speaking, but I still think that he gets off too easy. And I’ve read all seven books! Is he a bad husband? Yes. But does that make him a bad person? Ding ding ding, yes again! Look at it this way, imagine being so obsessed with appearing unknowable that even your spouse believes it possible that you could be a killer in hiding. I suppose Milo is written this way to feel mysteriously sexy, but in my opinion, this just makes him pathetic. And a terrible bore, at that. I'd like him more if the author allowed him some vulnerability, all crying and running around like the guy from Sade's "Is It a Crime" music video. It's just funny to see how all of their marital issues could have been swiftly avoided if he’d learned how to apologize to Amory like her name was Betty. The truth is that the first time I read these books I was mostly reading along to see if Amory would divorce Milo, but going back I have to admit that their relationship does slowly, but surely, improve on the reread. I even started to enjoy their dynamic after a while! Besides, to judge their relationship solely on the first novel in a series of seven would be like stopping Lemonade on “Don’t Hurt Yourself” before you hear Beyoncé’s blissful relief as she says “Oh… I missed you, my love" at the end of “All Night.” And it’s like I said, if anything, these books are about the marriage between two deeply emotionally repressed people, so I guess it’s pretty realistic that most of the story would be about Amory and Milo navigating through the process of learning how to properly communicate with each other, because if they accomplish that, then maybe even forgiveness is on the table. These things take time. But as of right now… we’re on track one, so I’m still on some “tonight I'm fucking up all your shit, boy”–type shit. We’ll cross the “forgiveness” road when we get to it.
"Naturally. If I were to be murdered, I would leave you with heaps of money and free to do as you please.”
"You needn’t be murdered for that, I could just as easy accomplish it with a divorce.”
"Touché, my love.”
Uh oh, I had to whip out the Paula Abdul lyrics. Don’t worry, that's not necessarily a bad thing. I actually love going back to my favorite mysteries because my limited memory makes every reread feel brand new! How’s the song go? “I sing this song 'cause you make me feel brand new?” Yeah, like that. Seriously though, something about my brain remembers the setting and the characters, but when it comes to the most important part, like, you know, remembering who the killer was in a murder mystery, my mind goes blank. Hey, remembering is hard sometimes because… I don’t even remember how I was going to finish this sentence! Anyway, I guess should probably write a summary, which is what I heard good reviews usually have. I swear that it’s something I always mean to do, but I get so distracted by my ramblings (I’m a rambling man), that it completely slips my mind more often than not! I’ll do it this time though. Coming up. In the next sentence? At first glance, this book series seems like simple cozy mysteries, but I think what makes it different from the rest lies in its exploration of the failing relationship between its main character, Amory, and her distant husband, Milo. Usually when a mystery series tries to add a romantic element into the mix, I’ve found that the balance between the character’s love life and their sleuthing always feels way off. This is actually why I’m always complaining about the love-interests in these books! Because their drama takes precious time away from the very important murder mystery bit! Surely there are more pressing matters! Yeah well, here’s the thing, not only has the Amory Ames series smartly interwoven the romance (and lack thereof) within the mystery so it never feels like set dressing, but it’s also so intrinsically linked to the main theme, that even with all my gripes over Milo, I still wouldn’t wish it gone. Because if memory serves (it usually doesn't), what I do remember the most about these books is the burning hatred I had for Milo. Well I mean, maybe "burning hatred" is the wrong phrase, because he’s surely no David from the Truly Devious series (that guy suu~uucks), but he can truly be something awful at several points! I was going somewhere with this… oh yeah, reading this again, I wouldn’t say that I’ve come to appreciate his role in the story, but I do understand why he’s an important addition to each novel. I even have to concede that I’ve somewhat come around to having a begrudging respect for the author’s dedication to showcasing Milo’s unwavering aloofness at every opportunity. This is noteworthy considering the fact that if any other book tried to feature a love-interest like this asshole so prominently, I’d probably throw it across the room immediately. Really though, just the fact that I still look back at this series as fondly as I do is a testament to how great of a writer Ashley Weaver is. Besides, I guess I don’t completely blame Amory for always going back to Milo, because if somebody called me “darling” at every opportunity, I’d probably go weak in the knees for them too. Hey, I never said I was consistent!
Wait! I was supposed to do a synopsis! Ugh. Okay, I’ll do it for real this time. Here I go. In the next sentence! We find Amory Ames as she's growing bored with her marriage to part-time playboy and full-time loser, Milo. The comedown from a whirlwind romance is a hell of a thing, because Amory is now realizing that she may have made a huge mistake in her choice of husband. He’s neglectful, nonchalant, dismissive, and is unfortunately, also the sexiest man in the world and “can’t help it if women throw themselves at his feet” (eye roll and a yawn and then another eye roll). Interrupting Amory’s miserable musings, the man himself shows up after vacationing for six months (seriously dude?) over in the town of “wherever-the-hell,” and pretends like nothing’s awry as by all accounts, he seemingly expects Amory to simply wait at his beck and call while he traipses around the world pretending to be Lou Bega. This blasé performance being the final tipping point and with her ire spilling over the edge, Amory up and leaves as she immediately takes her only lifeline left; an invitation from her previous lover, Gil, to travel with him to the Brightwell Hotel in order to help dissuade his younger sister from marrying a similar cad, Rupert Howe, and hopefully steer her from making the same mistake that Amory did all those five years ago. Oh, and this is a bit of a spoiler, but then Rupert Howe ends up getting killed and Amory ends up being the only one who can figure out the “who’s” the “what’s” and the “why’s!” Badum tss. And then blah and another blah. Phew… that was kind of hard! Now I know why I never bother with summaries. Yeah so like I’ve said before, most of this book is about Amory trying to prove Gil (her previous and maybe future lover) innocent, while also struggling with her worries that her regained feelings for him are only blossoming because her marriage has found itself in dire straits. I think it’s cool how the “murder mystery” aspect is rather cut and dry, while her troubled romance is where things get rather murky. There's an interesting and almost humorous statement somewhere in there that murder is preferable to marriage in a way that's very on brand for screwball romantic movies of the time period. Otherwise, this is a story about prideful miscommunication and the lengths people will go to never feel vulnerable again. There's some layers here! It's used as a reveal, but Milo actually acts as the secondary main character for most of the novel, and despite Amory leaving him, he predictably followed her to the hotel. Thus going back to the theme of broken marriages, because it's up to Amory to decide if his smooth attempts to show, albeit subtlety, that he is crazy in love with her are genuine, or if it really is true that players only love you when they’re playing.
I think it’s kind of obvious that most of what I have to say is in the way of anger directed at Milo. Because he kind of sucks, but I suppose that’s the point, as his character growth is the main thing that evolves over the course of these book. Whether or not he changes enough is up to the reader, because cozy mysteries are often written in a way where the characters never feel too different from installment to installment so that you could technically read any volume at any time, but the changes are there if you look hard enough. Anyway, he's a good example of one of those guys who are so damn obsessed with appearing indifferent and aloof at all times that he never actually realizes that he’s actively ruining his own life. He thinks he’s cooking, but no, he’s just cooked. Don’t get me wrong, I don’t actually think he’s a bad character per se, and I’m one of those people who thinks he does improve (from book three onward), but I don’t think the narrative fully explores the repercussions that Milo’s specific brand of toxicity can have on himself and the people around him. The author puts in other shitty dudes in order to make Milo look like a saint in comparison, but I hardly think it absolves this guy from all his shitty behavior, and it wasn't all that realistic to me how every character other than Amory bent over backwards for this tool. Sorry, but charm and good looks can only take you so far before people don’t want anything to do with you anymore. Maybe this is just my vindictive side speaking, but I still think that he gets off too easy. And I’ve read all seven books! Is he a bad husband? Yes. But does that make him a bad person? Ding ding ding, yes again! Look at it this way, imagine being so obsessed with appearing unknowable that even your spouse believes it possible that you could be a killer in hiding. I suppose Milo is written this way to feel mysteriously sexy, but in my opinion, this just makes him pathetic. And a terrible bore, at that. I'd like him more if the author allowed him some vulnerability, all crying and running around like the guy from Sade's "Is It a Crime" music video. It's just funny to see how all of their marital issues could have been swiftly avoided if he’d learned how to apologize to Amory like her name was Betty. The truth is that the first time I read these books I was mostly reading along to see if Amory would divorce Milo, but going back I have to admit that their relationship does slowly, but surely, improve on the reread. I even started to enjoy their dynamic after a while! Besides, to judge their relationship solely on the first novel in a series of seven would be like stopping Lemonade on “Don’t Hurt Yourself” before you hear Beyoncé’s blissful relief as she says “Oh… I missed you, my love" at the end of “All Night.” And it’s like I said, if anything, these books are about the marriage between two deeply emotionally repressed people, so I guess it’s pretty realistic that most of the story would be about Amory and Milo navigating through the process of learning how to properly communicate with each other, because if they accomplish that, then maybe even forgiveness is on the table. These things take time. But as of right now… we’re on track one, so I’m still on some “tonight I'm fucking up all your shit, boy”–type shit. We’ll cross the “forgiveness” road when we get to it.
"Naturally. If I were to be murdered, I would leave you with heaps of money and free to do as you please.”
"You needn’t be murdered for that, I could just as easy accomplish it with a divorce.”
"Touché, my love.”
March 6, 2020
I definitely chose this one for its cover and I was very lucky that the content was as good!
Written in the style of an Agatha Christie novel, the book is set in an English hotel in an age when the wealthy indulged in afternoon teas, dressed formally for dinner and everyone smoked. Amory Ames is one of the wealthy, beautiful, intelligent and unhappy in her marriage. She is invited by her ex fiancé to join a party at the Brightwell Hotel and the story proceeds from there.
I found the writing to be good and the characters interesting. There were lots of them but that was necessary since quite a few of them died and there needed to be sufficient of them left to confuse us as to the identity of the murderer. There were plenty of red herrings too which kept things adequately mysterious.
It was all very enjoyable and set the scene up for the books to follow in the series. I will certainly be looking out now for the second book.
My thanks to Netgalley for the opportunity to read and review this book.
Written in the style of an Agatha Christie novel, the book is set in an English hotel in an age when the wealthy indulged in afternoon teas, dressed formally for dinner and everyone smoked. Amory Ames is one of the wealthy, beautiful, intelligent and unhappy in her marriage. She is invited by her ex fiancé to join a party at the Brightwell Hotel and the story proceeds from there.
I found the writing to be good and the characters interesting. There were lots of them but that was necessary since quite a few of them died and there needed to be sufficient of them left to confuse us as to the identity of the murderer. There were plenty of red herrings too which kept things adequately mysterious.
It was all very enjoyable and set the scene up for the books to follow in the series. I will certainly be looking out now for the second book.
My thanks to Netgalley for the opportunity to read and review this book.
December 10, 2017
You know, this may be a modern American writing about about times gone by in the SW of England but nonetheless it is still a good book. The writing is excellent and it is a great detective story. I will certainly read more in this series.
It is not an Agatha Christie, but believe me, it is not far short.
It is not an Agatha Christie, but believe me, it is not far short.
October 25, 2015
I loved this!! I love it when I find a novel in which I enjoy the storyline, the characters, the scenery, and the writing. I simply can't wait to read the next one and I only hope there will be more after that one:)
Deborah Crombie described this best by saying," An elegant Christie-esque 1930's romp."
Deborah Crombie described this best by saying," An elegant Christie-esque 1930's romp."
November 18, 2014
I persevered and finished! Yay me! Unfortunately, I have no idea why I bothered. The protagonist is a complete and utter moron who behaves as stupidly as possible at every opportunity. The police officer behaves in completely un-police-like ways. Socio-economic class issues, which might have given this some desperately needed depth, are briefly hinted at but then glossed over. The marital woes - apparently intended to provide that depth - are just as insipid as the protagonist. The mystery itself wasn't dreadful, but it certainly gave readers nothing new. Comparisons to Dame Agatha are completely unfounded (at least the positive comparisons). There's a hint at the end that this could become a series; I would certainly not bother.
October 6, 2014
This delightful murder mystery is set in 1932. Amory Ames regrets her five year marriage to playboy Milo, who seems to spend his time holidaying without her and appearing in the gossip columns, when she is approached by her ex fiancé Gil Trent. Gil’s sister, Emmeline, is planning to marry Rupert Howe – a man who reminds Gil worryingly of Milo. Gil invites Amory to join a group of friends holidaying at the Brightwell Hotel, as Emmeline and Rupert will both be there, in the hope that she can warn her of the consequences of marrying in haste. Amory is unsure of how she can help, but agrees to go, even though Milo has suddenly returned home.
This is a classic Golden Age scenario. A great cast of characters are at the Brightwell when Amory arrives – including actor Lionel Blake, Nelson Hamilton and his soft spoken wife Larissa, solicitor Edward Rodgers and his platinum blonde wife Anne, the flashy Veronica Carter and Olive Henderson. There are lots of secrets, unrequited love and, before long, murder… When Gil is a suspect, Amory decides she must help clear his name. However, if she had conflicted feelings about Gil before, life is going to become even more complicated when Milo follows her to the Brightwell and becomes involved in her sleuthing.
I thought this was a charming book, with a great central character in Amory, aided by the deliciously handsome Milo. This will appeal to readers who enjoy books by authors such as Carola Dunn and Nicola Upson. I hope very much that this becomes a long running series, as I can’t wait to read more adventures starring Amory Ames.
This is a classic Golden Age scenario. A great cast of characters are at the Brightwell when Amory arrives – including actor Lionel Blake, Nelson Hamilton and his soft spoken wife Larissa, solicitor Edward Rodgers and his platinum blonde wife Anne, the flashy Veronica Carter and Olive Henderson. There are lots of secrets, unrequited love and, before long, murder… When Gil is a suspect, Amory decides she must help clear his name. However, if she had conflicted feelings about Gil before, life is going to become even more complicated when Milo follows her to the Brightwell and becomes involved in her sleuthing.
I thought this was a charming book, with a great central character in Amory, aided by the deliciously handsome Milo. This will appeal to readers who enjoy books by authors such as Carola Dunn and Nicola Upson. I hope very much that this becomes a long running series, as I can’t wait to read more adventures starring Amory Ames.
April 8, 2020
When ex fiancé Gil Trent telephoned Amory Ames and asked that she accompany him for a week to the Brightwell Hotel, Amory was bemused. It seemed that Gil’s sister Emmeline was engaged to Rupert Howe, a ladies’ man that Gil didn’t trust. He knew Amory’s marriage of the past five years to Milo was shaky at best and he hoped Amory could persuade Emmeline to rethink her engagement, based on Amory and Milo’s marriage.
Amory’s arrival at the Brightwell and the subsequent events, which included murder, an arrest, danger as Amory investigated, and the shock of seeing Milo arrive on the scene, all culminated in a conclusion which saw the remaining guests leaving the Brightwell, probably never to return…
Murder at the Brightwell is the debut historical mystery/cozy novel by Ashley Weaver, and is also the 1st in the Amory Ames series. It was fun, lighthearted (even with murder at its core!) and highly entertaining. The days of polite society, women who – dressed to the nines – look down their noses at anyone deemed less important than they are, are fortunately not so prevalent these days. I thoroughly enjoyed this one, and look forward to searching out the second in the series. Highly recommended.
With thanks to NetGalley and the publisher for my digital ARC to read in exchange for my honest review.
Amory’s arrival at the Brightwell and the subsequent events, which included murder, an arrest, danger as Amory investigated, and the shock of seeing Milo arrive on the scene, all culminated in a conclusion which saw the remaining guests leaving the Brightwell, probably never to return…
Murder at the Brightwell is the debut historical mystery/cozy novel by Ashley Weaver, and is also the 1st in the Amory Ames series. It was fun, lighthearted (even with murder at its core!) and highly entertaining. The days of polite society, women who – dressed to the nines – look down their noses at anyone deemed less important than they are, are fortunately not so prevalent these days. I thoroughly enjoyed this one, and look forward to searching out the second in the series. Highly recommended.
With thanks to NetGalley and the publisher for my digital ARC to read in exchange for my honest review.
October 17, 2014
Set at a luxury resort by the sea in 1930’s Britain, Murder at Brightwell has all the ingredients of a perfect diversion--well burnished prose, a captivating plot, witty dialog, elegant fashions, charming cads, upper class shenanigans, love gone wrong, secrets galore, an appealing main character, and murder. What could be more fun than that? I dashed through the story.
Five years ago Amory Ames married Milo, her far too charismatic playboy husband, and then regretted that choice almost immediately. Milo jaunts off to places like Monte Carlo to engage in gossip column worthy amusements far too often, leaving Amory all alone with the servants, so when her former fiancé knocks on the door one day Amory can’t help wondering what might have been. Amory has known Gil Trent since they were children and he’s everything Milo is not--steady, dependable, and trustworthy. After years of no contact he’s come to ask a favor that involves Amory accompanying him on a holiday by the sea, and Amory decides, why not? It’s a request and opportunity she can’t resist, but then someone is murdered and Gil is accused and Milo of all people shows up making everything all the more confusing.
Amory investigates, of course, and a wonderful cast of characters make up the possible suspects. The romance and murder aspects of the story are finely balanced so that both threads kept me in suspense for most of the book. Murder at Brightwell is author Ashley Weaver’s debut novel, and I will be eagerly awaiting her second.
Five years ago Amory Ames married Milo, her far too charismatic playboy husband, and then regretted that choice almost immediately. Milo jaunts off to places like Monte Carlo to engage in gossip column worthy amusements far too often, leaving Amory all alone with the servants, so when her former fiancé knocks on the door one day Amory can’t help wondering what might have been. Amory has known Gil Trent since they were children and he’s everything Milo is not--steady, dependable, and trustworthy. After years of no contact he’s come to ask a favor that involves Amory accompanying him on a holiday by the sea, and Amory decides, why not? It’s a request and opportunity she can’t resist, but then someone is murdered and Gil is accused and Milo of all people shows up making everything all the more confusing.
Amory investigates, of course, and a wonderful cast of characters make up the possible suspects. The romance and murder aspects of the story are finely balanced so that both threads kept me in suspense for most of the book. Murder at Brightwell is author Ashley Weaver’s debut novel, and I will be eagerly awaiting her second.
May 7, 2023
I've wanted to read this, in what feels like years and was more than excited when I found it on my book app.
I really liked Amory Ames as a character and while her husband is far from a good partner for her, he was a bit intriguing to read about as well. The murder plot was well done and I was deeply engaged with the story. Already reading book two.
I really liked Amory Ames as a character and while her husband is far from a good partner for her, he was a bit intriguing to read about as well. The murder plot was well done and I was deeply engaged with the story. Already reading book two.
September 23, 2019
4.5 stars.
I kind of loved this. Scratch that. I definitely loved this. Clever, utterly charming, and thoroughly entertaining. Curling up with a cup of tea and a Masterpiece Mystery has long given me the warm fuzzies. I think that this series will have a similar effect. But let's not examine WHY murder mysteries make me feel so cozy and content...
Set in 1930s England, Murder at the Brightwell follows Amory Ames' unlikely trajectory from wealthy socialite to amateur sleuth. She attempts to solve the murder of a notorious ladies' man while juggling the reappearance of another ladies' man - her estranged husband, Milo. I can't help but suspect that Milo is not the careless playboy that he appears to be, and I'm looking forward to finding out.
Many thanks, Critterbee*, for the intel that gave me a much-needed push. I don't regret moving forward for a second. On the contrary, it's been some time since I felt so excited about a series!
I kind of loved this. Scratch that. I definitely loved this. Clever, utterly charming, and thoroughly entertaining. Curling up with a cup of tea and a Masterpiece Mystery has long given me the warm fuzzies. I think that this series will have a similar effect. But let's not examine WHY murder mysteries make me feel so cozy and content...
Set in 1930s England, Murder at the Brightwell follows Amory Ames' unlikely trajectory from wealthy socialite to amateur sleuth. She attempts to solve the murder of a notorious ladies' man while juggling the reappearance of another ladies' man - her estranged husband, Milo. I can't help but suspect that Milo is not the careless playboy that he appears to be, and I'm looking forward to finding out.
Many thanks, Critterbee*, for the intel that gave me a much-needed push. I don't regret moving forward for a second. On the contrary, it's been some time since I felt so excited about a series!
October 11, 2016
This mystery, selected by a book group here on Goodreads, which is how I happened to read it, is the debut mystery by a young writer who gets a “nice try, but.” Ashley Weaver builds her adequate but no more than that story around a goodly helping of mystery cliches.
This first person mystery starts with the classic country house (in this case a seaside hotel, but same difference) where a group of friends gathers for a few days, offering the traditional limited group of potential victims and murderers. Her protagonist, Amory Ames, is a semi-outsider to the group, having been invited by one of the group (a former fiancé who was rejected when a more alluring prospect came along but who still carries a flame for her) to use the occasion to wrest his sister from the embraces of a perceived cad who has become engaged to her. I say semi-outsider because most of the other guests, friends of each other, are previously unknown to her. So in another mystery cliche we get to meet the potential victims and subjects through their gradual introductions to her as they appear at tea or dinner.
Amory Ames is, of course, a feisty, independent, intelligent young woman. That’s de rigueur. Naturally her husband, who she wavers between loving and hating, who has spent the past five years in Monte Carlo paying no attention to her, shows up without warning or notice a few hours before her departure for the hotel, adding a complication to the situation which tests the credulity of the reader.
Mrs. Ames, again of course, is the one who finds the body. The murdered man is, no surprise, the cad, and her friend, of course, is suspected and arrested. She, of course, is convinced of his innocence (she KNOWS him, he could NEVER murder anybody), and so, also as expected, decides for no discernibly adequate reason to distrust the police and go about playing amateur detective. And in yet another reliably invoked cliche, the detective inspector who comes to investigate strikes up a highly unprofessional friendship with Mrs. Ames, sharing confidences with her and disregarding her potential as a murderer helping her friend rescue his sister from the clutches of the cad.
Cliche piles on cliche. The detective, seeing that the victim who tumbled down a cliff to his death has a bruise on his head, concludes that he was struck by a blunt instrument, and jumps to the unprofessional conclusion that it was murder, completely disregarding the possibilities that it was accident or manslaughter, but this is a murder mystery, so murder it must be. Once the item with which he was struck is revealed it’s obvious that it could never have made an injury that could reasonably be described as being from a blunt instrument, but the cliche requires a blunt instrument, and so it becomes one. We have, of course, the traditional demand that the members of the party must remain on site until the police are ready to let them depart, adding to the internal stresses and making sure that all prospective suspects remain available to interact with and be suspected and questioned by our amateur detective.
Meanwhile, we need to toss some unrelated complications in to the protagonist’s life. So ... the friend comes to her room to consult on the murder, gets drunk and spends the night (innocently, as it turns out, but the appearance is sufficient). The husband shows up at the hotel, again unexpectedly, and finds out about the incident, with the expected result. In order to complicate things, and for no apparent other reason, the husband lies and behaves otherwise in a manner which makes his wife suspect him of being the killer. She dithers and wavers between the husband and the friend as to whether she regretted her decision to switch horses those several years ago and who she really loves, and so we have this completely unrelated tangle, the warp to the weft of the mystery, including an incident where the couple, having broken into guest rooms in search of clues, in another reliable cliche, when the guest shows up unexpectedly wind up hiding together in a closet while a second victim is being murdered a few feet away.
Eventually, of course, our protagonist breaks into yet another guest’s room in a search for clues (not only is she trespassing, but the police could not have made this search without a warrant, but of course our protagonist is above the law), is found there, discovers who the murderer and the motive are, is threatened at gunpoint, manages to turn the tables and subdue the killer, during which the gun discharges without hitting anybody, when, no cliche being left unturned, the friend and detective burst into the room to find her standing over the now revealed murderer.
If there are any murder mystery cliches I have forgotten to mention, be assured that they are nonetheless present and accounted for.
The characterizations are adequate but not memorable, the setting adequately but not well developed, the motive barely sufficient to justify murder, and in general, the book, as I said at the beginning, a nice try, but.
This first person mystery starts with the classic country house (in this case a seaside hotel, but same difference) where a group of friends gathers for a few days, offering the traditional limited group of potential victims and murderers. Her protagonist, Amory Ames, is a semi-outsider to the group, having been invited by one of the group (a former fiancé who was rejected when a more alluring prospect came along but who still carries a flame for her) to use the occasion to wrest his sister from the embraces of a perceived cad who has become engaged to her. I say semi-outsider because most of the other guests, friends of each other, are previously unknown to her. So in another mystery cliche we get to meet the potential victims and subjects through their gradual introductions to her as they appear at tea or dinner.
Amory Ames is, of course, a feisty, independent, intelligent young woman. That’s de rigueur. Naturally her husband, who she wavers between loving and hating, who has spent the past five years in Monte Carlo paying no attention to her, shows up without warning or notice a few hours before her departure for the hotel, adding a complication to the situation which tests the credulity of the reader.
Mrs. Ames, again of course, is the one who finds the body. The murdered man is, no surprise, the cad, and her friend, of course, is suspected and arrested. She, of course, is convinced of his innocence (she KNOWS him, he could NEVER murder anybody), and so, also as expected, decides for no discernibly adequate reason to distrust the police and go about playing amateur detective. And in yet another reliably invoked cliche, the detective inspector who comes to investigate strikes up a highly unprofessional friendship with Mrs. Ames, sharing confidences with her and disregarding her potential as a murderer helping her friend rescue his sister from the clutches of the cad.
Cliche piles on cliche. The detective, seeing that the victim who tumbled down a cliff to his death has a bruise on his head, concludes that he was struck by a blunt instrument, and jumps to the unprofessional conclusion that it was murder, completely disregarding the possibilities that it was accident or manslaughter, but this is a murder mystery, so murder it must be. Once the item with which he was struck is revealed it’s obvious that it could never have made an injury that could reasonably be described as being from a blunt instrument, but the cliche requires a blunt instrument, and so it becomes one. We have, of course, the traditional demand that the members of the party must remain on site until the police are ready to let them depart, adding to the internal stresses and making sure that all prospective suspects remain available to interact with and be suspected and questioned by our amateur detective.
Meanwhile, we need to toss some unrelated complications in to the protagonist’s life. So ... the friend comes to her room to consult on the murder, gets drunk and spends the night (innocently, as it turns out, but the appearance is sufficient). The husband shows up at the hotel, again unexpectedly, and finds out about the incident, with the expected result. In order to complicate things, and for no apparent other reason, the husband lies and behaves otherwise in a manner which makes his wife suspect him of being the killer. She dithers and wavers between the husband and the friend as to whether she regretted her decision to switch horses those several years ago and who she really loves, and so we have this completely unrelated tangle, the warp to the weft of the mystery, including an incident where the couple, having broken into guest rooms in search of clues, in another reliable cliche, when the guest shows up unexpectedly wind up hiding together in a closet while a second victim is being murdered a few feet away.
Eventually, of course, our protagonist breaks into yet another guest’s room in a search for clues (not only is she trespassing, but the police could not have made this search without a warrant, but of course our protagonist is above the law), is found there, discovers who the murderer and the motive are, is threatened at gunpoint, manages to turn the tables and subdue the killer, during which the gun discharges without hitting anybody, when, no cliche being left unturned, the friend and detective burst into the room to find her standing over the now revealed murderer.
If there are any murder mystery cliches I have forgotten to mention, be assured that they are nonetheless present and accounted for.
The characterizations are adequate but not memorable, the setting adequately but not well developed, the motive barely sufficient to justify murder, and in general, the book, as I said at the beginning, a nice try, but.
June 3, 2020
3.5 / 5.0 stars
This first book in series was a delicious introduction to the Amory Ames mystery series by talented author, Ashley Weaver. There is depth to her very human characters, each one a bit flawed in their own special way. The interplay among characters is quite believable, as emotions run high throughout the story. One gets a strong sense of time, place, and the glitz and glamour of the Bristish aristocracy on holiday at the seaside. It doesn't take long for a corpse to appear on scene. Then it's off to the races to figure out who had it in for the poor soul.
England, Summer of 1932
Amory Ames, is a delightful young aristocrat whose errant husband of five years, Milo Ames, has caused pure embarrassment to her and brought shame to their marriage. In her frustration and sorrow, she is at a crossroad in her life. She tires of hearing the tawdry gossip concerning Milo and his playboy exploits all over the continent. Shortly after he returns home to Kent, Amory is visited by Gilmore Trent, the fiancé she jilted when swept up into the vortex of Milo's exhilarating and thrilling existence. Gil seeks out Amory on the pretense that he needs her assistance in shepherding his sister, Emmeline, away from a disastrous engagement to Rupert Howe. Would she please consider joining them at the seaside and advise Emmeline away from a marriage which would probably become too much like her own. Sure, why not get away and head for the seaside? What's good for the gander is surely good for the goose. And off they go, leaving Milo behind, or did they?
That first night at the Brightwell, dinner was awkward and a bit stiff with all the posh friends of Gil's and Emmeline's. It didn't take Amory long to size up the members of the group and determine who was friend and who should be avoided at all costs. By the next morning, it appeared that one of their party had taken a spill over the hotel balcony and wouldn't be joining them for breakfast or any subsequent meals. As it was Amory who spotted the body, she decides to take on the sleuthing work to figure out who really is friend and who is foe. Then enter stage right, Milo Ames, just to stir things up and provide fodder for the gossip rags.
This was a fun story with a bit more depth than most cozy mysteries. This seems to be the way of most historically set mysteries. With six books already out in this series, it would appear that this reader has some catching up to do and they're looking forward to it.
I am grateful to author Ashley Weaver and her publsiher, Thomas Minotaur Books for having provided a free uncorrected digital galley of this book through NetGalley. Their generosity, however, has not influenced this review - the words of which are mine alone.
This first book in series was a delicious introduction to the Amory Ames mystery series by talented author, Ashley Weaver. There is depth to her very human characters, each one a bit flawed in their own special way. The interplay among characters is quite believable, as emotions run high throughout the story. One gets a strong sense of time, place, and the glitz and glamour of the Bristish aristocracy on holiday at the seaside. It doesn't take long for a corpse to appear on scene. Then it's off to the races to figure out who had it in for the poor soul.
England, Summer of 1932
Amory Ames, is a delightful young aristocrat whose errant husband of five years, Milo Ames, has caused pure embarrassment to her and brought shame to their marriage. In her frustration and sorrow, she is at a crossroad in her life. She tires of hearing the tawdry gossip concerning Milo and his playboy exploits all over the continent. Shortly after he returns home to Kent, Amory is visited by Gilmore Trent, the fiancé she jilted when swept up into the vortex of Milo's exhilarating and thrilling existence. Gil seeks out Amory on the pretense that he needs her assistance in shepherding his sister, Emmeline, away from a disastrous engagement to Rupert Howe. Would she please consider joining them at the seaside and advise Emmeline away from a marriage which would probably become too much like her own. Sure, why not get away and head for the seaside? What's good for the gander is surely good for the goose. And off they go, leaving Milo behind, or did they?
That first night at the Brightwell, dinner was awkward and a bit stiff with all the posh friends of Gil's and Emmeline's. It didn't take Amory long to size up the members of the group and determine who was friend and who should be avoided at all costs. By the next morning, it appeared that one of their party had taken a spill over the hotel balcony and wouldn't be joining them for breakfast or any subsequent meals. As it was Amory who spotted the body, she decides to take on the sleuthing work to figure out who really is friend and who is foe. Then enter stage right, Milo Ames, just to stir things up and provide fodder for the gossip rags.
This was a fun story with a bit more depth than most cozy mysteries. This seems to be the way of most historically set mysteries. With six books already out in this series, it would appear that this reader has some catching up to do and they're looking forward to it.
I am grateful to author Ashley Weaver and her publsiher, Thomas Minotaur Books for having provided a free uncorrected digital galley of this book through NetGalley. Their generosity, however, has not influenced this review - the words of which are mine alone.
December 22, 2014
Was looking forward to "Thin Man" style of elegance and humor, instead got a Harlequin romance with murder. Meh.
May 31, 2016
Bright, young thing Amory Ames is in her fifth year of an unsatisfactory marriage to the devilishly handsome and charming (but philandering) Milo when her former beau Gil Trent shows up with a request for a favor: Will Amory accompany him to the seaside for a weeklong holiday to talk his little sister Emmeline out of entering into a similar marriage?
It doesn’t take Amory long to see that Emmeline’s fiancé, Rupert Howe, is cut from the exactly same cloth as Milo Ames: good-looking, wealthy, exciting, and polished, but conceited and selfish. Amory’s nuanced talk appears to succeed where Gil’s heavy-handed entreaties of Emmeline and threats against Rupert have not. But we’ll never know for certain, as Rupert is killed — and poor Gil is arrested! Amory, convinced of Gil’s innocence, takes it upon herself to prove his innocence.
While the premise may sound cliché, author Ashley Weaver has penned a cozy mystery that’s plausible, charming, and intriguing. Set in 1932, Murder at the Brightwell feels as if it were set a decade earlier, with the gaiety and recklessness of 1920s. And Amory Ames is such a delightful heroine — generous, clever, and witty — that I cannot wait to begin the sequel, Death Wears a Mask, so as to get another dose of her.
For those listening to the Audible edition of Murder at the Brightwell, narrator Billie Fulford-Brown does a respectable job with the women’s voices, although the male ones are barely differentiated. Still, I enjoyed listening to the book overall.
It doesn’t take Amory long to see that Emmeline’s fiancé, Rupert Howe, is cut from the exactly same cloth as Milo Ames: good-looking, wealthy, exciting, and polished, but conceited and selfish. Amory’s nuanced talk appears to succeed where Gil’s heavy-handed entreaties of Emmeline and threats against Rupert have not. But we’ll never know for certain, as Rupert is killed — and poor Gil is arrested! Amory, convinced of Gil’s innocence, takes it upon herself to prove his innocence.
While the premise may sound cliché, author Ashley Weaver has penned a cozy mystery that’s plausible, charming, and intriguing. Set in 1932, Murder at the Brightwell feels as if it were set a decade earlier, with the gaiety and recklessness of 1920s. And Amory Ames is such a delightful heroine — generous, clever, and witty — that I cannot wait to begin the sequel, Death Wears a Mask, so as to get another dose of her.
For those listening to the Audible edition of Murder at the Brightwell, narrator Billie Fulford-Brown does a respectable job with the women’s voices, although the male ones are barely differentiated. Still, I enjoyed listening to the book overall.
November 5, 2022
Amory Ames decides to go to the seashore with her ex-fiancé Gil Trent and is SHOCKED when her estranged husband Milo shows up to flirt with her. Also, there's like a dead dude and mysteries or whatever.
1. I liked this! It's a fun little froth of a thing, set gently in the post-WWI era of glitzy excess and continental drift. Amory seems like an interesting heroine and Milo a potentially enthralling hero. But.
2. But. I'm still not a fan of the first person POV. It works much better here than it does in the Electra McDonnell books (I think), partially because there isn't an attempt to shoehorn UST into it. Like, there's UST in this, but it's much more about the positioning of the characters and the facts of the situation than it is about the main character maybe-maybe-not noticing another character ogling her in a way that's meant to culminate in romance.
It's still terrible, of course, but a bit less unpalatable here.
3. Milo's drivers are a complete mystery, which I kind of like and kind of don't. I want to have Suspicions about what he's Really Up To but the text isn't giving me enough to really chomp onto. Instead, he's kind of virulent and a little confusing.
I still ship it, tho.
4. I am really, really bad at reading mysteries which is not a reflection of this book but just a thing I am noticing. I think I'm getting the clues and come to really spurious assumptions about things and then get really frustrated when I'm super wrong. Which is fine, it's just A THING that keeps happening to me.
1. I liked this! It's a fun little froth of a thing, set gently in the post-WWI era of glitzy excess and continental drift. Amory seems like an interesting heroine and Milo a potentially enthralling hero. But.
2. But. I'm still not a fan of the first person POV. It works much better here than it does in the Electra McDonnell books (I think), partially because there isn't an attempt to shoehorn UST into it. Like, there's UST in this, but it's much more about the positioning of the characters and the facts of the situation than it is about the main character maybe-maybe-not noticing another character ogling her in a way that's meant to culminate in romance.
It's still terrible, of course, but a bit less unpalatable here.
3. Milo's drivers are a complete mystery, which I kind of like and kind of don't. I want to have Suspicions about what he's Really Up To but the text isn't giving me enough to really chomp onto. Instead, he's kind of virulent and a little confusing.
I still ship it, tho.
4. I am really, really bad at reading mysteries which is not a reflection of this book but just a thing I am noticing. I think I'm getting the clues and come to really spurious assumptions about things and then get really frustrated when I'm super wrong. Which is fine, it's just A THING that keeps happening to me.
October 13, 2021
From the onset, Amory Ames was beset with a troubled marriage. As it happened, her husband’s return from the Riviera coincided with her ex-fiancee at their door. She hadn’t seen Gilmore Trent since their break-up more than five years ago. But Amory was miffed at Milo’s two-month sojourn so she accepted Gil’s plea for help.
I wasn’t sure what to think of Milo and Amory Ames. Their story took place in England in 1932. The Great Depression had spread across the globe but the Ames, with all their wealth, appeared immune. With airs of The Thin Man, the mystery had some pleasant twists. Though the main characters were not always endearing, they were painted with master strokes. I found I wanted to learn more about this unsettled couple’s past.
There were layers to be unwrapped while reading. I can’t remember when I wasn’t particularly fond of either MC but I enjoyed the descriptive narrative of the mystery. 3.5 stars for a decent introduction to the series and hoping the Ames work through their personal turmoils.
I wasn’t sure what to think of Milo and Amory Ames. Their story took place in England in 1932. The Great Depression had spread across the globe but the Ames, with all their wealth, appeared immune. With airs of The Thin Man, the mystery had some pleasant twists. Though the main characters were not always endearing, they were painted with master strokes. I found I wanted to learn more about this unsettled couple’s past.
There were layers to be unwrapped while reading. I can’t remember when I wasn’t particularly fond of either MC but I enjoyed the descriptive narrative of the mystery. 3.5 stars for a decent introduction to the series and hoping the Ames work through their personal turmoils.
October 27, 2016
This delightful murder mystery is set in 1932. Amory Ames regrets her five year marriage to playboy Milo, who seems to spend his time holidaying without her and appearing in the gossip columns, when she is approached by her ex fiancé Gil Trent. Gil’s sister, Emmeline, is planning to marry Rupert Howe – a man who reminds Gil worryingly of Milo. Gil invites Amory to join a group of friends holidaying at the Brightwell Hotel, as Emmeline and Rupert will both be there, in the hope that she can warn her of the consequences of marrying in haste. Amory is unsure of how she can help, but agrees to go, even though Milo has suddenly returned home.
This is a classic Golden Age scenario. A great cast of characters are assembled at the Brightwell when Amory arrives – including actor Lionel Blake, Nelson Hamilton and his soft spoken wife Larissa, solicitor Edward Rodgers and his platinum blonde wife Anne, the flashy Veronica Carter and banker’s daughter Olive Henderson. There are lots of secrets, unrequited love and, before long, murder… When Gil is a suspect, Amory decides she must help clear his name. However, if she had conflicted feelings about Gil before, life is going to become even more complicated when Milo follows her to the Brightwell and becomes involved with her sleuthing.
I thought this was a charming book, with a great central character in Amory, aided by the deliciously handsome Milo. Set at a fashionable British seaside resort, the author has skilfully recreated the period between the wars. The depression is hinted at, but both Amory and Milo obviously come from backgrounds of both wealth and privilege. This will appeal to readers who enjoy books by authors such as Carola Dunn and Nicola Upson and I hope very much that this becomes a long running series, as I can’t wait to read more adventures starring Amory Ames.
This is a classic Golden Age scenario. A great cast of characters are assembled at the Brightwell when Amory arrives – including actor Lionel Blake, Nelson Hamilton and his soft spoken wife Larissa, solicitor Edward Rodgers and his platinum blonde wife Anne, the flashy Veronica Carter and banker’s daughter Olive Henderson. There are lots of secrets, unrequited love and, before long, murder… When Gil is a suspect, Amory decides she must help clear his name. However, if she had conflicted feelings about Gil before, life is going to become even more complicated when Milo follows her to the Brightwell and becomes involved with her sleuthing.
I thought this was a charming book, with a great central character in Amory, aided by the deliciously handsome Milo. Set at a fashionable British seaside resort, the author has skilfully recreated the period between the wars. The depression is hinted at, but both Amory and Milo obviously come from backgrounds of both wealth and privilege. This will appeal to readers who enjoy books by authors such as Carola Dunn and Nicola Upson and I hope very much that this becomes a long running series, as I can’t wait to read more adventures starring Amory Ames.
May 26, 2018
I found this a wonderful historical mystery that surprised me several times. I love it when I don't guess the murderer, not from lack of clues but from not seeing how they all fit together until the end. It lets my mind stay busy with suspecting everyone, and I don't feel cheated when I'm surprised by the pieces of the puzzle clicking together.
I also very much enjoyed the drama of Amory's marriage troubles, which gave it more emotional depth than is often present in these types of mysteries. Those who prefer their mysteries without any romantic distractions may not enjoy it so much, but I tend to prefer mine with a good dose of character development outside of the mystery itself.
Another positive for me is that although there was romance, it was not about people just meeting and falling in love. Instead it dealt with the much more complex issues of an established relationship on shaky ground. I found Amory's state of mind to be realistic in the circumstances and was completely engrossed in her struggles to find the truth of her own heart. I want to know what happens to her next, and that's what will drive me to pick up the next book.
I also very much enjoyed the drama of Amory's marriage troubles, which gave it more emotional depth than is often present in these types of mysteries. Those who prefer their mysteries without any romantic distractions may not enjoy it so much, but I tend to prefer mine with a good dose of character development outside of the mystery itself.
Another positive for me is that although there was romance, it was not about people just meeting and falling in love. Instead it dealt with the much more complex issues of an established relationship on shaky ground. I found Amory's state of mind to be realistic in the circumstances and was completely engrossed in her struggles to find the truth of her own heart. I want to know what happens to her next, and that's what will drive me to pick up the next book.
Want to read
January 6, 2022I would like to read this part romance, part cozy mystery, part period piece, which was recommended by Old Latin Teacher on Amazon. And yet -- maybe I'm just too cheap -- but I am not inclined to fork over $9.99 for an unknown author's debut novel.
Edited to add 6 Jan 2022: Now $2.99 at the Amazon (US) Kindle store.
Edited to add 6 Jan 2022: Now $2.99 at the Amazon (US) Kindle store.
July 5, 2022
The narrator for this audiobook was absolutely horrid . But the other books in this series have a different narrator so I'm hoping they will be better... Unfortunately, I cannot find any e-books at my library for this series. I really enjoyed the characters but I couldn't enjoy the story fully because of the audiobook.
May 8, 2017
This was probably really 2 1/2 ☆. For much of the book it was hovering around 1-2☆ but I thought it perked up a bit at the end.
The author spent far too much time describing what her main character, Amory Ames, was wearing. Is Amory a common name? Or perhaps it was supposed to be a family name. It wasn't just that she changed into a gray suit but she had to describe all the facets about it. I gave some allowance to the author as it was her first book. But where was her editor?
Not a house party but an engagement party at a hotel at the seashore. Then the bodies start falling.
A little too much about Amory being torn between her husband Milo and former boyfriend Gil. How did a normal name like Gil get mixed up with all these other strange names? I have been known to turn down books simply because characters have strange first names.
The author spent far too much time describing what her main character, Amory Ames, was wearing. Is Amory a common name? Or perhaps it was supposed to be a family name. It wasn't just that she changed into a gray suit but she had to describe all the facets about it. I gave some allowance to the author as it was her first book. But where was her editor?
Not a house party but an engagement party at a hotel at the seashore. Then the bodies start falling.
A little too much about Amory being torn between her husband Milo and former boyfriend Gil. How did a normal name like Gil get mixed up with all these other strange names? I have been known to turn down books simply because characters have strange first names.
December 20, 2014
Clunky, absurd, and thoroughly unsatisfying.
December 31, 2020
🍸🍸🍸🍸 (four stars as rated in class-ass martinis, darling)
I was given an advanced reader copy of this book by the publisher via NetGalley in exchange for an honest review.
Ashley Weaver, you evil genius. Giving out free “ARC’s” of the first book in your deliciously bingeable series to get us all hooked? Brilliant! Murder at the Brightwell was so much fun! I love “locked door” style period mysteries and this one was ab-so-lutely delightful. Not to mention, classy af. 🎩 The story is perfect for fans of Agatha Christie or Jaqueline Winspear and, as a fan of both, I just adored it.
Ashley Weaver’s writing is gorgeous. And I found the mystery to be fantastic. It accomplished everything I seek from this genre without getting overly convoluted. The conclusion came as a surprise to me (a big win) and I really didn’t know who to believe until all was revealed at the end.
As for the love triangle.... siiiiigh. I did not want Amory to end up with . But nor did I feel that her relationship arc with was satisfying enough for her to I needed more discussion about what happened between them prior to this story in order to give their love a legitimate second shot.
That being said, I am genuinely looking forward to book 2. I am hoping for the MAJOR redemption story of in the second book because without that I am going to be MAD! I mean, he has a lot to make up for... A LOT.
Content Warnings for this book: murder and attempted murder, infidelity, attempted suicide, drowning, dysfunctional relationship, toxic relationship, emotional abuse, bullying, manipulation
May 11, 2019
Amory Ames is a wealthy young woman who regrets her marriage to her notoriously charming playboy husband, Milo. Looking for a change, she accepts a request for help from her former fiancé, Gil Trent, not knowing that she’ll soon become embroiled in a murder investigation that will test not only her friendship with Gil, but will upset the status quo with her husband.
First let me say that I really like the cover. I know, nothing to do with the writing, but nice to look at.
At the beginning I thought "oh no" but I found the main character appealing and enjoyed this light read. This would be a good beach or vacation book.
Think about this quote for a while and you'll have the gist of the company you will be keeping as you read this cozy novel.
“The letter wasn't at all in Milo's style. He would have issued a much more elegant threat on vastly superior stationery.”
First let me say that I really like the cover. I know, nothing to do with the writing, but nice to look at.
At the beginning I thought "oh no" but I found the main character appealing and enjoyed this light read. This would be a good beach or vacation book.
Think about this quote for a while and you'll have the gist of the company you will be keeping as you read this cozy novel.
“The letter wasn't at all in Milo's style. He would have issued a much more elegant threat on vastly superior stationery.”
January 26, 2015
I found this 1930s period mystery to be absolutely charming, with a style that reminded me of both Mary Stewart and Agatha Christie. The story kept me guessing on several fronts because everyone had something to hide and I never guessed who dunnit until the culprit was revealed. Amory Ames is an intelligent, very British sleuth and I can't wait to see what she gets up to next!
February 16, 2015
Boring, boring, boring.
I gave it my best shot but couldn't stick with it.
The synopsis makes it sound glamorous and fast paced. It moved like a snail.
I gave it my best shot but couldn't stick with it.
The synopsis makes it sound glamorous and fast paced. It moved like a snail.
July 14, 2020
I really enjoyed the read. Its a mystery set in the 1930's. The heroine is a socialite that stumbles into a murder investigation. It was lighthearted, fun at times, not too heavy, with some romance thrown in. It reminded me a bit of the old Thin Man movie series, but with much less alcohol. :))
I really enjoyed the time period it was staged in, and the author seemed to stay true to the speech and mannerisms of the time. I also liked that it was a fairly clean book, no vulgar language or graphic scenes to take away from the plot.
I also the thought the mystery was good, it had me guessing until the end. Its the first in a series it seems, but I enjoyed it enough to read the other books. I appreciate a good clean mystery that's set in the Golden Age.
I really enjoyed the time period it was staged in, and the author seemed to stay true to the speech and mannerisms of the time. I also liked that it was a fairly clean book, no vulgar language or graphic scenes to take away from the plot.
I also the thought the mystery was good, it had me guessing until the end. Its the first in a series it seems, but I enjoyed it enough to read the other books. I appreciate a good clean mystery that's set in the Golden Age.
July 19, 2020
'Amory Ames is a wealthy young woman who regrets her marriage to her notoriously charming playboy husband, Milo. Looking for a change, she accepts a request for help from her former fiancé, Gil Trent, not knowing that she’ll soon become embroiled in a murder investigation that will test not only her friendship with Gil, but will upset the status quo with her husband.
Amory accompanies Gil to the Brightwell Hotel in an attempt to circumvent the marriage of his sister, Emmeline, to Rupert Howe, a disreputable ladies’ man. Amory sees in the situation a grim reflection of her own floundering marriage. There is more than her happiness at stake, however, when Rupert is murdered and Gil is arrested for the crime. Amory is determined to prove his innocence and find the real killer, despite attempted dissuasion from the disapproving police inspector on the case. Matters are further complicated by Milo’s unexpected arrival, and the two form an uneasy alliance as Amory enlists his reluctant aid in clearing Gil’s name. As the stakes grow higher and the line between friend and foe becomes less clear, Amory must decide where her heart lies and catch the killer before she, too, becomes a victim.'
______________________________
Murder at the Brightwell is the first book in Ashley Weaver's debut series, The Amory Ames Mystery Series, and is a historical mystery set in the 1930s.
I have had the first four books in this series sitting on my bookshelf for over a year now. When I saw them at the bookstore, I knew they were something that I would enjoy, so I snatched them up. Without meaning to though, I kept pushing them down onmy TBR list because I knew I would want to ready them back to back and didn't want to take a break from my other books for that long. But with the senventh in the series about to be released, I decided it was the right time. Now that I finally started reading them, it turns out that I was right to buy them because just with this first book, I'm fully on board.
I really love the way the author unfolded the mystery and wove in the red herrings. Some seemed to be trying to distract from the real villain whereas others seemed to muddy the waters and expand the number of possible suspects in a way that made it more difficult to decide who the guilty party was. I found it really well-done and I enjoyed the book quite a lot.
I love that Amory showed some backbone and was willing to step out of her comfort zone to take this trip in order to reevaluate her marriage. But unfortunately she has quite the weakness where her husband is concerned and so he gets away with quite a lot unfortunately.
I'm very suspicious of Milo, both with his ease in hiding his thoughts and feelings and the hidden nature of his movements. I had such a feeling that he must secretly be a spy and was surprised when that wasn't a reveal in the book. Perhaps I'm wrong and he's just shifty or maybe it'll come about in a later book? Either way I'm looking forward to reading the next book.
Amory accompanies Gil to the Brightwell Hotel in an attempt to circumvent the marriage of his sister, Emmeline, to Rupert Howe, a disreputable ladies’ man. Amory sees in the situation a grim reflection of her own floundering marriage. There is more than her happiness at stake, however, when Rupert is murdered and Gil is arrested for the crime. Amory is determined to prove his innocence and find the real killer, despite attempted dissuasion from the disapproving police inspector on the case. Matters are further complicated by Milo’s unexpected arrival, and the two form an uneasy alliance as Amory enlists his reluctant aid in clearing Gil’s name. As the stakes grow higher and the line between friend and foe becomes less clear, Amory must decide where her heart lies and catch the killer before she, too, becomes a victim.'
______________________________
Murder at the Brightwell is the first book in Ashley Weaver's debut series, The Amory Ames Mystery Series, and is a historical mystery set in the 1930s.
I have had the first four books in this series sitting on my bookshelf for over a year now. When I saw them at the bookstore, I knew they were something that I would enjoy, so I snatched them up. Without meaning to though, I kept pushing them down onmy TBR list because I knew I would want to ready them back to back and didn't want to take a break from my other books for that long. But with the senventh in the series about to be released, I decided it was the right time. Now that I finally started reading them, it turns out that I was right to buy them because just with this first book, I'm fully on board.
I really love the way the author unfolded the mystery and wove in the red herrings. Some seemed to be trying to distract from the real villain whereas others seemed to muddy the waters and expand the number of possible suspects in a way that made it more difficult to decide who the guilty party was. I found it really well-done and I enjoyed the book quite a lot.
I love that Amory showed some backbone and was willing to step out of her comfort zone to take this trip in order to reevaluate her marriage. But unfortunately she has quite the weakness where her husband is concerned and so he gets away with quite a lot unfortunately.
I'm very suspicious of Milo, both with his ease in hiding his thoughts and feelings and the hidden nature of his movements. I had such a feeling that he must secretly be a spy and was surprised when that wasn't a reveal in the book. Perhaps I'm wrong and he's just shifty or maybe it'll come about in a later book? Either way I'm looking forward to reading the next book.
September 12, 2015
Murder at the Brightwell was a positively delightful start to a new mystery series. The opulent setting and the inquisitive heroine made this a pleasure to read and I will absolutely be tuning in for book two.
Amory Ames has been invited to the seaside resort, Brightwell, by her former fiance, Gil. Amory had broken off her engagement to Gil five years ago when she met and married her husband, Milo. The past five years have not gone smoothly, leaving Amory with the feeling that she may have made the wrong choice in selecting a husband.
Gil has not invited Amory to start an affair, instead he's hoping that Amory will be able to dissuade his sister, Evangeline from making the same mistake Amory made. But it seems Amory's assistance is not needed in that capacity as the day after she arrives, Evangeline's fiance is murdered and Gil is the prime suspect.
Feeling that she has contributed to the inspector's confidence that Gil is the murderer, Amory starts her own investigation, only to be interrupted by her estranged husband. Milo's sudden appearance only serves to confuse her and her opinion on the state of their marriage, a murder investigation is just what she needs to take her mind off their confusing relationship. I loved Murder at the Brightwell. This is exactly the kind of mystery that I like. It's light and character driven, and has the bonus of being set in 1932 England. The setting was the very first thing that I noticed about this one, it really stood out in the descriptions of the English seaside. The author also created a fabulous sense of opulence that will be sure to appeal to Downton Abbey fans with the description of the ritzy hotel and the lifestyle of the characters. Readers were always treated to the style of dress of it's well dressed heroine, Amory, and she was always dressed to the nines as evidenced by her first night dining at the Brightwell:
Normally, I would say that I don't like an over abundance of description regarding characters clothes, but here I really felt that it went a long way to set the scene. Amory was rich and her wardrobe showed it. Her interest in her clothing was simply a part of her character and I thought it worked to advantage in the novel. That's not say that Amory was a shallow character only interested in her dress. In fact, Amory was an extremely loyal character willing to go to great lengths to help her friend.
I also really liked that Amory's marriage played such a large part of the novel. Amory was obviously deeply unhappy and lonely in her marriage. Her husband is aloof and not often serious, and most of the time he's not even present being away on the continent getting up to no good. Personally, I'm convinced that Milo is a spy because, folks, that traveling and his seeming devotion to Amory do not add up. Something is not what it seems and I am convinced that Milo is engaged in espionage (I hope I'm right!). I'm interested to find out more about Milo in subsequent books because the Ames marriage is not on secure ground at the end of Murder at the Brightwell. The marriage has been patched, but Amory's issues with her husband have not been resolved.
Ultimately, it is the characters that I adored in this book. On the surface Amory Ames appears a shallow and superficial character, but she's clearly anything but once you get into her narration. Throw in her complicated marriage to a man of much mystery, and I am sufficiently intrigued. I'm officially anxiously awaiting book two, Death Wears a Mask.
Review originally published at The Book Adventures.
Amory Ames has been invited to the seaside resort, Brightwell, by her former fiance, Gil. Amory had broken off her engagement to Gil five years ago when she met and married her husband, Milo. The past five years have not gone smoothly, leaving Amory with the feeling that she may have made the wrong choice in selecting a husband.
Gil has not invited Amory to start an affair, instead he's hoping that Amory will be able to dissuade his sister, Evangeline from making the same mistake Amory made. But it seems Amory's assistance is not needed in that capacity as the day after she arrives, Evangeline's fiance is murdered and Gil is the prime suspect.
Feeling that she has contributed to the inspector's confidence that Gil is the murderer, Amory starts her own investigation, only to be interrupted by her estranged husband. Milo's sudden appearance only serves to confuse her and her opinion on the state of their marriage, a murder investigation is just what she needs to take her mind off their confusing relationship. I loved Murder at the Brightwell. This is exactly the kind of mystery that I like. It's light and character driven, and has the bonus of being set in 1932 England. The setting was the very first thing that I noticed about this one, it really stood out in the descriptions of the English seaside. The author also created a fabulous sense of opulence that will be sure to appeal to Downton Abbey fans with the description of the ritzy hotel and the lifestyle of the characters. Readers were always treated to the style of dress of it's well dressed heroine, Amory, and she was always dressed to the nines as evidenced by her first night dining at the Brightwell:
I wore a fitted gown of mauve silk with sheer flutter sleeves and flowing tulle panels inset into the skirt, the cut quite flattering to my thin, tallish frame, if I may say so myself (p. 34).
Normally, I would say that I don't like an over abundance of description regarding characters clothes, but here I really felt that it went a long way to set the scene. Amory was rich and her wardrobe showed it. Her interest in her clothing was simply a part of her character and I thought it worked to advantage in the novel. That's not say that Amory was a shallow character only interested in her dress. In fact, Amory was an extremely loyal character willing to go to great lengths to help her friend.
I also really liked that Amory's marriage played such a large part of the novel. Amory was obviously deeply unhappy and lonely in her marriage. Her husband is aloof and not often serious, and most of the time he's not even present being away on the continent getting up to no good. Personally, I'm convinced that Milo is a spy because, folks, that traveling and his seeming devotion to Amory do not add up. Something is not what it seems and I am convinced that Milo is engaged in espionage (I hope I'm right!). I'm interested to find out more about Milo in subsequent books because the Ames marriage is not on secure ground at the end of Murder at the Brightwell. The marriage has been patched, but Amory's issues with her husband have not been resolved.
Ultimately, it is the characters that I adored in this book. On the surface Amory Ames appears a shallow and superficial character, but she's clearly anything but once you get into her narration. Throw in her complicated marriage to a man of much mystery, and I am sufficiently intrigued. I'm officially anxiously awaiting book two, Death Wears a Mask.
Review originally published at The Book Adventures.
November 23, 2015
I made it just past the 1/3 mark before returning this one to the library. I loved the cover art, and that, along with the description and cover quotes, made me think I was getting a clever, witty romp of a mystery. I never saw any sign of the promised humor, and found myself reading some paragraphs two or three times, because my mind kept wandering. The historical flavor was limited to detailed descriptions of the heroine's clothing every time she changed her clothes, and such obvious "look at me" research points as "the latest novel by Warwick Deeping." Although the list of suspects were all supposedly members of the British privileged class, there wasn't a title amongst the lot of them, and their surnames were all, well, common: Trent, Rodgers, Henderson, Hamilton, etc. (And they were all introduced in the same scene, which made it very hard to keep them straight.) What it boils down to, I suppose, is that I never really bought into the fictional "world."
Displaying 1 - 30 of 1,472 reviews