Having already acquainted myself with Jen Beagin’s absurd realism and fucked up humor in Pretend I'm Dead, I knew what to expect from Big Swiss. Even so, I was surprised by just how unhinged a read Big Swiss is: it is bizarre, gross, offensive, hysterical, and over-the-top. This is the type of narrative that is difficult to pull off. But Beagin does. She doesn’t try to make her central character more palatable to the audience, she doesn’t sanitize Greta’s internal and external monologues, nor does she try to excuse or provide reasons behind her most deranged actions. A lot of books try to pull off this type of character but few authors commit to really writing about a woman, in this case, a woman in her 40s, who is able to be so convincingly and unapologetically gross, pathetic, horrible, and inappropriate. Thankfully, Beagin doesn’t try to make her central character edgy, *looking at you boy parts*, instead we are presented with an uncompromising yet ultimately compelling narrative about a woman’s outlandish, selfish, and delusional antics as she searches for love, meaning, physical and emotional connection in some very questionable places.
Big Swiss is an outré romp populated by bizarre characters and ridiculous, surreal even, interactions, that manages, despite its freewheeling humor, to be surprisingly endearing and emotional. Thematically and stylistically reminiscent of the work of Mona Awad and Ottessa Moshfegh, the central character in Big Swiss, Greta, also brought to mind Sabina Murray’s awful yet fascinating narrator in A Carnivore's Inquiry, and, surprisingly, Emerence from The Door, an unreliable housekeeper apt to behave irrational (fairly sure she regularly gets her employer’s dog drunk).
Greta, our main character, is a woman in her 40s who is living with her friend Sabine in a rundown Dutch farmhouse in Hudson, New York. She transcribes the sessions of a sex therapist who calls himself ‘Om’ and soon grows deeply obsessed with one of his clients. This client, a Swiss married woman in her 20s, is dismissive of wellness culture and despite having been assaulted some years before, she abhors terminology such as ‘trauma’, ‘victim’, and ‘survivor’. Stoic and blunt, this woman fascinates Greta. Eventually, the two meet while out with their respective dogs, but Greta avoids revealing who she really is. The woman, who Greta refers to as ‘Big Swiss’, is very much unlike Greta, both in her outlook on life and in her present circumstances.
Greta uses the knowledge she has accumulated through Big Swiss’ therapy session, about her personal life and beliefs, to give the idea that she is far more perceptive and in tune with Big Swiss than she really is. Despite the little in common they have, Big Swiss is serious, restrained, repressed, and even, humorless, whereas Greta is uninhibited, frenzied, and a bit of a slob, they are both very intense. Their electrifying affair seems to hinge on their mutual feelings of attraction and repulsion, which results in a very, to use a word they would both hate, toxic dynamic. The knowledge that the man who attacked Big Swiss has just been released exacerbates Greta’s paranoia, as she believes that he is following them.
The novel comprises a lot of weird, unlikely, and puzzling, interactions as every single character who populates this book is strange. There are a lot of running gags almost, and much of what Greta does or thinks is tinged with a note of hysteria so that we never quite predict what she will do and what she is capable of. Far from condoning her behavior, the author makes Greta into a rather pathetic character who is not particularly self-aware, the opposite really. Not only does she disregard social norms and pc-language but she is very neglectful towards herself and has no qualms about crossing people’s boundaries. There are so many elements that give her story an absurdist quality: the farmhouse Greta lives in is also home to a dyeing beehive, Greta's codependent relationship with her dog, the fact that Greta almost never uses Big Swiss’ real name, Om's practices, his patients, Greta’s ex (that whole section really reminded me of pretend i'm dead) , and Big Swiss herself. No one acts really ‘sane’, or how you would expect them to, which gives the narrative a rather boisterous energy.
As we learn of Greta’s childhood and her fraught relationship with her mother we gain an understanding of the possible roots of her oddness, from her lack of self-preservation to her inappropriate behavior, yet, learning this will no means make her into less of a terrible person in our eyes. I appreciated how Beagin manages to capture the resentment and sadness that are specific to a child or young person who is living with a suicidal parent.
The fucked up sense of humor sometimes wasn’t always effective, and there were some instances where Greta’s remarks about the ‘woke’ youth of today or her diagnosing her dog with ‘“trans-breed dysmorphia of the soul ” or thinking that Sabine was “anorexic—both traditionally and sexually”, that tried to be provocative but struck me as obvious. Still, Greta’s unpleasant commentary about the people around her is certainly captivating. She’s childish, sordid, selfish, and impossible, yet also strangely magnetic and certainly very entertaining. Although the people around her could be seen as caricatures, they fitted with the narrative’s absurd tone. I liked her strange yet touching bond with her dog, Piñon, and the baffling yet comical discussions/interactions with the people around her (om, his patients, sabine).
The one character who I wasn’t particularly fascinated/amused by was Big Swiss herself. If she did appear interesting, to begin with, it was only because she was the object of Greta’s desire. You want to know why Greta would become so fixated on this younger woman who sure is physically attractive but is certainly not particularly charming or intelligent. I think we are meant to find her aloof, but to me, her bluntness and stoicism did not make for a particularly gripping character. Especially when Greta often attributes her more 'surprising' responses to her being Swiss.
The novel’s portrayal and exploration of sex and sexuality brought to mind Melissa Broder's Milk Fed and Susan Choi's My Education, both of them also revolve around the affair or secret relationship between two women. Similarly to them, Beagin opts for these very unsexy scenes that often rely on turgid imagery. Yet, Beagin succeeds in making Great and Big Swiss’ sexual exploits funny, and those scenes give us an idea of the dynamic between the two of them. Given the secretive nature of their relationship, the narrative also plays around with themes like infidelity, jealousy, and obsession. Beagin’s discussions around grief, loneliness, self-destructiveness and depression are often unconventional yet ultimately affecting.
I found myself both deeply relating to Greta and feeling very much alienated by her. She rarely thinks things through, and tends to think only in terms of 'now'. Yes, she's awful, but she is also very funny and all too human. While I now that there are plenty of contemporary books focused on women who are not feeling good at all, they usually tend to focus on younger women (perhaps their youth is meant to make their flaws, their directionless, their solipsism, their numbness more 'palatable'). Here instead we have an older character who just keeps making mistakes and questionable choices but doesn't seem to particularly care about how the rest of the world sees her. Greta may be a looser but she's my kind of looser. Anyway, all of this to say is that she has the best lines in this book.
Big Swiss is a madcap read. While I wouldn't recommend it to everyone if you are a fan of authors like Awad, Moshfegh, Broder, Choi, and Sam Cohen chances are you will find it to be a blast. If you also happen to be into female-orientated cringe comedy shows like Fleabag and Bubblegum, chances are this will be up your street.
It's kinky, irreverent, silly. While Beagin's satire is by no means subtle I ended up buying into how preposterous her characters were and the weird scenarios and shoddy circumstances they find themselves in. Playful yet dismal Big Swiss makes for a candid read exploring love, sex, and obsession.