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Уже написан Вертер
Одесса. 1920-е годы. Времена красного террора. Главный герой повести - молодой художник и бывший юнкер Дима, воспринимает страшную действительность как сон. В его воспаленном сознании яркими вспышками проходят жуткие картины допросов и расстрелов в чекистских подвалах. Ужас происходящего подчеркивают мирные детские воспоминания героя.
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First published June 1, 1980
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About the author
Valentin Kataev
143 books14 followersValentin Petrovich Kataev (Russian: Валентин Катаев; also spelled Katayev or Kataiev) was a Russian and Soviet novelist and playwright who managed to create penetrating works discussing post-revolutionary social conditions without running afoul of the demands of official Soviet style. Kataev is credited with suggesting the idea for the Twelve Chairs to his brother Yevgeni Petrov and Ilya Ilf. In return, Kataev insisted that the novel be dedicated to him, in all editions and translations. Kataev's relentless imagination, sensitivity, and originality made him one of the most distinguished Soviet writers.
Kataev was born in Odessa (then Russian Empire, now Ukraine) into the family of a teacher and began writing while he was still in gimnaziya (high school). He did not finish the gimnaziya but volunteered for the army in 1915, serving in the artillery. After the October Revolution he was mobilized into the Red Army, where he fought against General Denikin and served in the Russian Telegraph Agency. In 1920, he became a journalist in Odessa; two years later he moved to Moscow, where he worked on the staff of The Whistle (Gudok), where he wrote humorous pieces under various pseudonyms.
His first novel, The Embezzlers (Rastratchiki, 1926), was printed in the journal "Krasnaya Nov". A satire of the new Soviet bureaucracy in the tradition of Gogol, the protagonists are two bureaucrats "who more or less by instinct or by accident conspire to defraud the Soviet state". The novel was well received, and the seminal modernist theatre practitioner Constantin Stanislavski asked Kataev to adapt it for the stage. It was produced at the world-famous Moscow Art Theatre, opening on 20 April 1928. A cinematic adaptation was filmed in 1931.
His comedy Quadrature of the circle (Kvadratura kruga, 1928) satirizes the effect of the housing shortage on two married couples who share a room.
His novel Time, Forward! (Vremya, vperyod!, 1932) describes workers' attempts to build the huge steel plant at Magnitogorsk in record time. Its title was taken from a poem by Vladimir Mayakovsky. its theme is the speeding up of time in the Soviet Union where the historical development of a century must be completed in ten years". The heroes are described as "being unable to trust such a valuable thing as time, to clocks, mere mechanical devices." Kataev adapted it as a screenplay, which filmed in 1965.
A White Sail Gleams (Beleyet parus odinoky, 1936) treats the 1905 revolution and the Potemkin uprising from the viewpoint of two Odessa schoolboys. In 1937, Vladimir Legoshin directed a film version, which became a classic children's adventure. Kataev wrote its screenplay and took an active part in the filming process, finding locations and acting as an historical advisor. Many of his contemporaries considered the novel to be a prose poem.
Kataev was born in Odessa (then Russian Empire, now Ukraine) into the family of a teacher and began writing while he was still in gimnaziya (high school). He did not finish the gimnaziya but volunteered for the army in 1915, serving in the artillery. After the October Revolution he was mobilized into the Red Army, where he fought against General Denikin and served in the Russian Telegraph Agency. In 1920, he became a journalist in Odessa; two years later he moved to Moscow, where he worked on the staff of The Whistle (Gudok), where he wrote humorous pieces under various pseudonyms.
His first novel, The Embezzlers (Rastratchiki, 1926), was printed in the journal "Krasnaya Nov". A satire of the new Soviet bureaucracy in the tradition of Gogol, the protagonists are two bureaucrats "who more or less by instinct or by accident conspire to defraud the Soviet state". The novel was well received, and the seminal modernist theatre practitioner Constantin Stanislavski asked Kataev to adapt it for the stage. It was produced at the world-famous Moscow Art Theatre, opening on 20 April 1928. A cinematic adaptation was filmed in 1931.
His comedy Quadrature of the circle (Kvadratura kruga, 1928) satirizes the effect of the housing shortage on two married couples who share a room.
His novel Time, Forward! (Vremya, vperyod!, 1932) describes workers' attempts to build the huge steel plant at Magnitogorsk in record time. Its title was taken from a poem by Vladimir Mayakovsky. its theme is the speeding up of time in the Soviet Union where the historical development of a century must be completed in ten years". The heroes are described as "being unable to trust such a valuable thing as time, to clocks, mere mechanical devices." Kataev adapted it as a screenplay, which filmed in 1965.
A White Sail Gleams (Beleyet parus odinoky, 1936) treats the 1905 revolution and the Potemkin uprising from the viewpoint of two Odessa schoolboys. In 1937, Vladimir Legoshin directed a film version, which became a classic children's adventure. Kataev wrote its screenplay and took an active part in the filming process, finding locations and acting as an historical advisor. Many of his contemporaries considered the novel to be a prose poem.
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Displaying 1 - 2 of 2 reviews
April 20, 2022
Жанр: лірико-філософська мемуарна повість/радянська проза.
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.
Юнкер Дмитро дивом рятується від розстрілу в часи кровавого терору. Але що далі?
Дійсність стає схожа для нього на страшний сон: розстріли в гаражах, кров, любов зі смаком зради…
.
.
Знов переконуюсь, що військова тематика – це не моє.
З В. Катаєвим раніш не була знайома, як і з багатьма радянськими авторами, але ось до рук потрапив цей твір.
В свій час ця його «антирадянська» повість викликала обурення, бо в ній автор, будучи у віці 83 років, розкрив таємницю своєї участі в контрреволюції, а також розповів про арешт. Але…
… мене така література не приваблює.
Та все ж було цікаво розширити свої літературні горизонти, тим паче повість маленька, тому багато часу на читання не пішло.
.
.
Юнкер Дмитро дивом рятується від розстрілу в часи кровавого терору. Але що далі?
Дійсність стає схожа для нього на страшний сон: розстріли в гаражах, кров, любов зі смаком зради…
.
.
Знов переконуюсь, що військова тематика – це не моє.
З В. Катаєвим раніш не була знайома, як і з багатьма радянськими авторами, але ось до рук потрапив цей твір.
В свій час ця його «антирадянська» повість викликала обурення, бо в ній автор, будучи у віці 83 років, розкрив таємницю своєї участі в контрреволюції, а також розповів про арешт. Але…
… мене така література не приваблює.
Та все ж було цікаво розширити свої літературні горизонти, тим паче повість маленька, тому багато часу на читання не пішло.
January 2, 2024
"В конце концов, он уже стоял на платформе советской власти. Довольно переворотов. Их было по крайней мере семь: деникинцы, петлюровцы, интервенты, гетмановцы. зеленые, красные, белые. Пора остановиться на чем-нибудь одном. Он остановился. Пусть будет Советская Россия".
Тут история самого Катаева: мещанин из Одессы, младший офицер Первой Мировой с Георгиями и Анной. Затем то за белых, то за красных. Тюрьмы и у тех, и у тех: личный опыт несомненно перенесен в повесть (примечательна перекличка с рассказом "Отец", написанным лет за 60 (!) до "Вертера"). Повесть субъективна, но написана хорошо.
Тут история самого Катаева: мещанин из Одессы, младший офицер Первой Мировой с Георгиями и Анной. Затем то за белых, то за красных. Тюрьмы и у тех, и у тех: личный опыт несомненно перенесен в повесть (примечательна перекличка с рассказом "Отец", написанным лет за 60 (!) до "Вертера"). Повесть субъективна, но написана хорошо.
Displaying 1 - 2 of 2 reviews