Mary Elizabeth Coleridge's collection of short stories explores the depths of human emotions and relationships. The stories deal with themes of love, loss, desire, and regret and offer a poignant commentary on the human condition. A masterpiece in its own right, this book is a testament to Coleridge's brilliance as a writer. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Mary Elizabeth Coleridge was a British novelist and poet, who also wrote essays and reviews. She taught at the London Working Women's College for twelve years from 1895 to 1907. She wrote poetry under the pseudonym Anodos, taken from George MacDonald.
Coleridge published five novels, the best known of those being The King with Two Faces, which earned her £900 in royalties in 1897. She travelled widely throughout her life, although her home was in London, where she lived with her family. Her father was Arthur Duke Coleridge who, along with the singer Jenny Lind, was responsible for the formation of the London Bach Choir in 1875. Other family friends included Robert Browning, Alfred, Lord Tennyson, John Millais and Fanny Kemble.
Mary Coleridge was the great-grandniece of Samuel Taylor Coleridge and the great niece of Sara Coleridge, the author of Phantasmion. She died from complications arising from appendicitis while on holiday in Harrogate in 1907, leaving an unfinished manuscript for her next novel, and hundreds of unpublished poems.
One of her poems, "The Blue Bird," was set to music by Charles Villiers Stanford. A family friend, the composer, Hubert Parry also set several of her poems to music.