I knew before getting too far into this book that I would want to read the whole series, because it drew me in so fast. This book has so much going for it: the writing, the characters, the story, the moral quandaries faced by the characters. It’s all so good!
Let’s start with the writing. This was honestly a breath of fresh air compared to some of the books I have been reading lately. Everything flowed well and showed someone who is adept at descriptions, character-building and world-building. For a new author, this was not something I expected, but it was something that I so greatly appreciated.
On to the characters. They were so real and relatable and beautifully flawed. Eva is someone who is taught to view the world in a certain way and is strong in her convictions, but must come to terms with the fact that maybe not all of what she has been led to believe is true. I appreciated seeing her growth as she started to be able to view things from another perspective. The same goes for Jim. They both grow with each other and through the influence of one another, finding some flexibility within themselves while still staying true to their deepest beliefs and values.
On a related note, I greatly appreciated what Jennifer Marchman says in her acknowledgments about her characters, with respect to race. Given the time period and setting of her novel, there is no way to get around the inclusion of Native American groups and enslaved people, nor should one try to erase them from such a narrative. But I think that Marchman does well with having her main characters be Anglos and to avoid telling the stories of marginalized groups herself. I felt like her inclusion of and treatment of those marginalized groups in the book was sensitive, while trying to stay true to history (but as a white woman myself, I can recognize that others may feel differently). No one is put on a pedestal and no one is wiped clean of their sins.
As far as the story goes, it was intriguing and unique. Many related it to Outlander because of it having time-travel and attempts to change the past, but this goes so far beyond that. This books focuses heavily on the idea of parallel universes existing alongside each other, and how one decision can branch off into so many others, but that there exists a version of you somewhere that would have made a different decision and potentially has a very different life. It was intriguing to think about how someone who is able to travel to these different universes could meddle and mold them. In the case of a larger organization like Lux Libera, they might even go to great lengths to manipulate other timelines into something resembling their own. And for them, the ends completely justify the means. I’m excited to learn more about Lux Libera in the next books and see how Eva deals with them.
All of that idea of string theory mentioned above leads to some interesting dilemmas for the characters, in particulate Eva, and I loved her conversation with Pump once she realizes that she has been changing and even destroying the lives of real people in these different universes and can’t understand how Pump can stand by and watch as enslaved people are exploited by his fellow Anglos. Honestly, the entire conversation is great, but I’ll include just a few of my favorite lines here.
Eva: “How can they be good people if they own slaves?”
Pump: “[…] Is that so different from Comanches being good people to other Comanches but exploiting and abusing their neighbors?”
Eva: “[…] Can a people look out for their own to such an extreme that they are no longer good people?”
Pump: “I sleep easier at night knowing I’ve helped the person next to me, including the slaves I freed, rather than sacrificing for people I don’t really know, like the Comanches. And for the Negro slaves in this colony, what real power do I have to change anything if I’m not a power broker? In my experience, the people with power win the power because they are interested in the power itself, not necessarily in making change. Change only happens if it aligns with their goal of hanging on to power. […] It’s a luxury for you to judge me from the point of view of a world that has solved this problem and can pretend to have a conscience. If you had come even farther from the future to me, say from the twenty-second century, you would be chastising me for eating meat and exploiting animals. Technology solves those problems and creates new ones as it does so.”
Pump: “[…] The need for cheap labor will never fully disappear. At least not in any timeline I’ve ever visited. The actors may switch roles; those who are slaves in this world are masters in another. But the codes, customs, and laws change to veil slavery from society, and everyone pretends it’s something else. People tell themselves what they want to hear, why it’s all so needed and justified and right so they can sleep at night. Nobody wants to look too closely at how their clothes are made or why their food is so cheap. They just aren’t called slaves anymore. Sometimes they’re called sharecroppers or prisoners or migrants or factory workers or debtors or bondsmen or indentured servants or serfs or peons or coolies… I could go on. You know I could. What are the good people doing in those times to fix their societies?”
All the tension here between doing what’s right and doing what’s comfortable is so good! This section in particular, but really throughout the whole book, gave me so many brain tingles.
Finally, I have to say that over the course of the novel, but even more so in the acknowledgements, it was clear that Marchman did her due diligence with researching and making her story as true to history as possible. I have to applaud an author that would go to such lengths to make things accurate and also to be sensitive to how she portrays that history.
I received an advance review copy for free, and I am leaving this review voluntarily.