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541 pages, Paperback
First published August 7, 2023
I want to start off by saying that just because I did not like this book, it is by no means a bad book. This book is just lacking in several important areas that I cannot overlook and has lots of room for improvement; To me it is quite obvious that this is a book that is written by a first time author which again isn’t a bad thing but it’s not quite as tight as a seasoned author would be. The story and the ideas are interesting but they could be executed better and I think that it would be best executed if it was done as a YA book. This book has a level of simplicity to it that leaves a lot to be desired. The level of world building, character information and plot devices that we the readers are given causes it to read more like a YA book with a little bit of spice mixed in that would very easily be taken out. Something that I also want to address is the feeling I had that this book took a little too much ACOTAR inspiration. In the second half of the book I noticed there were a lot of parallels that I feel are a little too close to ACOTAR to not be addressed.
The first thing that I want to address is the lack of worldbuilding. The first real miss for me was how the Goddess of Fate deems Cyrssa and Viridian as tied to each other, but we never get a breakdown of the Gods. We have little to no idea what the God's history is, what they're capable of or even how many there are or what they look like. Something in this same realm is the lack of discussion on the world's magic system. There is only one instance where I can remember magic being mentioned - How Lorian is kept in his cell. Lorian being kept in his cell without a lock is very matter-of-fact and it’s not stated how the magic that appears to be keeping this dungeon running is in place. It’s never explained who has what powers, who can do what or even if somehow none of the named characters have magic how the system would theoretically work outside of simply that high fae are most commonly magic users while for humans it’s extremely rare. This book also commits one of my top three cardinal book sins in that the characters who die don’t stay dead and it's so much worse when they're dead for like, a chapter. Due to the lack of magic and deity system explanation this makes it even more frustrating that when Cryssa takes the arrow to the chest she dies but then comes straight back.
I also had a few gripes with the characters and the characterization. Cryssa somewhat contradicts herself in some places, one being that she’s described as a “a simple girl that keeps her head down and stays out of trouble” but then she gets upset when Lorian suggests that he wants to live a simple life with her. I also don’t think it’s believable that Cryssa accomplishes anything that she attempts to do simply because there's little to no background information given about her. It’s established that she stays out of trouble, and if that’s true then how is she able to easily have a knife at Viridian’s throat during one of their first dining experiences? How does she know how to pick locks as well as she does? Does she have training in combat or was she a thief? Was it her job to hunt in her village? Who knows. Something similar goes for Viridian, we don’t get much of his background as to why he acts the way that he does. There's not much discussion that I remember about his training both physically or socially as the prince or about his memories of his mother. Overall, I feel as if the characters all lack a lot of depth. Tiffy, Myrdin and Lymseia are given what feels like the same level of development as Cryssa and Viridian but it's hard to excuse the two main characters being so two dimensional.
Aside from my issues with worldbuilding and characterization, this entire book just feels underdeveloped. The biggest gripe I have is how often dialogue would just end with “Yes.” There was no elaboration, no emotion tied to it, just “yes” and it really kills the entire momentum of the scene when in the middle it’s cut so abruptly due to a lack of well thought out dialogue. There are also a few big moments where the details are lacking, for example, the part when Cryssa goes to find Lorian’s cell in the dungeon. It's incredibly convenient that she walks straight to it despite the fact that she has no idea where it is and she’s been in the castle for such a short time. This convenience is also seen at the tavern when Cryssa and Viridian are bartering for information about the King and they only end up going to one tavern and bribing one bartender and they get exactly what they want. Both of these instances had the potential to be much more impactful. If Cryssa had gotten lost in the castle and there was a deeper explanation as to where she was going this could have given the reader a better idea of the look and feel of the castle. Having Viridian and Cryssa go to multiple taverns and barter with multiple bartenders could have allowed for more banter between them and also elaborated on the idea that he’s never left the castle before. The fact that Viridian was a virgin was also really interesting and had so much potential but it just didn’t go anywhere. I would have loved a deeper look into his background and how he was raised that led him to non-traditional things such as never having experienced intimacy before.
Before getting into the similarities I saw between this and ACOTAR I would like to establish that I am in no way trying to say that this book is a rip off of ACOTAR. I just personally feel that there are too many similarities to not address it. Let’s get a few obvious ones out of the way first. Cryssa being a human that is destined to marry a fae to break a curse as well as the artistic similarities. Viridian gives her the extensive art kit in an attempt to begin to win Cryssa’s favor. The obvious similarity is that Cryssa and Feyre both use art as an outlet for their feelings but also that Viridian and Tamlin use it as a means to buy their companionship. They're not giving them art supplies because it’s their hobby, they’re using it as a means to control them via what these women are and are not allowed to enjoy. If they were never gifted art supplies then they’d never have been allowed by their male counterparts to enjoy it. Feyre is often seen covering the insides of buildings with art as a means to express her emotions and Cryssa covers her room in pages of art as an outlet for her emotions. My gripe is less that the same plot devices are used here, it’s more that the same plot devices are used in what is also a very similar way / on a similar timeline.
The way that Cryssa is brought back to life mirrors ACOTAR in the sense that all of the highlords had to “give a piece of themselves” in order to bring Feyre back and they decide to do so for her sacrifice that she made to break Amarantha’s curse and save all of the fae. Later in the series Feyre does the same for Rhysand when she realizes that he’s gone because the mating bond is silent. Cryssa gave her life to break the King's curse and Viridian knew Cryssa was gone because the mating bond was silent. The gods told him that he would need to give a piece of himself to save her in the form of a death bond, meaning if one of them dies then the other does as well. Just like Feyre and Rhysand have in ACOTAR… Again, it’s not so much that these same plot devices were used, it's more that these plot devices are used in the same way in a similar timeline. And there are way too many connections that can easily be made without me even picking ACOTAR up to reread to look for similarities.