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The Dublin Review, Number 6: Spring 2002
Harry Browne ‘Sunday’, ‘Bloody Sunday’
Two new films about Bloody Sunday [review-essay]
Ciaran Carson A dash of colour
The iconography of the Troubles [review-essay]
Harry Clifton Kavanagh’s threat
Two new biographies shed light on the significance of Patrick Kavanagh [review-essay]
Tom Dunne Seven years in the Brothers
A Christian Brothers postulant, and teacher, recalls the order and his leaving of it [memoir]
Ann Marie Hourihane ‘She’s live, she’s modern .’
The life and relics of St Thérèse of Lisieux [essay]
Douglas A. Martin They change the subject
A rent-boy’s days and nights [fiction]
J.C.C. Mays Scriptor ignotus, with the fire in him now
The poetry of Trevor Joyce [review-essay]
David Wheatley ‘None of us likes it’
The peculiar position of the poet-critic [review-essay]
Two new films about Bloody Sunday [review-essay]
Ciaran Carson A dash of colour
The iconography of the Troubles [review-essay]
Harry Clifton Kavanagh’s threat
Two new biographies shed light on the significance of Patrick Kavanagh [review-essay]
Tom Dunne Seven years in the Brothers
A Christian Brothers postulant, and teacher, recalls the order and his leaving of it [memoir]
Ann Marie Hourihane ‘She’s live, she’s modern .’
The life and relics of St Thérèse of Lisieux [essay]
Douglas A. Martin They change the subject
A rent-boy’s days and nights [fiction]
J.C.C. Mays Scriptor ignotus, with the fire in him now
The poetry of Trevor Joyce [review-essay]
David Wheatley ‘None of us likes it’
The peculiar position of the poet-critic [review-essay]
Paperback
Published March 10, 2002
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