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Herself: An Autobiographical Work
A National Book Award Hortense Calisher’s autobiography captures the making of a distinct literary voice
Although Hortense Calisher’s fiction often draws on autobiographical elements, Herself is a disciplined documentation of the award-winning author’s life and work. She surveys the various decades and landscapes she has inhabited, mining her family’s Jewish lineage, discussing her children, exploring her greatest artistic influences, and describing her work process in a brave and bold work of autobiography. Herself is a rich collage of essays, reviews, recollections, and observations that unite the writer and the person.
Although Hortense Calisher’s fiction often draws on autobiographical elements, Herself is a disciplined documentation of the award-winning author’s life and work. She surveys the various decades and landscapes she has inhabited, mining her family’s Jewish lineage, discussing her children, exploring her greatest artistic influences, and describing her work process in a brave and bold work of autobiography. Herself is a rich collage of essays, reviews, recollections, and observations that unite the writer and the person.
502 pages, Kindle Edition
First published January 1, 1972
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About the author
Hortense Calisher
79 books11 followersHortense Calisher was an American writer of fiction.
Calisher involved her closely investigated, penetrating characters in complicated plotlines that unfold with shocks and surprises in allusive, nuanced language with a distinctively elegiac voice, sometimes compared with Eudora Welty, Charles Dickens, Jane Austen, and Henry James. Critics generally considered Calisher a type of neo-realist and often both condemned and praised for her extensive explorations of characters and their social worlds. She was definitely at odds with the prevailing writing style of minimalism that characterized fiction writing in the 1970s and 1980s and that emphasized a sparse, non-romantic style with no room for expressionism or romanticism. As an anti-minimalist, Calisher was admired for her elliptical style in which more is hinted at than stated, and she was also praised as a social realist and critic in the vein of Honore Balzac and Edith Wharton.
Calisher involved her closely investigated, penetrating characters in complicated plotlines that unfold with shocks and surprises in allusive, nuanced language with a distinctively elegiac voice, sometimes compared with Eudora Welty, Charles Dickens, Jane Austen, and Henry James. Critics generally considered Calisher a type of neo-realist and often both condemned and praised for her extensive explorations of characters and their social worlds. She was definitely at odds with the prevailing writing style of minimalism that characterized fiction writing in the 1970s and 1980s and that emphasized a sparse, non-romantic style with no room for expressionism or romanticism. As an anti-minimalist, Calisher was admired for her elliptical style in which more is hinted at than stated, and she was also praised as a social realist and critic in the vein of Honore Balzac and Edith Wharton.
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