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Sonata
In June, 2006, Picador launch Picador Shots, a new series of pocket-sized books priced at £1. The Shots aim to promote the short story as well as the work of some Picador's greatest authors. They will be contemporarily packaged but ultimately disposable books that are the ideal literary alternative to a magazine.
- GenresShort Stories
62 pages, Kindle Edition
First published August 1, 2006
34 people want to read
About the author
Jackie Kay
106 books436 followersBorn in Glasgow in 1961 to a Scottish mother and a Nigerian father, Kay was adopted by a white couple, Helen and John Kay, as a baby. Brought up in Bishopbriggs, a Glasgow suburb, she has an older adopted brother, Maxwell as well as siblings by her adoptive parents.
Kay's adoptive father worked full-time for the Communist Party and stood for election as a Member of Parliament, and her adoptive mother was the secretary of the Scottish Campaign for Nuclear Disarmament (CND).
Initially harbouring ambitions to be an actress, she decided to concentrate on writing after encouragement by Alasdair Gray. She studied English at the University of Stirling and her first book of poetry, the partially autobiographical The Adoption Papers, was published in 1991, and won the Saltire Society Scottish First Book Award. Her other awards include the 1994 Somerset Maugham Award for Other Lovers, and the Guardian Fiction Prize for Trumpet, based on the life of American jazz musician Billy Tipton, born Dorothy Tipton, who lived as a man for the last fifty years of her life.
Kay writes extensively stage, screen, and for children. In 2010 she published Red Dust Road, an account of her search for her birth parents, a white Scottish woman, and a Nigerian man. Her birth parents met when her father was a student at Aberdeen University and her mother was a nurse. Her drama The Lamplighter is an exploration of the Atlantic slave trade. It was broadcast on BBC Radio 3 in March 2007 and published in poem form in 2008.
Jackie Kay became a Member of the Order of the British Empire (MBE) on 17 June 2006. She is currently Professor of Creative Writing at Newcastle University. Kay lives in Manchester.
Jackie Kay was born and brought up in Scotland. THE ADOPTION PAPERS (Bloodaxe, 1991) won the Forward Prize, a Saltire prize and a Scottish Arts Council Prize. DARLING was a poetry book society choice. FIERE, her most recent collection of poems was shortlisted for the COSTA award. Her novel TRUMPET won the Guardian Fiction Award and was shortlisted for the IMPAC award. RED DUST ROAD, (Picador) won the Scottish Book of the Year Award, was shortlisted for the JR ACKERLEY prize and the LONDON BOOK AWARD. She was awarded an MBE in 2006, and made a fellow of the Royal Society of Literature in 2002. Her book of stories WISH I WAS HERE won the Decibel British Book Award.
She also writes for children and her book RED CHERRY RED (Bloomsbury) won the CLYPE award. She has written extensively for stage and television. Her play MANCHESTER LINES produced by Manchester Library Theatre was on this year in Manchester. Her new book of short stories REALITY, REALITY was recently published by Picador. She is Professor of Creative Writing at Newcastle University.
Kay's adoptive father worked full-time for the Communist Party and stood for election as a Member of Parliament, and her adoptive mother was the secretary of the Scottish Campaign for Nuclear Disarmament (CND).
Initially harbouring ambitions to be an actress, she decided to concentrate on writing after encouragement by Alasdair Gray. She studied English at the University of Stirling and her first book of poetry, the partially autobiographical The Adoption Papers, was published in 1991, and won the Saltire Society Scottish First Book Award. Her other awards include the 1994 Somerset Maugham Award for Other Lovers, and the Guardian Fiction Prize for Trumpet, based on the life of American jazz musician Billy Tipton, born Dorothy Tipton, who lived as a man for the last fifty years of her life.
Kay writes extensively stage, screen, and for children. In 2010 she published Red Dust Road, an account of her search for her birth parents, a white Scottish woman, and a Nigerian man. Her birth parents met when her father was a student at Aberdeen University and her mother was a nurse. Her drama The Lamplighter is an exploration of the Atlantic slave trade. It was broadcast on BBC Radio 3 in March 2007 and published in poem form in 2008.
Jackie Kay became a Member of the Order of the British Empire (MBE) on 17 June 2006. She is currently Professor of Creative Writing at Newcastle University. Kay lives in Manchester.
Jackie Kay was born and brought up in Scotland. THE ADOPTION PAPERS (Bloodaxe, 1991) won the Forward Prize, a Saltire prize and a Scottish Arts Council Prize. DARLING was a poetry book society choice. FIERE, her most recent collection of poems was shortlisted for the COSTA award. Her novel TRUMPET won the Guardian Fiction Award and was shortlisted for the IMPAC award. RED DUST ROAD, (Picador) won the Scottish Book of the Year Award, was shortlisted for the JR ACKERLEY prize and the LONDON BOOK AWARD. She was awarded an MBE in 2006, and made a fellow of the Royal Society of Literature in 2002. Her book of stories WISH I WAS HERE won the Decibel British Book Award.
She also writes for children and her book RED CHERRY RED (Bloomsbury) won the CLYPE award. She has written extensively for stage and television. Her play MANCHESTER LINES produced by Manchester Library Theatre was on this year in Manchester. Her new book of short stories REALITY, REALITY was recently published by Picador. She is Professor of Creative Writing at Newcastle University.
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Displaying 1 of 1 review
January 6, 2023
A moving short story composed by a poet.
Sonata is a very simple tale about two strangers meeting on a long train journey one night and passing the time with a confession. The narrator is entranced by the beautiful storyteller and a willing listener to her tale of heartbreak.
Kay imbues this familiar set-up with poetic turns of phrase (e.g. 'And I knew as soon as you opened your mouth that you had a story to tell and that story would stretch across this troubled country of mine.') and a fascinating mingling of the two voices. Sometimes I got lost about whose perspective we were following in a paragraph but, with patience, I worked out the pattern well enough. I suppose this confusion was purposeful to help demonstrate the entangling trust between teller and listener. Normally I would get more frustrated by such stylistic head-hopping, but here in these sixty tiny pages it works.
Sonata is a tale that is best read in one sitting, possibly while riding public transport on a dark, lonely night. It's also a testament to Kay's ability to keep her creative magic alive in prose and plot. I recommend it to loyal readers of her poetry and those seeking spiritual connections in the literature they indulge in.
Sonata is a very simple tale about two strangers meeting on a long train journey one night and passing the time with a confession. The narrator is entranced by the beautiful storyteller and a willing listener to her tale of heartbreak.
Kay imbues this familiar set-up with poetic turns of phrase (e.g. 'And I knew as soon as you opened your mouth that you had a story to tell and that story would stretch across this troubled country of mine.') and a fascinating mingling of the two voices. Sometimes I got lost about whose perspective we were following in a paragraph but, with patience, I worked out the pattern well enough. I suppose this confusion was purposeful to help demonstrate the entangling trust between teller and listener. Normally I would get more frustrated by such stylistic head-hopping, but here in these sixty tiny pages it works.
Sonata is a tale that is best read in one sitting, possibly while riding public transport on a dark, lonely night. It's also a testament to Kay's ability to keep her creative magic alive in prose and plot. I recommend it to loyal readers of her poetry and those seeking spiritual connections in the literature they indulge in.
Displaying 1 of 1 review