Practical Nell would never be so fanciful as to believe a mysterious Gothic castle and a darkly enigmatic baron would bring her a fairy-tale romance…The star pupil from the Paddington Seminary, governess Miss Helen Faraday, prides herself on her common-sense approach to work. But Lord Eden Jarrow’s imposing abode is enough to test the steadiest of nerves-and the brooding man enough to test the steadiest of hearts!Can one with such a shadowed past be capable of love, and loving a governess at that? When Nell is drawn into a desperate battle alongside Eden to save his young daughter from an unexpected, unknown danger, she is set to find out….
An avid reader from an early age, Elizabeth Bailey grew up in colonial Africa under unconventional parentage and with theatre in the blood. Back in England, she trod the boards until discovering her true métier as a writer in her thirties, when she fulfilled an early addiction to Georgette Heyer by launching into historical romance. Eight years and eight books later, Elizabeth joined the Harlequin Mills & Boon stable, fuelling her writing with a secondary career teaching and directing drama, and writing plays into the bargain.
With 18 historicals published, Elizabeth turned to other genres, producing two titles (Fly the Wild Echoes and For One More Tomorrow) in the cross-genre literary/paranormal field as well as a suspense novella (Silence of a Stranger). She has several short stories available too and a guide for writers on editing.
Continuing her foray into other genres, but returning to her favourite historical period, Elizabeth turned to mystery. She placed her female sleuth in the late Georgian world of intrigue, elegance, aristocrats and rogues, where privilege rubbed shoulders with the harsh realities of making ends meet. While Ottilia moves in the upper echelon of Society, she is thoroughly at ease in the lower, which allows Elizabeth to cross boundaries with impunity. These novels are now published with Sapere Books and the list continues to grow.
Sapere also publish her Brides by Chance Regency Adventures, a series dedicated to the countless women who could not ordinarily hope for romance and marriage: poor relations, dowerless females, those who did not "take", orphans. In a word, the classic Cinderella heroine.
Now retired from teaching, Elizabeth concentrates on writing and promotion, with a sideline in running an assessment critique service for writers.
A full blown gothic romance, Nell’s story is also littered with elements of farce and of melodrama. What spoils the reading of the tale are the long passages of characters ruminating over what to do, what is right, what is wrong, and charging themselves repeatedly to take control of their emotions. So very boring. Eden is an arse. The tragedy in his life is no excuse for his black moods and angry responses. Equally, his refusal to believe Nell is ridiculous. Hetty is a better drawn character than her father or uncle. Steadfast and honest, Nell is a true heroine and she makes the book readable. I had to skim through all the extraneous waffle that made it a slog getting to the end, and that left me disappointed.
Avevo cominciato, e lasciato da parte, il primo libro di questa trilogia, perché mi trovavo a collocarlo nello 'scaffale' più basso della produzione di EB – un'autrice i cui romanzi coprono per me un ampio range di valutazioni. Ma la scelta del genere gotico, pur con il ricorso ai più banali luoghi comuni (dal castello medievale con le sue sinistre torrette e l'orribile cripta fino agli ambigui o folli protagonisti e gli spettri, con l'ulteriore finezza del 'cameo' Hitchcockiano del bicchiere di latte) ha messo in gioco le migliori abilità di invenzione e di scrittura della Bailey, portando stavolta il mio giudizio fino (quasi) alle quattro stelle.
I am finding this series not as enthralling as The Lady Fan stories. In fact, a bit boring at times. Hopefully I will enjoy other stories written by this author more captivating.