"And so, these are the true queer villains of myth and legend, the age-old gods and goddesses, the fallen angels who have fallen in love, the lesbian vampires, bisexual ghosts and drag queen sea witches, and the contemporary LGBTQ+ Big Bad, on page or on screen, whoa are echoes of the ancient ones."
In Queer Villains of Myth and Legend, Dan Jones explores, in short, 2 to 4 page essays, notable and much beloved queer villains, criminals, outlaws and rogues from ancient mythologies, modern cinema, horror novels and so on.
I remember really loving the first book of Jones's in this duology of sorts, Queer Heroes of Myth and Legend, but for some reason this book just didn't captivate me in the same way. It's not even that his essays are very short, surface-level introductions to these characters, because I knew to expect that and this book is not meant to be a deep-dive, but a collection of stories that might inspire you to think more deeply about your favorite queer villains and to seek out some of these stories. I think my issue lies, not with any grand fault of the book, but with my lack of enthusiasm for horror movies especially. Many of these queer villains were from movies I had not seen and don't really have much interest in seeing. I do love some horror movies – Jennifer's Body, whose titular character Jennifer gets her own essay in this book, for example, but I am just not a huge fan of that genre. I much more prefer horror literature.
I am more of a literature and history geek, so naturally I enjoyed those sections more. I really enjoyed the chapters about mythical figures (the tale of the goddess Amaterasu being lured from a cave where she is grieving by a bare-breasted, dancing goddess was fun) and how Jones didn't just include explicitly queer characters, but also figures of myth who have, for some reason or another, resonated with a queer audience, such as Medusa, Circe, the Minotaur and the Maenads. I had not heard of, to my horror, the lovers Harmodios and Aristogeion who tried to kill Hippias and Hipparchus, despotic rulers of ancient Athens, so learning their story was fun (Hippias survived, but all the rest in this entanglement died, but he was deposed some years later, helping pave the way for Athenian democracy). The two lovers were so famous and beloved that there was even a law installed that made it illegal for anyone to slander them. While I'm on the topic of the ancient world, I have to say I loved learning that Capri, infamous for Emperor Tiberius's rumoured sex shack, has other links to queer history too: Oscar Wilde visited it, among others, with his lover, Lord Douglas. Another historical fact I quite enjoyed was that, it is said, that the first thing Anne Bonny did when she arrived in Nassau was shoot off the ear of some drunkard who stood in her way.
As a vamprie enthusiast, I liked the sections on famous villains such as Lestat, Carmilla and Dracula, but also some lesser known queer bloodsuckers like the Girl from A Girl Walks Home Alone at Night, an Iranian film from 2014 (this is one film I definitely would love to see!). The link between queerness and vampires – and queerness and witches (another theme that becomes clear in this book through chapters on, for example, Circe, Dark Willow and the Sanderson sisters) – is something I find very fascinating. When it came to Dracula, I was intrigued to learn that Stoker had been a friend of Oscar Wilde's and someone who moved in very queer artistic circles, and that he began writing his book, Dracula, quite soon after Wilde's scandalous trial. It has been speculated that the enigmatic, seductive, verbose Count Dracula was inspired by Wilde.
Queer villains and morally questionable queer characters always intrigue me. Yes, there is a long, uncomfortable history in mythology, cinema and literature of equating queerness with moral corruption and evil, but there is something so alluring about a queer villain – and I say this as a queer person! Who doesn't love Ursula, Disney's drag-inspired sea witch, Harley Quinn, DC's chaotic clown girlie, or Dorian Gray, Oscar Wilde's iconic, morally bankrupt pretty boy? There is something enchanting, for a queer person, to see someone be shameless, utterly themselves without a care in the world.
I do so wish I had liked this book more. It is not a bad book and it sets out to do what it aims to do perfectly well, but for some reason I just didn't vibe with it as much as I did with the heroes book. I know these kinds of very short, introductory essays are not for everyone, but if you wanna learn about a bunch of queer or at least queer-coded villains from throughout history, I would happily recommend this book.