It’s just the second book by Guerriero that I’ve read, but what I appreciate about her writing is her wit, her non-obviousness, her refreshingly bold approach to the themes she explores, and — last but not least — the way she writes about them. The range of issues she tackles is diverse, and her choices are unorthodox, whether she’s writing about the muses and partners of renowned authors, elderly tango dancers at the end of their careers, exuberant and larger-than-life singers, or unexpected facets of contemporary writers.
What she brings to journalism is a fresh perspective, a focus on what her peers may have consciously or unconsciously overlooked. She has a distinct imprint and voice.
That said, the selection of texts feels uneven; I get the impression that some were chosen rather haphazardly. A few pieces, the ones about writing as such, seem as if they were written under the pressure of a looming deadline. Still, Guerriero is definitely worth your time.