NOT A TOY
“Now we are all sons of bitches”. - Kenneth Bainbridge upon witnessing his handiwork at the Trinity Test.
Nuclear weapons. They’re cumbersome tools of destruction which are only useful if you’re in the mood to get rid of a country or continent. Ever since Little Boy and Fat Man made a splash on Imperial Japan in 1945, a stigma of sorts has fallen upon the atomic bomb, and with good reason. Even though nuclear war has become a reduced possibility, the great arsenals that were accumulated in the last century are still in place. And combined with nations like the schizophrenic failed state Pakistan being in possession of several hundred, they can still end the world several times over if utilized.
The point is, they aren't toys, or things to behave flippantly about.
As civilians who will most likely never have to fire rockets and rifles in an armed conflict, we, the general public regrettably have a certain detachment to nukes. We’re not the ones who are making the decisions, transmitting the authorization codes, and loading up the big floppy disks which initiate the firing mechanisms and flipping the switch to blow a few million poor sods off the face of the earth. We get to sit back and be callously smug, indulging in somewhat murderous wish fulfilment, while in our place, other, braver people take care of the morally messy, and painful business of waging nuclear warfare.
One of these people, who was in the business of waging nuclear warfare for his country is Rick Campbell. Mr Campbell is a Veteran officer of the US Navy. He served on submarines, and eventually rose to become the executive officer on a sub that carried a small chunk of the American nuclear arsenal, the USS Maryland. In his position, he and the commanding officer of the submarine, acted as the triggermen when launch the Maryland’s warheads in the event of armed conflict.
Having returned to civilian life, Mr Campbell has done what almost all writers who served in the armed services do, and written what he knows. In this case, writing a naval military thriller.
Naval military fiction is a subgenre which has rapidly declined in the last decade. All the Islamic terrorists and non-state actors running about in the Post 9/11 era meant there were few opportunities to make a compelling story about large scale conflict until most recently when the new great powers have recently become assertive with executing their own foreign policies. Now, there are enemies writers can send conventional weapons systems after.
Like nuclear armed submarines. Mr Campbell’s first book centers on a Trident submarine like the one he served on. This submarine becomes the centrepiece of an ingenious operation executed by a man painted into a corner who wishes to destroy a city in the Middle East. But complex plans don’t normally come together. Like this one. Now to the review. What actually goes wrong when a friend is painted into a corner?
The novel starts off with the first of many deaths. One of DC’s political staffers is staring along the barrel of a suppressed pistol into the face of his executioner. The latter attempts to get his victim to divulge information he believes the staffer has leaked. Destroying his phone, the staffer realizes what his murder is part of seconds before a bullet hit him. We then cut to Israel. The administration of Prime Minister Levi Rosenfield is in crisis. The Mossad director general Barak Kogen informs the cabinet that Iran is ten days away from assembling a nuclear weapon. To solve this problem, the defence minister advocates deploying the badly hidden Israeli nuclear arsenal on Natanz, where the Iranian safeguards would laugh off a conventional bombing run. Rosenfield bluntly shoots him down and instead asserts that he will begin making the necessary arrangements to acquire a shipment of bunker buster bombs from the USA.
Kogen who also advocates the nuclear strike option tries to convince Rosenfield to go with that in a private meeting. To sweeten the deal, he reveals the existence of an op he’s got primed and ready to go, which would make the US Navy do the dirty work and keep his own hands clean. He too is shot down, and decides to push his boss in the right direction through dubious means. Across the world in the pacific, we’re introduced to the crews of the submarines who will play a major part in the story. Meanwhile in Washington, National security advisor Christine O’Connor is fuming in her office when her friend turned enemy, Chief Of Staff Hardison storms in and informs her that the intern working for her was murdered. Shortly after, she receives a pre-arranged email which causes her to make a call to the CIA.
Back in Israel PM Rosenfield has a bad day. The US ambassador stonewalls his attempt at getting the bunker buster bomb shipment, and a suicide bomber murders Rosenfield’s two daughters. These misfortunes finally motivate him to sign off on the op Mossad has prepared. In Washington, the asset Mossad has cultivated sets to work. Heading into the Pentagon, he incapacitates most of the staff of the National Military Command Centre and convinces one technician to help him send a message to the USS Kentucky.
Despite Christine O’Connor catching onto what has happened and breaking into the operations room with a team of government agents, the asset successfully completes the transmission and kills himself before he can be captured. As O’Connor assists with the clean-up, she learns that the asset made a big adjustment. Instead of one Iranian city, the Kentucky was authorized to fire all its 24 warheads at Iran and cease communications with the outside world. Hurriedly getting the US navy to initiate a hunt, for the submarine, Christine is soon fighting for her life, attempting to battle bureaucratic lethargy, communications failures and enemies who have identified her as a loose end which threatens to unravel the Trident Deception.
In terms of plot, the Trident Deception is a solid affair. In a subgenre which had been written off for dead in the 21st century, Rick Campbell’s first book passes with flying colours. Taking a stock race against time plot, Campbell managed to have his story take a very unique approach compared to the current crop of 21st century navy fiction. He does so with efficient plotting and utilizing two relevant themes. The first can be seen in his focus on the moral compromises that nuclear warfare thrusts upon the few people on the planet who actually have to carry it out. With the Cold War a mere footnote in history, the general public suffers a disconnected perception about the true significance of the atom bomb. Much of society behaves about nukes in a somewhat flippant manner.
A desire to blast entire hotspots off the map for shits and giggles is increasingly common, especially in the post 9/11 world where we scream for simple direct solutions to complex problems that would be made worse with a bungled, attempt at bludgeoning security issues into submission. During the events of the book, Campbell presents a portrait of how such murderous wish fulfilment could come about, and the results are not pretty to say the least. The second theme at the heart of The Trident Deception, is surprisingly enough, the perils of painting friends into a corner. The author decides to apply this concept to global geopolitics and this results in a very impressive cautionary tale, with a decision made by a feckless diplomat to leave a loyal ally of his country staring down the barrel of a WMD and forcing that ally to take drastic action that is far worse than what it would have been if he had come to their aid.
One of the other aspects of the Trident Deception that make it stand out from the previous crop of 21st century naval fiction is how he manages to make submarine warfare understandable for us mere mortals. One of the reasons why naval fiction had declined early in 21st century was because of how complicated it had become. Unlike counter-terrorists thrillers involving guys with guns trying to shoot each other to death, the silent service engages in a fiendishly complex multi-dimensional chess match, having to take into consideration many factors on a grand, undersea board. As a result, many authors who have tried to write action scenes with subs get bogged down with the details, creating confusion amongst their readers about what the hell is going on.
Mr Rick Campbell on the other hand is the first writer I’ve seen who has avoided this trap. Perhaps it’s because his military career was spent on submarines but he manages to pull off the contradictory feat of making underwater warfare make sense while at the same time capturing the impressive complexities of running submarines. I actually learned a thing or two about certain features of subs that normally don’t appear in thriller fiction (turns out there are systems in place to preserve the crew in the event of a destructive event), and was engrossed in by far the most thrilling submarine battles put to pen.
For his first book, Mr Campbell proves his potential as a writer, crafting an epic chase across the Pacific Ocean between one sub that can kill a country and the might an entire navy. But my favourite scene is the climactic duel between the Kentucky and a R.A.N submarine that’s been sent to track it down. The author manages to make it a tense battle between professionals, with one wrong move spelling a subs duel, but more importantly, manages to keep things on target. I can pay no higher compliment to Mr Campbell, in saying that during the action, I did not lose track or get confused about what was going on.
Research? Well, being his first book Mr Campbell has done the smart thing like any former military veteran turned writer and written what he knows. Having spent decades in the US Navy, has given him an edge with writing this book. All the technical details and tactics used by the subs are on point, especially the tactical considerations the Trident submarine of the novel utilizes in attempting to carry out its objectives. But what impressed me was the details spent on explaining how one can kill a country with nuclear missiles. One could take out a city, but with 24 fired simultaneously at say, Iran, you can kill every living thing within its borders and ensure that for centuries, no one would be able to reside in it. Most thrillers involving nuclear weapons gloss over the effects like an afterthought, treating their atom bombs like a mere dramatic prop. Mr Campbell on the other hand, who at one point in his career, had the responsibility for the 24 weapons on a trident submarine, knows better.
Characters? A few standouts. First, National Security Advisor Christine O’Connor. Now, I confess that I read book 2 before reading book 1. There, I admit that I was not a fan of Ms. O’Connor as my review of “Empire Rising” will attest. Here however, I have a bit more respect for the protagonist of Campbell’s series. While my taste in protagonists leans towards the more cynical variety, O’Connor is a well-crafted examples of a more idealistic main character who tries to do the right thing even if they get hurt badly in the process. While she makes some mistakes over the course of the novel that she brings upon herself, ultimately it’s her meticulous work in coordinating efforts to recover the Trident Sub and find out who was responsible that contributes to winning the day.
But, perhaps the biggest quality I admire about her is that she does not give up, a trait that was overshadowed in Empire Rising but shines very much here. It is best exemplified when she’s suddenly faced with death. Despite not having the training of Mitch Rapp, she does not cower or beg like a run of the mill everyman protagonist. Instead, she tries every option available, from a good old fashioned knee to the gentleman’s area to stabbing with a kitchen knife in order to survive a situation where it seems that she will not make it out alive.
Secondly, we have Levi Rosenfield, the Israeli PM. This is one of the men who has to deal with the responsibility of a badly concealed nuclear arsenal. It’s a heavy burden and one which he tries to treat with the gravity it deserves. Unfortunately, he’s surrounded by men who have other ideas and who are more than willing to violently shove him in a direction which he believes is morally unjustifiable, even when the target is somewhat deserving. His character arc is one of the most perfectly executed in the book, and one of the most tragic.
Finally, we have the crew of HMAS Collins and their Commander Brett Humphries. They stole the show in my opinion. Introduced halfway through the novel to assist with tracking the rogue Trident sub, events escalate to the point where ultimately it comes down to them to save the day. I found some of the best characterization and character interaction of the story was found in the chapters focusing on the Collins and her crew. The fact that I felt fear during their knife edge dance with the Trident in the climax and dread when it seemed all was lost, is a testament to how much I bonded with them.
Constructive criticism? Well this being his first book, Mr Campbell was rough around the edges as a writer, and makes a few of the usual first time author errors. However, they do not need to be mentioned here, and I’m a lot more forgiving due to him delivering a splendid reading experience and the fact that he develops as a writer in the second book.
So, my verdict is this. Looking for a naval military thriller that isn’t bogged down in detail, but is instead lean and mean? Interested in appreciating the intricacies of submarine warfare while at the same time getting a story full of wire tension? Look no further than Rick Campbell’s “The Trident Deception”. Boasting a plot that touches on the select few that are given the terrible burden of waging nuclear warfare on our behalf, a cast of very sympathetic characters, a narrative that draws upon the impressive knowledge of a true professional who has lived in the world he writes about, and undersea warfare that does not confuse or bamboozle us mere mortals, meet the new king of Naval Fiction, one who isn’t going to be overthrown anytime soon.
RECOMMENDED VERY MUCH INDEED.