Since the mid-1500s, the text of the Holy Bible has been subdivided into chapters and verses. These markings are all we see in Ben Robinson’s Without Form, a meticulous erasure of the Bible sparing only its notation. The resultant text drifts like atomized numerical clouds across the mathematical superstructure of the divine, hinting at a supreme silence before the word. This ambitious project encompasses all sixty-six books of the Old and New Testaments combined—over seven hundred and fifty pages.