There’s no time for Wonder Woman to fully comprehend the fallout from last issue’s shocking turn of events as her family gathers to prepare for an assault on Olympus.
Brian Azzarello (born in Cleveland, Ohio) is an American comic book writer. He came to prominence with 100 Bullets, published by DC Comics' mature-audience imprint Vertigo. He and Argentine artist Eduardo Risso, with whom Azzarello first worked on Jonny Double, won the 2001 Eisner Award for Best Serialized Story for 100 Bullets #15–18: "Hang Up on the Hang Low".
Azzarello has written for Batman ("Broken City", art by Risso; "Batman/Deathblow: After the Fire", art by Lee Bermejo, Tim Bradstreet, & Mick Gray) and Superman ("For Tomorrow", art by Jim Lee).
In 2005, Azzarello began a new creator-owned series, the western Loveless, with artist Marcelo Frusin.
As of 2007, Azzarello is married to fellow comic-book writer and illustrator Jill Thompson.
This is the furthest I have gotten in any of "the new 52" and I am not sure if I will go back to any of the others... so much crossover mess so little sense. Speaking of sense how can anyone expect any different from The First Born when everyone keeps treating him like dung? They are literally serving him up Hannibal style while he's still alive and chained up. That's cold.
What keeps Wonder Woman truly interesting is the fact that this tale stands outside all of the Forever Evil rubbish crossover that is going on at the moment. The story is slow paced, but masterfully crafted and executed with perfection.