THE TASTE OF WOMEN [2023] By Cyan DeBlanc
My Review 2.0 Stars
This happened to be the tenth novel I read last month, and it had been purchased with the notion that it would be an appropriate representation of the queer horror genre. I have been trying to select a book now and again from the reading lists that the curator has generously made available to members of the Eerie Inklings Book Club. I will not be asking her if this is a good one to add to her accepted reading list.
So, let’s talk about this novel by Cyan DeBlanc. First, I purchased it prior to checking customer reviews on Amazon or Goodreads, and I rated the novel with no outside influence so to speak. We join the First-Person Narrator and protagonist of the novel five years into her false identity of author Katherine Bishop. Valerie had found it prudent to flee New Orleans because a Detective Brody had begun “sniffing a little too close to home”. Valerie relates that it was a cakewalk to steal the writer’s identity and make off with her identification, proceeds in the bank, and her vehicle. In an effort to throw Brody off her trail, Valerie AKA “Katherine” lands on a ranch in the middle of Nowhere, Texas.
It was kismet really, her stopping off the road for gas and overhearing an old man talking about his inability to sell his farm. “Hank” tells her about his place, and she follows him to his farm. Valerie takes a precursory look around and dispatches the old man with a tire iron. She finds an unexpected prize when she meets the hefty female farmhand who says little but does much. Breana, who had worked for Hank, makes a smooth transition to helping Valerie with any chore that pops up. Naturally her chores involve the procurement and management of “Katherine Bishop’s” host of ghostwriters that arrive and go, but not without some “blips” that our serial murderer Valerie could have done without.
Valerie was well into her false identity of Katherine Bishop the author of horror stories. She mentions the need to continue publishing in order to keep the illusion alive which means she must recruit the help of fitting ghostwriters. This had proved to be effective as Valerie explains in the narrative that she had been “using her killings as inspiration for Katherine’s horror genre”. The same plan held true in “Nowhere, Texas”. It may be an appropriate time to remind potential readers that Valerie is not only a murderer with an impressive body count, but also a practicing cannibal. It is evident from the book’s title that the murderer is a lesbian who likes the taste of her female victims in a literal matter of speaking. Valerie does not profess to be practicing any type of ritualistic cannibalism if the reader considers only her ruminations about her beliefs in its benefits. She attributes her high energy level and physicality to her eating habits, and the narrative suggests that it was a gradual observation over time. Valerie was quite feisty for her true age; I’ll give her that.
In short, the main character with first person POV is “Katherine” AKA Valerie who is a serial killer of women and a devout cannibal. She is a detached cold-blooded psychopath who blames her lack of empathy on losing her first love. Yes, there is a brief mention of she and her lover being abducted by a group of cannibals and being forced to literally eat her lover piece by piece. I will readily acknowledge that an experience such as that would likely lead to a padded room. But not a path of destruction throughout the country luring innocent women, toying with them sadistically sexually, and then meting out a torturous pattern of imprisonment until she feels it's time for them to die.
In describing the main character, the author left out sadistic psychopath. It would be a relief if our “Katherine” AKA Valerie abducted a woman for her ghostwriter, and then gave her a lethal injection or a kill shot from a gun, then dressed her out for meat. My main criticism is that Valerie’s pathology is more psychotic sadistic predator than it is a serial killer who murders her victims to procure their flesh for consumption. Time and again she toyed with her victims, enjoyed drugging them so that she could sadistically sexually hurt them and more often than not take a bite out of them somewhere during sex.
The arrival of Arianta (new ghostwriter) was the spitting image of her lost love. Right. There may be some spoilers already in this review (although most of this is only my opinion or critique). I will not spoil the narrative after Arianta arrives in Valerie’s life. Nor will I disclose the maybe surprise ending to the book.
Frankly I found little to praise in this work by DeBlanc. I liked the Cover Art. I find myself in the Unpopular Opinion Zone. The novel was originally released as a novella by DeBlanc. In any case the book was released in 2023. The novel has not been out a year yet. Amazon has only 44 global ratings, but an average of 4.2. Goodreads is sporting 94 ratings with a respective average of 4.0. Man, I can’t see it.
Should I say it is me, and not the book? I COULD say that. But I do not believe it. You be the judge. This dark sadistic tale is quite reasonably priced. I would not recommend it which is implicit by my review.