I received an ARC of this book. This review represents my honest opinion.
Colin crouched down and began scrolling letters in the sand. “A beloved professor once said ‘May your character be not a writing upon the sand, but an inscription upon the the rock.’He went on to say, ‘May your whole life be so settled, fixed, and established that all the blasts of hell and all the storms of earth shall never be able to remove you.’”
A Writing upon the Sand follows Emily as she leaves her family’s farm and travels to Galveston to be a governess to her young cousins. The year is 1900, the same year the Great Galveston Hurricane, considered one of the deadliest natural disasters in American history, is destined to come ashore. As Emily adjusts from farm girl to city girl, she finds herself pulled between two opposing forces: Colin Hensleigh, a devout minister from England, and Nathan Chambers, a charming reporter harboring secrets. Emily finds her character tested, both by her relationships with her new friends and by the impending storm.
Two things made me pick up this book: first, the sample left me wanting more (always a great sign!); second, the story is about Texas and Texas weather. I am a native Texan myself, and like many Texans, I find Texas weather and history fascinating. These factors drew me back even after considering other debut novels to peruse. Imagine my surprise - and delight - to not only find the book enjoyable but to be so entirely engrossed with reading that I completely lost track of time and read well past midnight even though I needed to get up early for work the next day. Not many books have that kind of effect on me.
The narrative voice is intimate and friendly, taking a limited third-person perspective. We see the world through Emily’s eyes, only gaining knowledge as she gains it. This allows Emily’s curiosity to fuel the reader’s curiosity as she seeks to find answers to her questions and navigate the fast-paced world of the Golden Age of Galveston. Pre-hurricane Galveston is represented well as the “southern Wall Street” that it was, full of color, vitality, and action. Central to the story is the love triangle between the three characters, and it plays out the classic Betty and Veronica trope (arguably the most used and flexible of romance tropes). I had concerns that this would play out predictably, but because the characters interact in the real world with real impending doom, it feels believable. Enough secondary characters round out the cast to provide a playful pointillism of personalities. A few were so well drawn that I wondered if they were based on real people (I think we all have a Miss Pickering in our lives somewhere!).
With a story like this, there are a few cons. The only ones I can think of are that the book probably needs another proofread (I caught at least one typo), and at times I wished the book were more descriptive. It’s dialogue-heavy. Now, the dialogue is fantastic - especially if you’re like me and you like assigning voices to characters - but I prefer more balance between dialogue and description. Fortunately, the narrative is fluid, and I can't think of a place where my suspension of disbelief was challenged.
One interesting thing I noted was that the book, though featuring the Great Hurricane, actually falls into a man vs. self-conflict rather than man vs. nature. The real conflict lies in Emily’s internal processing; she has to decide between two pathways based on morality and ethics, and the die is not truly set until after she passes through the hurricane. The storm becomes a catalyst for her true nature to rise to the surface - and that of her friends. I suspect the author has a good grasp on how trials reveal us as we truly are. She does not seek to question why suffering is bound up in the fabric of human existence, but her story does illustrate why suffering adds meaning to life - and that fact alone makes this book worth your time. Four stars.