The loneliness that collects in mirrors and faces―at bedside vigils and in city streets―quickens Catherine Barnett’s metaphysical poems, which are like speculative prescriptions for this common human experience. Here loneliness is filled with belonging, which is in turn filled with loneliness, each state suffused and emptied by the other. Barnett’s fourth collection is part manifesto, part how-to manual, part a guide to the homeopathic dangers and healing powers of an emotion so charged with eros, humor, and elusive beauty it becomes a companion both desired and eschewed, necessary and illuminating.Solutions for the Problem of Bodies in Space is never far from grief or a comedy of bewilderment, inadequacy, hope. Entering Barnett’s world is a little like entering an electrically charged cloud, and the prospect of either falling or getting caught in a storm brings vertiginous and unpredictable pleasures. Bristling with uncanny intelligence, the poems are sometimes quiet elegies, sometimes meditations on art, love, and the failures of love that so often define love. Barnett might be called a realist―her style is radiantly exact―yet somehow she is a guide both into and out of the existential void. She has written a tender, dazzling collection of estrangement and intimacy.
Catherine Barnett is the author of four poetry collections, including Solutions for the Problem of Bodies in Space, Human Hours, winner of the Believer Book Award, and The Game of Boxes, winner of the James Laughlin Award of the Academy of American Poets. She lives in New York City.
Greywolf Press sent me a copy of this terrific volume of poetry by Catherine Barnett. I loved her poetry immediately from the first poem. Usually it takes a few pages and poems to get a feel for the poet and their poetry. One poem, like a hungry fish, I was (am) hooked.
The first book I have truly read for myself in over 6 months. Though I love poetry to my death, it is rare to have such a particularly resonant and revelatory experience with an entire collection, as I have had with this one. These are poems so aligned with my own consciousness I felt I myself had spoken them.
LOVED the “Studies in Loneliness” and found a lot of tender moments and interesting contemplations throughout the collection.
I did, however, want for some more economy of language. Also, from my perspective as a reader, some of the metaphors felt a little forced/ overly sentimental, especially in the father poems.
That said, I’ve never lost a parent (or published a book of poems), so I’m sure I’m well advised to stfu.
I take issue with all the studies saying beware loneliness, avoid loneliness, it will speed your death. I say it will speed your death only if you believe it’s a toxin. Imagine loneliness is a drug curing you of loneliness!
When I teach, I seem to let all twelve hearts beat inside my own. No wonder it’s both an opiate and a weight. Does a heart adjust to other hearts in the room, the way our periods synchronize, the way I hold my head mirroring yours? Whoever you are.
I peeked at the Notes section before starting this and knew immediately it was going to be good. I really absolutely loved it to the point where I could not name individual favorite poems. The voice is perfection, the images are spooky and seductive, the emotions are tangible. . If you liked Victoria Chang’s “With My Back to the World,” you’ll like this. . If you are not an often sad and lonely person, this might not make sense to you.
A beautiful and plainspoken meditation on loneliness. Instead of working with received/established poetic forms, Catherine Barnett allows the use of rhyme & other sonic techniques to make the poems more spontaneous, fluid, intuitive, to great effect. My favorite poems were "Critique of Pure Reason" and "Still Life."
Ouch. That one hurt. I was not emotionally prepared for that. Grief and depression and familial bonds were explored deeply and in the most heartbreaking manner. I was shedding tears by the end.
“Someone is shuffling through me, moving the hanger along to look at the other blouses and sweaters, and sometimes the clock starts beating inside my heart, and then there's even more noise, mortal noise.”
def will be reading more Catherine Barnett poetry!
This was a very nice book of poetry! Her themes of loneliness being two sides of the same coin, as well as dealing with the death of her father, made some really affective poetry.
Thanks to NetGalley and Graywolf Press For the ARC!
Catherine Barnett’s Solutions for the Problem of Bodies in Space is as sprawling, excessive, and essential as one might expect from the book’s title, but it serves a purpose—illuminating the abundance of ways we try to fill the vacuum of loneliness.
This is a collection preoccupied with impermanence, slipping in and out of relationship and isolation in equal measure. The titular bodies move entropically, shaded by fatigue, which causes these poems to read like someone expelling every end-of-day thought in a single, heavy sigh. There are countless moments where the speaker seems to be throwing ideas at the wall, hoping at least one of them will offer the friction necessary for connection. Barnett’s ability to take this approach without it undermining the book is impressive. These poems draw the reader in just enough to make them aware of their own distance, and the effect is mesmerizing and dreamlike.
The title itself seems like an irony—these poems sit largely outside of space, often drifting towards metaphor in lieu of physicality. In an interesting move, the sequence comprising ten “Studies in Loneliness” poems feels the most transparent and the most grounded. It seems to suggest that the certainty of loneliness is its ability to offer moments of lucidity.
"Solutions for the Problem of Bodies in Space" by Catherine Barnett is a mesmerizing exploration of the complexities of loneliness and human connection. Barnett's metaphysical poems delve into the depths of solitude, transforming it into a realm where belonging and isolation intertwine in a dance of paradoxical emotions.
With each poem, Barnett offers readers a glimpse into the enigmatic landscape of the human experience, where grief and humor coexist, and longing becomes a companion both embraced and shunned. Through her radiant language and keen observations, Barnett crafts a collection that is part manifesto, part guidebook, navigating the perilous terrain of emotion with grace and insight.
As readers journey through Barnett's poetic world, they are enveloped in a whirlwind of sensations, where the mundane becomes sublime and the ordinary takes on extraordinary significance. "Solutions for the Problem of Bodies in Space" is a testament to Barnett's skill as a poet, offering tender reflections on love, loss, and the existential quandaries that define the human condition.
(And thank you for the opportunity to discover this tender and dazzling collection.)
A collection of poems about loss, grief, family, and continuing to survive.
from Envoy: "The moth, vibrating there // in the circle of light, seemed to be choosing / transcendence over other basic needs. // Imperial moths have no mouthparts, / they don't eat, they make no sound."
from Night Watch: "Around him we were // a collective / for which there existed no name. // Vortex? / Hive? Enigma? // Astrophysicists were asking / for suggestions. // Terror. A terror of black holes, / someone proposed/ // Yes, that was true. / Silence. A silence of black holes, // someone proposed. / That was too accurate."
Catherine Barnett's "Solutions for the Problem of Bodies in Space" is a stunning collection that transcends the boundaries of poetry. Barnett's masterful use of language and imagery captures the profound complexities of existence with an elegance that is both thought-provoking and deeply moving. Each poem is a journey, exploring the intimate and the cosmic with remarkable sensitivity and insight. Her ability to weave intricate emotions into her verses leaves a lasting impact, making this collection a luminous exploration of human experience. This book is a testament to Barnett's extraordinary talent and a must-read for poetry lovers everywhere.
Was telling someone today about how every Sunday I gloriously binge a whole book of poetry. And they were like, wow, but poetry is so hard! But it's not hard. It's so easy in the way only challenging and beautiful and good things are.
I was gifted this book for Christmas because it's on NPR's 2024's 'Books We Love' list. I'm happy to say I loved it too.
A major theme in the book is loneliness, how it is a burden but also helps the poet, both the poison and the antidote. And the title of the chapbook is from when the poet is about to travel away from a terminally ill friend and the poet wishes she could be in two places at once, hence the 'problem of bodies in space.'