This is the second Joe Sandilands book, set, like the first, in 1920’s colonial India, with echoes back to World War 1. It was an improvement on the first, though not without its flaws. First though, how could you resist a book with the title “Ragtime in Simla”? What a very evocative title!
Anyway, as the book begins, Joe is once again getting ready to sail back to Blighty, but first he is offered a month’s holiday in Simla, in the foothills of the Himalayas, where the Raj goes to avoid the summer heat in Delhi and Calcutta. He doesn’t know, till he gets there, that he is on a busman’s holiday; the governor has asked him there to solve a year-old murder. And then, to make matters worse, a second, similar, murder is committed in Joe’s presence as he is on the road in to Simla. Now there are two murders to solve!
The book now explores Simla society and architecture, and does so very well, in my opinion. All that British architecture superimposed on 7,000 foot high mountains; must have been a sight! And the mixtures of society – the 1920’s colonial masters, the leftovers from the East India Company, and not least the locals, beginning to flex their muscles. We meet the local police chief who seems to be able to walk a fine line between keeping business moving and locking up serious crime (so brothels are OK as long as they feed him secrets). He even keeps his own Baker Street Irregulars! At the center of the story is a woman, Alice Conyers, who runs an international trading company, and who was some years before the sole survivor of a dreadful train crash in France. She ably twists all the English men of Simla round her fingers; is she as honest and likeable as she seems?
Joe steps into this melting pot, eating dinner with the governor, falling for the wiles of Alice Conyers, working with Charlie carter, the local policeman, and eventually riding off into the wilds of the North West Frontier with a dubious character, and prime suspect, called Edgar Troop.
The murders are not actually solved until the very end (or at least we do not have the murderer exposed till then), but we have a kind of Wild West posse chase inserted into the book, while exposing a potential Pathan revolt using smuggled British Army rifles. (Wasn’t there a Pathan in the first book too?)
I liked all the period detail including the continual quotes from Rudyard Kipling (and Kenneth Grahame). I think the author did the research well. This even extended to the cover, where a period photo shows someone we must understand to be Joe Sandilands.