A particularly strong entry in the long-running 33 1/3 series, Cohen's book offers a well-researched, in-depth look at the recording of this iconic album, and its influence on popular culture. Cohen provides a brief history of Franklin's experience in the gospel church, how the arrangements were made to record her two-day performance at the New Temple Missionary Baptist Church, how the band came together (with short bios of each performer), an analysis of each song, and an overview of the album's impact. In addition, Cohen notes how Franklin's attire on the album cover both helped the album enter the playlists of black radio stations and alienated some pop stations, how the album initiated a divide between "traditional" and "contemporary" gospel music that persists to this day, and the key differences between the original album and the later release of the complete recordings of the performance.
Suffice it to say, it is difficult to imagine that a more comprehensive analysis of this album will ever be written. Cohen incorporates his interviews with many of the key players in the performance and recording, and cites a host of secondary sources as well. Reading this volume not only gave me a better appreciation for the album, but its impact on popular culture. If you have any interest in Aretha Franklin's career, gospel music, or popular music in general, this is a must read.