In 1876, Alfred Palmer travels to Wrexham in North Wales to curate its Art Treasures and Industrial Exhibition, the former occupant of that post having somewhat incongruously succumbed to snake-bite. Within days, journalist Kingston Morrison, with whom Palmer has traveled from Manchester, and who is reticent when asked about the real reason for his visit, is dead, having apparently fallen from a bridge. Morrison’s widow asks Palmer to investigate the death so that she may be reassured that it was, indeed, an accident, and before long he suspects murder.
The local police show no enthusiasm for investigating what was obviously an accident and discourage him from pursuing his own inquiries. The wife of Major William Cornwallis West, chairman of the Exhibition’s organizing committee and Lord Lieutenant of Denbighshire, is, for no apparent reason, openly hostile to him. And what is the role of Faustina Blackstone, the Spanish matron of the local workhouse who, claiming she had known Morrison in London, admits to having visited him in his hotel shortly before his death?
Returning to town from a visit to the workhouse, where he may have been drugged, Palmer is ridden down and seriously injured. He is by now engrossed in attempting to decipher the shorthand notes left by Morrison, some of which are one night stolen during the course of a burglary. A man employed at the workhouse apparently commits suicide and, investigating this, the police find that he was the burglar.
Palmer has been able to decipher some of the Morrison notes that he has retained, and finds a reference to the case, which Morrison had investigated, of Sir Charles Mordaunt, whose wife had an affair with the Prince of Wales (the future King Edward VII). There are also references to Faustina Blackstone, who may have been a prostitute or madam in London, and Mary Cornwallis West.
Does this case, with its mounting death-toll, boil down to an attempt to keep the lid on an explosive scandal involving a member of the royal family?
The answer lies towards the end of this thoroughly-researched novel—his twelfth—by David Ebsworth. Some may find the protagonist, Alfred Palmer, somewhat too frail to survive some of the challenges to which he is subjected. By far the most fascinating character in the book is Faustina Blackstone, the sinister and yet curiously alluring sixtyish woman with a tragic past in her native Spain. If film-makers are attracted to this book, it will be her character which sparks their interest.