There's no better time for a fast-paced read than a cold and rainy day, with the approach of winter on its way. Thrillers seem to suit reading when the weather is raw, and we are forced inside. Thrillers provide quick plots that move rapidly, lots of action, and no deep emotional investment, all tied up neatly by the end of the story. In short, they are a satisfying, easy read. With those criteria in mind, a reader can't go wrong with a thriller like The Last Spymaster, a novel by Gayle Lynds.
This spy story begins where many do: with a scene from the Cold War (a spy exchange on a bridge between East and West Germany), but its plot is definitely 21st century, with the main "bad guy" being an Islamic terrorist in the mode of al Qaeda who is seeking to steal the latest military gadgets to wage his war on the West. The main character of the book is "the last spymaster" of course, a CIA operative, a traitor in the mode of Robert Hanssen, who is found missing from his cell in a maximum security prison as the story opens. Enter into this mix, a "hunter" from the CIA who is assigned to track the old spymaster down, a chilling black market arms dealer, a team of CIA spies operating beyond the Company, and a female double agent who once was involved romantically with the last spymaster.
While the usual attention is given to descriptions of guns and cars, exotic locations, and Company lore, what makes this book interesting are the spy tricks-of-the-trade sprinkled throughout the story, the inclusion of many modern events in CIA history, and the quotes that open each section of the book from real "spooks" themselves. To give just one interesting example, Part Two opens with a quote from none other than former CIA Director (now Department of Defense Secretary) Robert Gates, "When an intelligence officer smells flowers, he looks around for a coffin."
In short, this is a good read, as one would expect from Gayle Lynds-a member of the Association for Intelligence Officers, a cofounder of the International Thriller Writers, and most indicative of her writing ability, a sometimes co-author with Robert Ludlum. The biggest difference readers will notice in her novel (compared with her male colleagues writing similar thrillers) is that she has written intelligent women characters into her novel, both good and bad. She also uses high technology judiciously, sparing her readers the Tom Clancy technology-overload style. The only criticism to be made of the book is that the ending stretches the believability factor a little too far. It's a well-rounded, competent, even interesting story. Overall, readers are likely to find this to be a fun read, and at times, perhaps, even a "thrilling" one.