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Inodoro Pereyra inédito
Nunca se sabrán los motivos por los cuales estos trabajos no fueron incluidos en los 32 tomos de su trayectoria. Pero mejor así. O, como dice el mesmísimo "Malaya con mi destino, caminar y caminar. Siempre ando por todas partes, siempre güelvo a publicar".
"Simiente patria, benteveo vernáculo perpendicular sobre la impenitente planicie pampeana", Inodoro Pereyra se había escondido. OcultA entre archivos, cajones y papeles viejos, quedaron algunas de sus hazañas cautivas hasta que "el reverbero calenturiento de un solazo cósmico" las sacó de la siesta. Pero están aquí, listas para el disfrute. Las del 70, las del 80, las del 2000. Inodoro Pereyra y su mundo. El Mendieta, que hacía tanto que no movía la cola que casi le agarraba hernia de disco; la Eulogia, "reina de belleza de la isoca tabacalera"; los loros, la indiada, y todo aquel que caminando la pampa se llegara hasta su rancho..
"Simiente patria, benteveo vernáculo perpendicular sobre la impenitente planicie pampeana", Inodoro Pereyra se había escondido. OcultA entre archivos, cajones y papeles viejos, quedaron algunas de sus hazañas cautivas hasta que "el reverbero calenturiento de un solazo cósmico" las sacó de la siesta. Pero están aquí, listas para el disfrute. Las del 70, las del 80, las del 2000. Inodoro Pereyra y su mundo. El Mendieta, que hacía tanto que no movía la cola que casi le agarraba hernia de disco; la Eulogia, "reina de belleza de la isoca tabacalera"; los loros, la indiada, y todo aquel que caminando la pampa se llegara hasta su rancho..
184 pages, Kindle Edition
Published September 1, 2023
1 person is currently reading
2 people want to read
About the author
Roberto Fontanarrosa
175 books152 followers "People would say that I'm comic writer, at most, and that will be true. I don't care too much how people will define me as a writer. I don't want to be a Nobel laureate. It will be enough for me if anyone tells me 'I laughed my ass off with your book.'"
Fontanarrosa began his career writing and drawing comic strips and later branched out into writing narrative with short stories, especially about football (soccer). His better known strips are Inodoro Pereyra, featuring a gaucho and his talking dog Mendieta, and the hitman Boogie el Aceitoso (which came to life as a Dirty Harry parody).
Fontanarrosa went on to write three novels (Best Seller, El área 18 and La Gansada), and seven books of short comic stories (Los trenes matan a los autos, El mundo ha vivido equivocado, No sé si he sido claro, Nada del otro mundo, El mayor de mis defectos, Uno nunca sabe and La mesa de los galanes). There are also a number of book compilations of his newspapers' strips.
His work has been seen in different Latin American newspapers including Argentine Clarín, Colombian El tiempo, Uruguayan La República, and Mexican magazine Proceso. In 1977 he was approached by Les Luthiers (the famous Argentine humour/music group), who wanted him to collaborate on a script they were writing for a film starring the six group members; the film never bore fruit, but he instead became a creative partner, often writing jokes and situations for them, and most of their shows from 1979 onwards feature his input alongside Les Luthiers'.
In November, 2007 a posthumous work of Fontanarrosa was made public. The script of the animated film Fierro was co-written by Fontanarrosa and the characters designs came also from him.
[edit] Illness
In 2003 he was diagnosed with amyotrophic lateral sclerosis and was bound to a wheelchair. He continued to work, and participated in the meetings of the Third International Congress of the Spanish Language, in 2004, where he gave a humorous lecture about taboo words and the final speech. On 26 April 2006 the Senate awarded him the Domingo Faustino Sarmiento Mention of Honour for his career and his contribution to Argentine culture.
In January 18, 2007 he announced that he would be no longer drawing his own strips because he had lost full control of his hand, but stated that he would go on writing the scripts for his characters.
On 19 July 2007, Fontanarrosa suffered a respiratory failure, and was taken to a hospital. He died there about one hour later. His funeral service and the funeral procession on the next day were attended by thousands of common citizens, writers, actors, and political authorities. The procession stopped beside the Gigante de Arroyito stadium (home of Rosario Central, a team of which Fontanarrosa was possibly its most notable fan) and then continued north to the neighbouring city of Granadero Baigorria, where Fontanarrosa was buried at the Parque de la Eternidad cemetery.
The main national news services and printed media of Argentina devoted special segments to Fontanarrosa's legacy and to the funeral service. The national government declared a Mourning Day for National Culture, and the municipal government of Rosario ordered flags to be flown at half mast.
Fontanarrosa began his career writing and drawing comic strips and later branched out into writing narrative with short stories, especially about football (soccer). His better known strips are Inodoro Pereyra, featuring a gaucho and his talking dog Mendieta, and the hitman Boogie el Aceitoso (which came to life as a Dirty Harry parody).
Fontanarrosa went on to write three novels (Best Seller, El área 18 and La Gansada), and seven books of short comic stories (Los trenes matan a los autos, El mundo ha vivido equivocado, No sé si he sido claro, Nada del otro mundo, El mayor de mis defectos, Uno nunca sabe and La mesa de los galanes). There are also a number of book compilations of his newspapers' strips.
His work has been seen in different Latin American newspapers including Argentine Clarín, Colombian El tiempo, Uruguayan La República, and Mexican magazine Proceso. In 1977 he was approached by Les Luthiers (the famous Argentine humour/music group), who wanted him to collaborate on a script they were writing for a film starring the six group members; the film never bore fruit, but he instead became a creative partner, often writing jokes and situations for them, and most of their shows from 1979 onwards feature his input alongside Les Luthiers'.
In November, 2007 a posthumous work of Fontanarrosa was made public. The script of the animated film Fierro was co-written by Fontanarrosa and the characters designs came also from him.
[edit] Illness
In 2003 he was diagnosed with amyotrophic lateral sclerosis and was bound to a wheelchair. He continued to work, and participated in the meetings of the Third International Congress of the Spanish Language, in 2004, where he gave a humorous lecture about taboo words and the final speech. On 26 April 2006 the Senate awarded him the Domingo Faustino Sarmiento Mention of Honour for his career and his contribution to Argentine culture.
In January 18, 2007 he announced that he would be no longer drawing his own strips because he had lost full control of his hand, but stated that he would go on writing the scripts for his characters.
On 19 July 2007, Fontanarrosa suffered a respiratory failure, and was taken to a hospital. He died there about one hour later. His funeral service and the funeral procession on the next day were attended by thousands of common citizens, writers, actors, and political authorities. The procession stopped beside the Gigante de Arroyito stadium (home of Rosario Central, a team of which Fontanarrosa was possibly its most notable fan) and then continued north to the neighbouring city of Granadero Baigorria, where Fontanarrosa was buried at the Parque de la Eternidad cemetery.
The main national news services and printed media of Argentina devoted special segments to Fontanarrosa's legacy and to the funeral service. The national government declared a Mourning Day for National Culture, and the municipal government of Rosario ordered flags to be flown at half mast.
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Displaying 1 - 2 of 2 reviews
April 24, 2024
Yo vengo acá básicamente porque amo a Pereyra y a Mendieta. Porque de niña me encantaba dibujar y las caricaturas eran mi debilidad. Porque la historieta me acompañó siempre... Patoruzú, Isidoro, Condorito... Porque aprendí a leer disfrutándolos. Porque entrar en el mundo de don Inodoro me conecta con mi infancia, porque la pluma del "Negro" me recuerda el humor ingenuo de mi padre, ese que dicen, heredé. Porque leyendo, me vuelvo a ver en las siestas de verano, a la sombra de la parra acompañada del canto de mil chicharras mientras los adultos duermen.
Gracias, Fontanarrosa por crear a nuestro "antihéroe" más querido. Por la simpleza. Por ser un portal de entrada al maravilloso mundo de la lectura para muchos. Y por darle a ese gaucho pampeano la compañía del más noble de los seres. ¡Salú, fiel y sabio Mendieta!
Gracias, Fontanarrosa por crear a nuestro "antihéroe" más querido. Por la simpleza. Por ser un portal de entrada al maravilloso mundo de la lectura para muchos. Y por darle a ese gaucho pampeano la compañía del más noble de los seres. ¡Salú, fiel y sabio Mendieta!
December 11, 2023
Nivel medio disparejo el de estos inéditos, pero me hicieran o no reír me provocaron una terrible nostalgia por el negro Fontanarrosa, que falta nos hace.
Displaying 1 - 2 of 2 reviews