Celebrity writers can be a hit and miss experience, so it was with trepidation that I approached Richard Osman's quintessentially offbeat British character driven crime fiction debut, but I need not have worried, it's a belter, with its understated charm, humour and wit that beguiles. Set in Kent, four sprightly, remarkable agile, and energetic elderly folk exercise their considerable brain power into the solving of cold case murders from police files secretly acquired by the undisputed leader of the group, Elizabeth, a woman to be reckoned with, with her mysterious and shadowy background. The organising Elizabeth has a powerful and wide ranging network that she can call on, one that the police might envy. The quiet, sensible and overlooked Joyce, an ex-nurse, is a recent arrival to the exclusive luxury retirement village, that include many residents formerly at the top of their varied professions. She soon finds herself recruited to the Thursday Murder Club (TMC), and it is through her Journal we learn of the members activities and meetings, oiled by considerable partaking of wine and her delicious baking.
Ibrahim, a retired psychiatrist, a logistics and details man, and Ron, a union man that used to be famously portrayed as Red Ron in the media, are the other members of the club. PC Donna de Freitas, is a recent transplant from the London Met and, to put it mildly, she would rather be solving murders than living the boredom of her current reality as she gives a security talk to the TMC, only to have her agenda overturned by the bunch of wily, manipulative and sly members. When the murder of Tony Curran is discovered, the TMC gear themselves up to solve the murder, willing to use any advantage they can engineer, cross any line, and venture into forbidden territory where the police cannot go. They use their influence to get Donna on the murder team run by the lonely and overweight DCI Chris Hudson, to gain access to police information, willing to trade what the TMC discover with Donna and Chris, although they often only do so at a their discretion and at a time of their choosing.
It is the diverse characters that Osman creates and develops, and his tight plotting with the numerous secrets and their reveals, along with the comic touches, that makes this an entertaining and delightful read. This makes a wonderful break from the dark and grisly fare of much of the crime fiction and mystery genre, and whilst the connection between our intrepid elderly sleuths and the police might require a suspension of disbelief, it works beautifully. Obviously when it comes to the elderly, medical issues, physical decline, loneliness, grief and loss are going to play an integral part of their stories. If you are looking for fun, entertainment, and a thoughtful, intelligent, offbeat and engaging mystery, then this is highly likely to appeal. In the meantime, I look forward to the next in what promises to be a stellar crime series. Many thanks to Penguin UK for an ARC.