I have been hesitating over this review for months, because it's a review I absolutely don't want to write. I have obsessively loved some previous works by Tim Pratt, particularly the Marla Mason series, so I was excited to follow him from fantasies to sci-fi. And I really tried to give this book a fair shake--all the way to 77%. Unfortunately, it felt like a slog the whole way, and I ultimately DNF'ed. For the reader who is looking for a light romp through a zany universe and doesn't need realism in their science fiction, this might read a little like a millenial Douglas Adams. Alas, I am not that reader.
I think some of why I bounced off this book is a marketing problem rather than a story problem. When a publisher says a book is sci-fi, I believe them! A sci-fi designation sets my expectations about the scientific realism of any explained mechanisms of the universe (or in this case, the multiverse) fairly high. Ultimately, I think this piece would have been better served with fantasy or science fantasy classification, because my suspension of disbelief might have been able to withstand what to me felt like enormous, gaping holes in the "science." I also felt that a more plot-driven, traditionally structured narrative might have made the plot holes less noticeable. This piece felt very character-driven--but the characters felt incredibly flat and unrealistic, so the plot felt thin and contrived, just serving to highlight the holes.
Glenn was a decent narrator, but his plot felt completely passive and reactionary to outside forces. I understand that Glenn is a BDSM submissive, and I was frequently amused/bemused by the representation, but I think it would have been a better choice both as representation and for the narrative to highlight that sexual submissiveness is not the same thing as powerlessness or passivity.
Tamsin was completely unlikeable. This is not necessarily a problem in a MC, even in a narrator, but Pratt's decision to make her a "crafty" plotter who wouldn't even let herself think about the plans she had made caused her narration feel stilted and unrealistic. I honestly was not convinced that a person in Tamsin's situation would have in any way ended up with the personality and choice matrix that Tamsin viewed the world through. Tamsin's quest for revenge felt arbitrary and unrooted in anything we had learned about her. Since it was the impetus for the entire plot, I ultimately felt like that "revenge" was flattened into a McGuffin quest.
Finally, the factions of travelers between universes felt artificial. With the names and politics each held, it felt as if they were supposed to be a political allegory, but it didn't feel like Pratt had thought through the implications or complications of membership in each one. I would be happy to hear that the Interventionists were problematized by the end, as they were disturbingly paternalistic for the "good guys," but the fact that there seemed to be no foreshadowing of doing so nearly 4/5 of the way through the book made me feel as if it was the author, rather than the characters, whose stated politics were just lip service.
I think if I had been editing The Knife and the Serpent, I would have asked Pratt to devote a separate book to each narrator, so that he could go back and give each the depth and nuance that I know he is capable of. As it stands, 1 out of 5 stars.
Thanks to NetGalley and Angry Robot for the opportunity to read this early.