This substantial compilation of Inuit mythology and legends is neither children's fare nor is it in my humble opinion for the feint of heart, as violence, and often leading to brutal disfigurement and murder is a dominant characteristic and, in fact, almost all of the tales featured in Unikkaaqtuat do include brutality of some kind, both physical and emotional, psychological (even in those tales where death, where murder do not make an appearance). And while a sometimes gratuitous seeming violence is common enough in many fairy and folk tales (one just has to think of the Brothers Grimm and even Charles Perrault), the generally extensive, intensive and as such often meticulously described and vividly depicted/painted horridly vicious barbarism in this collection, in Unikkaaqtuat actually makes me both physically and emotionally cringe and even shake my head with occasional horror and consternation (something that the tales of the Brothers Grimm, where violence might indeed often be present, but is generally not overly described and painfully dissected, have never really made me do).
Now as an academic and in fact something of lay folklorist, I do really and truly much appreciate this compilation and more than commend the editors for their meticulous and all encompassing research, but the stories themselves, while I do find them interesting and even readable and easily approachable, they are also simply much much too creepy and too viciously and nastily violent for me, and I can and will therefore only recommend Unikkaaqtuat with some very major caveats (although Neil Christopher's annotations and Noel McDermott's introduction and chapter notes are indeed a treasure trove, informative, enlightening and the fact that the editors, that Neil Christopher, Noel McDermott and Louise Flaherty have also striven to present the oldest in-print versions of each of the presented tales is both appreciated and of much and essential academic interest). And needless to say that I did and still do find the included stories (as well as the background information presented in the introduction) of much interest, I just find the themes too harsh, too violent and too heavy for me to in any way consider these tales a reading pleasure.
And now finally (and what actually has made me consider a three stars rating and not a four star rating as I had originally envisioned), there is also and unfortunately a bit of a page numbering issue with my personal edition of Unikkaaqtuat, namely that some of the pages are annoyingly out of order, with the end of the book (pages 193-287) appearing between pages 96 and 97 (not a huge and intensely problematic issue, but still potentially confusing, and hopefully something that will be remedied in future editions and might indeed already have been changed).
And in retrospect, I guess I also kind of wish that both the featured stories and from the supplemental inclusions, at least the informative introduction, could have been presented in a dual language English and Inuktitut format (oh I know that this would have most definitely increased the scope, the page numbers of an already rather lengthy anthology, but it would have been a sign of respect for Inuit culture, language and lore, as well as providing interesting, culturally singificant language teaching materials for teachers, professors introducing or more to the point reintroducing Inuktitut to Inuit children, to Inuit students).