AI-generated, glitch infused "novel" by cult Japanese writer, Kenji Siratori.
"The result is a collaborative work of xenopoetic emergence: a beautifully absurd, alien document scintillating with strange potency. Bringing together algorithmically and Al-generated electronic literature with analogue collage and traditional modes of literary composition, the Ministry refuses to commit solely to digital, automated, or analogue art and instead seeks technological mutualism and a radically alien future for the arts. Accompanied by a groundbreaking original score by Canadian duo Wormwood, the anthology offers the radical defamiliarization and weird worlds of science fiction, but now the strangeness bites back on the level form."
A Japanese avant-garde artist who is currently bombarding the internet with wave upon wave of highly experimental, uncompromising, progressive, intense prose. His is a writing style that not only breaks with tradition, it severs all cords, and can only really be compared to the kind of experimental writing techniques employed by the Surrealists, William Burroughs and Antonin Artaud. Embracing the image mayhem of the digital age, his relentless prose is nonsensical and extreme, avant-garde and confused, with precedence given to twisted imagery, pace and experimentation over linear narrative and character development. Blood Electric (Creation Books) was acclaimed by Dennis Copper, David Bowie. And he collaborated with David Toop, Andrew Liles. Recent books are HACK_ (2011), Googleplex Otakky (2012), Witzelsucht (2012), Cruel Akihabara Eroguro Mutants (2013), Mononoke Vibration (2013).