Comic British mysteries were not rare in the 1940s. The ones that I am most familiar with are the books of Michael Innes and Edmund Crispin, with their donnish humor. At about the same time that Innes and Crispin were writing those books, Nancy Mitford was writing the Love in a Cold Climate books, British comic novels about life and romance in the upper classes. Murder After Christmas, originally published in 1944, seems to me to take a comic mystery plot and make it the subject of a rather Nancy Mitfordian book about an apparent murder among the wealthy and well-born.
Frank and Rhoda Redpath invite Uncle Willie to stay with them for Christmas and perhaps even longer. The hotel in which Willie has been living is being commandeered by the government, and Willie has no place to go for Christmas. He wouldn't exactly have been on the street, though; "Uncle Willie" is the absurdly rich Sir Willoughby Keene-Cotton, with homes in London, San Remo, and Scotland. (His Spanish castle was blown up in "a revolution.") He does have a wife, whom he seldom sees, but she is elderly and ill. So the Redpaths thoughtfully invite him, with some of that thought being given to casting bread upon the waters. Frank muses, "Rather a joke if, in the excitement of his happy Christmas, he revoked his will and left everything to us!"
Willie does come, as do many others, inspired to visit by good-fellowship - and the chance to spend time basking in the glow from an elderly and exceedingly rich baronet. Frank's Aunt Paulina is already staying with them and the Redpaths' adult son and his female companion, a young would-be actress, are there as well. Willie seems to be in good health for a man of his advanced age, with a hearty appetite. He does appear to have spells of confusion; for example,
he can not seem to remember the order of the three wives he has had. Neighbors whom they barely know and distant relatives arrive, many of them hoping to profit from their visit. The Redpaths are not the only ones considering Sir Willoughby's death and what it might bring them - but not, one hopes, until after Christmas.
There is a war on (although Frank says that he keeps "forget[ting] about this beastly war") and it would be sinful to waste food, but Willie is, after all, well able to afford whatever he wants. They have three turkeys and they are awash in mince pies and chocolates (although the boxes of chocolates keep vanishing).
The center of the Redpaths' Christmas plans is a large party. Willie at first says that he does not want to join in, but he changes his mind and even orders a Father Christmas outfit. Father Christmas is the hit of the party, handing out gifts to all. But the next day, Willie is missing. He is found, Father Christmas suit and all, lying beside a snowman near the house. He is dead. Perhaps his heart gave out. But there is a strange set of footprints in the snow near the body that can not be easily explained
An autopsy shows that he has died from an overdose of laudanum. He has had a cough and may have taken too much medicine - or he may have been murdered. All the people who attended the party and others who had mailed food to the Redpaths' house are suspects.
The people in charge of the investigation are the Chief Constable, Major Smythe, an old friend of Willie's who had been at the party, and Superintendent Culley. Everyone Culley speaks to has something to hide, and the solution is rather more than merely complicated. "Secrets are not allowed, you know - except at Christmas," says one of the (many) suspects, but this does take place at Christmas, and secrets abound.
The extraordinarily complicated solution is clever but just too complicated. That is one of the problems that I have with the story. Another is that people who, I believe, are meant to be admirable say and do most un-admirable things.
Perhaps my biggest problem is that the author works too hard to make everything funny. Sentence by sentence, this is marvelous, but like a surfeit of chocolates or mince pies, it can be cloying.
For example:
Paulina did her best to make the time pass by catechising [a man named Puffy Freer] on his family and connections. Was he, by any chance, related to some Freers she once met in Rome? Or there were some Freers with whom Paulina Redpath was very nearly shipwrecked in the Caspian Sea? No? No, Puffy disclaimed all geographical and genealogical associations with the name of Freer until Aunt Paulina, having sailed with serene obstinacy round the world, came to port in Durban, where it seemed he was actually born; which implied that he was an off-shoot of Freer's Bathing Beach, if not actually born in a bathing machine.
And another, which I admittedly do think is funny:
All the grown-ups received the trifles Father Christmas bestowed upon them in a conspiracy of solemn gratitude, at first fearful of shattering the illusion of reality, but presently warming up, overcoming their diffidence, shaking hands with him, applauding and congratulating him, but always calling him Father Christmas carefully, some hoping his reindeer wouldn't be cold waiting: had they got something nice in their nose-bags? and had Father Christmas remembered to immobilise them? and didn't he find the modern system of entering by the front door a little cold and formal after so many centuries of coming down chimneys?
I did enjoy much of the book despite my objections.
This is the only volume from the British Library Crime Classics series that I have read. This 2021 paperback edition is quite handsome, with a very nice cover, credited to Mary Evans Picture Library. Their is a fine, brief but informative introduction by Martin Edwards. Edwards explains that the author, whose real name was Algernon Vernon Mills, died in 1953, still in his forties.