This is a very disturbing play that I wish I could see on stage, as it must play brilliantly. At the center of it is a thoroughly obnoxious, socially resentful, and deeply deceptive man who through bullying, bribery, threats, or familial pressure makes sure he gets what he wants, even at the cost of other's lives and income. The blurb on the back of my edition remarks that Bull McCabe is "one of the most famous characters in Irish writing today." That might be true, but he's decidedly an anti-hero. At least that's how he struck me. The jacket blurb also mentions that The Field is at the same time a "tender" portrait. Nothing tender about him, seems to me. Just ruthless determination. What the play certainly is at times, especially early on, is very funny, in keeping with a long tradition of black comedy in Irish letters and, I dare say, in the Irish soul. But, like Bull himself, the play as it proceeds becomes increasing darker and increasingly brutal. And increasingly affecting. Bull's speeches to the police sergeant near the end, in which he defends himself and also tries to deflect suspicion might sound terrifying familiar to a contemporary American reader. A man who commits as many injustices as he has in the course of the short play--and continues to make his cohorts fear for their lives if they turn against him--attempts to make himself out as a spokesman for the victimized underclasses, unfairly doubted and investigated by the cultural elite of Ireland at the time (the mid-1960s). Meaning, a police sergeant simply doing his job. Possibly the attitude behind this line will strike an American reader as familiar: "The likes of us that's ignorant has to be clever." Boy, if that isn't revealing. But Bull is more than just clever. Sadly, at least for the moment, Bull's bullying tactics and his phony righteousness seem to work. The sergeant knows Bull is guilty--the reader knows Bull is guilty--but the sergeant can't get the necessary corroboration from witnesses to hold Bull accountable. Which means that everyone has lost. Btw, I never saw the film version of this in which, as I understand it, Richard Harris gives a great performance as Bull. I guess I should now.