When Natalie unexpectedly becomes pregnant at almost forty, it isn’t exactly welcome news. Her eldest daughter, Emily, is about to leave for university, while her youngest, Zadie, is now eight. Life is comfortable and she and her husband Pete are full of dreams for their future when the nest is empty. Another child now would disrupt all their lives. Ultimately, Natalie decides to go ahead with the pregnancy. Erin arrives after a traumatic birth and is a difficult baby who screams incessantly and doesn’t sleep. Natalie is in a downward spiral and her days are spent trying to survive. Pete is never home and the older children are also struggling. This is a family at breaking point. It all comes to a head the night of Emily’s 18th birthday party, when all the secrets, lies and resentments finally boil over and little Erin disappears. But which of their closest family and friends took their daughter? And why?
M. J. Arlidge has long been one of my favourite thriller authors and I’ve been loving his Crime Writers Room collaborations, so I was excited to read this collaboration with Lisa Hall. As I hoped, it was another cracking thriller that I devoured in just a few hours. Expertly written and deftly choreographed, Arlidge and Hall have crafted a thriller that keeps you guessing from the first page to the last. The heart-stopping prologue reeled me in and I remained glued to the pages as the story switched to a slower burn as we went back to the time where Natalie first found out she was pregnant. I was on the edge of my seat as tension escalated and suspicion swirled with multiple suspects in the frame when Erin went missing. I had my theories about who it was, but that did change a few times as Arlidge and Hall skillfully kept their identity hidden and created believable red herrings.
The story is told from Natalie and Pete’s perspective, offering us an insight into their mindset and motivations, allowing us to understand their actions. While they were relatable characters, they weren’t always likeable and I often just wanted to shake them. I did have a lot of sympathy for Natalie, who showed signs of postnatal depression, but I’d want to hug her one minute and be frustrated with her the next. I wanted to tell her to reach out for help and just talk to her husband. Meanwhile, Pete was useless both practically and emotionally, but reading his perspective made me confront the shades of grey that led to his withdrawal from his family and other bad decisions. I still wanted to yell at him to help his wife though. And at both of them for refusing to see how their other children were struggling.
The other characters are brilliantly written but Eve, Natalie’s best friend, is most memorable. Unnerving and manipulative, she gave me the ick from the start, and I didn’t like how she behaved around Natalie’s youngest kids. It was obvious that Natalie relied on her, but this girl was toxic and I was yelling at the pages for Natalie to cut her out of her life and talk to Pete instead.
Suspenseful, dark, emotionally and totally addictive, The Mistake is a must-read for all thriller lovers.