Lamb is a well-known social media guru for writers and this book offers advice on how to establish and run your internet “author’s platform.” Everyone knows you need a “platform” if you’re going to sell e-books. But what should it look like, and more urgently, what should its content be?
Lamb answers these questions with a light and frothy style, the kind of lame personal anecdotes and manufactured humor you expect to hear in a stuffy hotel meeting room from a self-promotional speaker. Style notwithstanding, the book does contain some actual ideas.
The book is not a “how-to.” It gives high-level, practical advice for marketing self-published e-books. It’s an easy read because of its low information content and high redundancy, but despite its light weight, it has good marketing lessons for most authors who intend to self-publish online.
The problem for e-books is marketing. The internet is an ocean and your book is a tiny raft that few people will ever see, even if it is lucky enough to stay on the surface. You might as well drop your book manuscript down a well as post it on Amazon because you’ll get about the same sales result.
On the other hand, getting published by a traditional publisher is virtually impossible, and even if you are so lucky as to land a contract, and if you do not get cheated, you’re still largely on your own for marketing. Publishers won’t do much for you, because they don’t have the money to spend on you, and because their marketing efforts are impotent anyway. If the publisher does manage to sell a few copies, you’ll earn only a few pennies per book.
This is the dilemma that Lamb sets up starkly in the first section of her book, “Brave New World.” The future of publishing, she says, is not with traditional publishing and marketing, but with e-books and social media marketing. I remain unconvinced but I appreciate her essay.
Writers trying to use the internet to sell their books usually make two fatal errors. First, they direct most of their efforts to other writers. But that is not your target market. Why fill your blog up with book reviews, process notes, and publishing advice? Nobody cares. A couple of your writing colleagues might grace you with a mercy buy, but that’s about it. You need to reach the general book-buying public.
The second fatal error is to inundate potential readers with self-promotion and overt requests to buy your book. People hate that and it should be embarrassing to you, and in any case, it is not effective.
Instead, you need to focus your content on topics that ordinary people care about. And what is that? (Gulp hard.) Pets, weight loss, food, health, holidays, religion, children, sex, the latest television shows, movie stars, popular music, and pop culture in general. Why do you think it’s called pop culture? Because it’s popular!
Unfortunately for me, I have zero interest and almost zero knowledge of pop culture. I did not even recognize most of the examples Lamb gave. That leaves me in a pickle, but for other writers, her suggestion might suggest opportunity.
It follows you should be blogging and tweeting and posting interesting, informative, and humorous content about your family, pizza, skin care products, cars, guns, and your love of cute kittens and Thai food. In that way, you build up a “following” so when your book is ready, you can say, just incidentally, offhandedly, insouciantly, “By the way, my friends, my new book just came out: Title.” And your 20,000 online “friends” will know where to find it. That’s the ticket to success.
Traditional publishers will eventually change the way they acquire, produce, and market fiction. Right now you can circumvent them with e-publishing, but they still hold nearly all the cards for filtering the dross and marketing what really can be sold. Until somebody figures out how to automate those functions, reaching readers will remain a daunting challenge.