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Subject: Murder
Subject-Murder (1945) is a detective novel by Clifford Witting based on his personal experience as a bombardier in an anti-aircraft detachment.
Peter Bradfield, the detective constable colleague of series character Inspector Charlton, is the narrator. We follow him from basic training in Wales to his various transfers to other posts eventually landing him in an anti-aircraft detachment between the villages of Etchworth and Sheep, and coincidentally just outside of Lulverton where he and Charlton are based as policemen.
The arch villain of the story, Battery Sgt. Major Yule -- “Cruel Yule” to the bombardiers he oversees -- is sadistic, manipulative and narcissistic. Throughout the novel he proves to be one of the most odious villains in the entire genre. When we first meet him through the eyes of Johnny Fieldhouse, Yule is seated at a desk in his office taunting a mouse he has trapped under a drinking glass. This brief encounter will put Fieldhouse on Yule’s list of marked men for the remainder of the book, and a gruesome murder follows before long.
Clues and red herrings are abundant as in any of the best examples of the fair play detective novel. Charlton is allowed to team up with his old colleague Bradfield and together they uncover such intriguing evidence as unusual knots in the rope and dog leash used to tie up the murder victim, a book on torture practices of the Spanish inquisition that has certain passages bracketed, and the double life of a mysterious soldier named Alexander Templeton.
Witting once again proves he has the stuff of a high ranking officer of detective novel plotting.
Peter Bradfield, the detective constable colleague of series character Inspector Charlton, is the narrator. We follow him from basic training in Wales to his various transfers to other posts eventually landing him in an anti-aircraft detachment between the villages of Etchworth and Sheep, and coincidentally just outside of Lulverton where he and Charlton are based as policemen.
The arch villain of the story, Battery Sgt. Major Yule -- “Cruel Yule” to the bombardiers he oversees -- is sadistic, manipulative and narcissistic. Throughout the novel he proves to be one of the most odious villains in the entire genre. When we first meet him through the eyes of Johnny Fieldhouse, Yule is seated at a desk in his office taunting a mouse he has trapped under a drinking glass. This brief encounter will put Fieldhouse on Yule’s list of marked men for the remainder of the book, and a gruesome murder follows before long.
Clues and red herrings are abundant as in any of the best examples of the fair play detective novel. Charlton is allowed to team up with his old colleague Bradfield and together they uncover such intriguing evidence as unusual knots in the rope and dog leash used to tie up the murder victim, a book on torture practices of the Spanish inquisition that has certain passages bracketed, and the double life of a mysterious soldier named Alexander Templeton.
Witting once again proves he has the stuff of a high ranking officer of detective novel plotting.
311 pages, Paperback
Published September 1, 2023
2 people want to read
About the author
Clifford Witting
37 books15 followersClifford Witting (1907-68) was an English writer who was educated at Eltham College, London, between 1916 and 1924.
During World War II he served as a bombardier in the Royal Artillery, 1942-44, and as a Warrant Officer in the Royal Army Ordnance Corps, 1944-46.
He married Ellen Marjorie Steward in 1934 and they had one daughter. Before becoming a full-time writer, he worked as a clerk in Lloyds bank from 1924 to 1942. He was Honorary Editor of The Old Elthamian magazine, London. from 1947 up to his death.
His first novel 'Murder in Blue' was published in 1937 and his series characters were Sergeant (later Inspector) Peter Bradford and Inspector Harry Charlton. Unusually, he didn’t join The Detection Club until 1958 by which time he had written 12 detective novels.
In their 'A Catalogue of Crime', Jacques Barzun and Wendell Hertig Taylor stated, 'Witting started feebly, improved to a point of high competence, and has since shown a marked capacity for character and situation, with uneven success in keeping up the detective interest.'
On the gadetection website it reports, 'Why is Witting so obscure? His detection is genuinely engrossing, and his style is witty, if occasionally facetious. He could do setting very well—Army life in Subject: Murder. His books have the genuine whodunit pull. He can brilliantly misdirect the reader (Midsummer Murder) or invent a genuinely clever and simple murder method (Dead on Time).
'He experimented with form: the surprise victim (whowillbedunin?) of Measure for Murder, or, weak as it is otherwise is, the riff on the inverted detective story in Michaelmas Goose. In short, he always has something to offer the reader, and found original ideas within the conventions of the formal detective story.
'And yet he’s barely known—no entry in 20th Crime and Mystery Writers, and only a passing reference in the Oxford guide. Only treated in detail in Cooper and Pike, and in Barzun.'
During World War II he served as a bombardier in the Royal Artillery, 1942-44, and as a Warrant Officer in the Royal Army Ordnance Corps, 1944-46.
He married Ellen Marjorie Steward in 1934 and they had one daughter. Before becoming a full-time writer, he worked as a clerk in Lloyds bank from 1924 to 1942. He was Honorary Editor of The Old Elthamian magazine, London. from 1947 up to his death.
His first novel 'Murder in Blue' was published in 1937 and his series characters were Sergeant (later Inspector) Peter Bradford and Inspector Harry Charlton. Unusually, he didn’t join The Detection Club until 1958 by which time he had written 12 detective novels.
In their 'A Catalogue of Crime', Jacques Barzun and Wendell Hertig Taylor stated, 'Witting started feebly, improved to a point of high competence, and has since shown a marked capacity for character and situation, with uneven success in keeping up the detective interest.'
On the gadetection website it reports, 'Why is Witting so obscure? His detection is genuinely engrossing, and his style is witty, if occasionally facetious. He could do setting very well—Army life in Subject: Murder. His books have the genuine whodunit pull. He can brilliantly misdirect the reader (Midsummer Murder) or invent a genuinely clever and simple murder method (Dead on Time).
'He experimented with form: the surprise victim (whowillbedunin?) of Measure for Murder, or, weak as it is otherwise is, the riff on the inverted detective story in Michaelmas Goose. In short, he always has something to offer the reader, and found original ideas within the conventions of the formal detective story.
'And yet he’s barely known—no entry in 20th Crime and Mystery Writers, and only a passing reference in the Oxford guide. Only treated in detail in Cooper and Pike, and in Barzun.'
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