Dissent is an essential part of keeping democratic societies healthy, and our ability as citizens to voice our opinion is not only our privilege but our responsibility. Without this dialogue, the backbone of what we have fought so desperately for could easily crumble. Over the past several decades, we have seen the number of democratic societies around the globe increase, and during the past ten years, there has been a heightened awareness of the increasing conflicts and problems that both directly and indirectly affect our everyday lives. With the Middle EastÆs never ending conflict, the war on terrorism, and the numerous financial and environmental crises, peopleÆs sense of safety, power, and representation has diminished in part because they feel they have no voice. Designers, however, have used their skills to communicate their dissent throughout history and are doing so even more now with the birth of the Web and the increasing ease of distributing posters and other printed materials. A picture is worth a thousand words and designers have used this adage to their advantage by creating simple yet powerful designs that immediately convey poignant messages to their viewers. The Design of Dissent will examine graphic work focusing on social and political concerns from around the globe. The time is certainly ripe as the U.S. -- and world -- flare in opposition on so many important issues.
Milton Glaser was a celebrated American graphic designer and artist, whose notable designs include the "I ❤ NY" logo, the psychedelic Bob Dylan poster, and the logos for DC Comics and Brooklyn Brewery. Born in the Bronx in 1929, he was educated at Cooper Union. In 1954, together with Seymour Chwast, Reynold Ruffins and Edward Sorel, he co-founded Push Pin Studios, which became a guiding reference in the world of graphic design. In 1968 he co-founded New York magazine with Clay Felker. Glaser had one-man-shows at the Museum of Modern Art and the Georges Pompidou Center. He was selected for the lifetime achievement award of the Cooper Hewitt National Design Museum (2004) and the Fulbright Association (2011), and in 2009 he was the first graphic designer to receive the National Medal of the Arts award. Glaser died in June of 2020, of a stroke.
Few design publications can match the sheer volume of high-concept work presented here. Strong messages, strong visual communication. The work literally speaks for itself, and is followed by a lengthy interview of Milton Glaser by Steve Heller.
Unfortunately, the collection of work in this volume doesn't quite seem expansive enough or categorized correctly to take away any or much inspiration. It would have been nice for the work to have been presented with a visual chronology of protest art and visuals displaying how dissent evolved thru the ages. It's a random smattering of artwork that takes a decidedly political and one-sided perspective as you continue. Also, the minimal amount of information in the captions doesn't help educate to the larger issues taking place in the creation of the pieces.
The extra star is for the absolutely fantastic, layered and nuanced interview with Milton and Steven Heller discussing the material and theories at hand. It will require repeat reading and thought for years to come.
holy cow! this book is incredible, but not for the weak of heart... definitely rated NC-17 for disturbing images, lots of war images, etc. but this is a must-have for the serious graphic designer.
Poor selection, poorly executed. There are many better images and imagery to use, and yet the author's choice doesn't give you a glimpse into really great, compelling images, but rather tries to give a snapshot into a variety of select causes. The art should have come first, not the issues.
So you're treated to a variety of causes, moments, issues which reads chronological whereas it would have been much better to receive just all the really great dissent images with more commentary and context.
I loved this book. I found it when I was in college and going through a very minor "angst" period mixed with a dash a philosophy. This book was awesome. I have always liked graffiti art and protest. This book is a lot of fun to read and very powerful as well. A great coffee table book that you can keep looking at over and over.