I just reread The Dance of Life, by E.T. Hall, and discovered how much it has influenced my thinking. I have no idea why or where I bought it at some point in the 1990s, other than it must have looked interesting.
At times I describe myself as a "rhythm junkie." If I'm at an exercise class with music, I move to the beat, and it drives me nuts on the rare occasions when teachers don't. If there's music in a store, I have a hard time not moving to it. I was in a drum and bugle corps in high school -- we're talking decades ago -- and still drum out the cadences. I love to watch my son play the trombone. He starts with foot tapping and is soon moving his entire body. He's always had good rhythm and is what a lot of people describe as a natural athlete.
ANYWAY -- Hall suggests that there's a fundamental pulse that unites all living creatures on the earth. Individuals and cultures and places also have their own beat(s). I work, for instance, on a campus that is agriculturally oriented, and the pace there is remarkably slower -- not in a bad way, less frenetic -- than the main campus one mile to the west. I've told people facetiously that you can feel the earth's pulse while you walk across East Campus. Maybe I meant it.
The Dance of Life uses cultural differences to get at what may be metaphysical observations.
Hall draws from his own and others' experiences working with indigenous cultures. A key point is that American/Europeans (AKA we white folk) view music (and time) as originating externally, delivered via inspired composers or lucky bands that had a big break. In contrast, certain African and American Indian cultures view music as originating internally. He also mentions that Africans tend to be aware of a much broader spectrum of communication than American/Europeans, who overemphasize words.
(My experience working with recent African immigrants included the sense that my grasp of body language was very limited -- that I really did not know how to greet people properly, by their standards, even after I learned more -- and that there were some fundamentally very different rhythms and harmonies within the African community that felt like big missing pieces in my experience so far in this lifetime of being human. I'm not idealizing other cultures for their own sake, but really appreciated the vitality that sprung up at the borders where the cultures met.)
Hall also describes the phenomenon of synchronicity, and links it to Jung's collective unconscious. I think of it as dropping down into a layer that's closer to The Source, where patterns are a little clearer and entropy has had less effect. Apparently non-random timing is one of the first signs of being in sync with Something, but thought content is part of it, too. A lot of people who know me also know about my "shared field" theory, this idea that we essentially log into common psychic space (cyberspace is good metaphoric training), where people seemingly independently have the same idea at the same time. I often really can't tell whether someone is picking up my thoughts or vice versa, but it's clear that we're tuned into the same wavelength. I can't explain it but rhythm seems to be the underlying medium for transmitting thought, emotion and intent.
If anyone knows of anyone who is following up on Hall's work, I would love to hear about it. Meanwhile, I'll be trying to find the common pulse that connects us all.