Anime RP Discord channel turned book, brought to you by the worst miscommunication trope you've ever seen.
Amaru is woken from a 500-year slumber that his ancient South American mage civilization put themselves under for their protection, and Amaru's dialogue looks like this:
"Uppies?"
"Booze me, daddy."
"The who's-whatzit?"
And countless more. It never ends.
Christ. You have a character who could speak in such creative, interesting ways to show the fun side of ancient culture and reveal cool magical history for the book, but instead you get a cartoon character who talks like an American tumblr user. It's god damn miserable.
You can't convince me a translation spell would eradicate his culture from how he speaks and replace it with American cultural references, anachronisms, and 2015 internet jokes. Hell, there's even a scene in which Amaru clarifies how to use English words:
"And it makes no f*cking sense. That is how to use f*cking right, right?"
Why does he need clarification on that specific word but nothing else? This is the scene in which he says "Booze me, daddy"! Come on! The translation spell is nonsense, and all it does to have him talk like this is flatten the character. There's no creativity or curiosity in the way he's written. He speaks the same way as all the other characters, too, which is an additional problem: none of the characters have a unique voice. They ALL talk like they're in an anime RP Discord. That kind of speech is fun, but deeply uninteresting and uncreative when it's literally absolutely all characters. DREADFUL character design and dialogue.
The other two MCs, Vasily and Luka, are dragons who've been together for hundreds of years despite the fact that dragons only mate with mages, never each other. You'd think that situation would be ripe for tension, maybe even light angst due to a cultural taboo or feelings of being an outsider. Nope. None of that. They have some anxiety around what will happen when a mage shows up. Will they have to split up if only one gets a mage mate? What will happen to the one left behind? That's an interesting dilemma to read, but it isn't explored properly. That's the main emotional conflict, and it's barely there! Luka doesn't recognize Amaru as his mate right away, so his character has the most interesting internal conflict, but Vasily and Amaru have nothing going on (despite ample material that could be used). It's so damn shallow.
As for the plot? Just as shallow. 60% of the book is the worst kind of miscommunication trope that exists. The kind that doesn't make sense to drag out that long, the kind that doesn't have a legitimate cause, the kind that falls apart if the characters talk for more than two minutes. To keep up this kind of unnatural miscommunication, the book is forced to keep Amaru and his two dragon mates, Vasily and Luka, from having time together, so you're left with surface-level, irrelevant scenes filling in the bulk of the book. So many emotionally important and exciting moments can't involve the three MCs without the miscommunication being cleared up, so all the big scenes the MCs should share end up split amongst random side characters, cutting out the most valuable and emotional character dynamics of a romance book.
So much time is wasted, and finally, finally, they clear up the miscommunication. And what do we get after all that time? Hackneyed declarations of love, corny jokes, and sex. No interesting moments together building intimacy, no deepening of the characters, no sharing of hard feelings (jealousy, inadequacy, etc.) natural to polyamory or really any relationship, no challenges, no conflict, nothing.
I haven't seen someone fumble a premise this fascinating in a long, long time. It's among the worst I've ever seen.