Schtick Figures: The Cool, the Comical, the Crazy

by Drew Friedman, Kliph Nesteroff (Foreword)

A new collection of portraits of cultural legends from the only cartoonist to have graced the covers of both New Yorker and Mad magazine, and seemingly everything in between. For years, acclaimed artist Drew Friedman has chronicled an oddball, alternate history of American pop culture, where forgotten character actors, old Jewish comedians, comic book artists, and liver-spotted elevator operators are afforded the spotlight over Hollywood starlets and heartthrobs. This latest collection showcases a wide range of recent color and black-and-white portraits of comedians (Gilbert Gottfried, Groucho Marx, Selma Diamond, Moms Mabley, Brother Theodore), writers (Kurt Vonnegut, Alan Zwiebel, Bruce Jay Friedman, Arnie Kogan), musicians (B.B. King, Bob Dylan, Al Kooper, Sammy Davis, Jr., Weird Al), directors (Buster Keaton, Elaine May, Terry Zwigoff), comic book legends (Max Gaines, Bill Gaines, Kelly Freas, Ron Turner), actors (Boris Karloff, Lon Chaney, Jr, Rondo Hatton, Peter Falk) and other famous, infamous, and not-so-famous human beings that Friedman has drawn inspiration from over his lifetime. In addition to over 100 full-page images, this collection features a foreword by historian of comedy Kliph Nesteroff, a glossary of brief biographical information on each subject by the author, as well as the never-before-collected eight-page comic strip, “R. Crumb and Me,” detailing Friedman’s intense relationship to the work of the cartoonist he cites as his greatest inspiration of all. Shtick Figures is a must have for fans of Friedman's inimitable talent and sharp curatorial eye for preserving lesser known but worthy tributaries of all aspects of American culture, high and low. Full-color illustrations throughout

144 pages, Hardcover

Published July 23, 2024

About the author

Although in recent years Friedman has mostly worked doing caricature illustrations for mainstream publications, he first attracted public attention in the 1980s producing morbid alternative comics stories, sometimes working solo but often with his brother Josh Alan Friedman writing the scripts. These stories portrayed celebrities and character actors of yesteryear in seedy, absurd, tragi-comic situations. One memorable story followed Bud Abbott and Lou Costello wandering the urban jungle at night, encountering whores, junkies and other lowlifes. Friedman created strips featuring actor/wrestler Tor Johnson in his iconic hulking moron persona from Ed Wood, Jr. films. The brothers also wrote stories about talk-show host Joe Franklin, including one strip, written by Drew, for Heavy Metal magazine, The Incredible Shrinking Joe Franklin, that prompted Franklin to sue for $40 million. The suit was later dismissed. These stories were generally meant to be amusing, although they were extremely dark and a few were tragic. Drew Friedman's work won high praise from such notable figures as Kurt Vonnegut, who compared him to Goya, and R. Crumb, who wrote, "I wish I had this guy's talent".

The Friedman brothers were first published in RAW Magazine. Working with and without his brother, Drew's comics were published in Heavy Metal, Weirdo, High Times, National Lampoon, and other comics anthologies from the '80s into the early '90s. The brothers published two collections, Any Similarity to Persons Living or Dead is Purely Coincidental and Warts and All. In a Comics Journal interview, Drew Friedman lamented that he and his brother had failed to earn a living creating work that was time- and labor-intensive yet earned little. Josh no longer works in comics, but continues to write, and he performs music as Josh Alan.

Beginning in 1986, Drew illustrated a monthly feature, "Private Lives of Public Figures," for (the now-defunct) SPY magazine; these illustrations were compiled in a book published by St. Martin's Press in 1992. He also provided illustrations for Howard Stern's two best-selling books, Private Parts and Miss America. Friedman served as comics editor for the National Lampoon in 1991,[citation needed] introducing the works of (among others) Daniel Clowes and Chris Ware to a wider audience. Since 1994 he has provided regular front-page illustrations for the New York Observer.

In 2006, Friedman published Old Jewish Comedians (Fantagraphics Books), a collection of portraits of famous and forgotten Jewish comics of film and TV in their old age, about which Steven Heller, in the New York Times Book Review, wrote: "A festival of drawing virtuosity and fabulous craggy faces, . . . Friedman might very well be the Vermeer of the Borscht Belt."[2] A sequel, More Old Jewish Comedians (Fantagraphics Books), was published in 2008. A collection of newer work, The Fun Never Stops! was published by Fantagraphics in 2007, containing many comics co-written by his frequent collaborator and wife, K. Bidus. Booklist listed it as One of the Ten Best Comics Collections of 2007.[citation needed]

He is the son of author/satirist Bruce Jay Friedman.

Reviews

[Peter Landau · Rating 5 out of 5]

Absolutely outstanding. There is none who share the rarified peak on which this immensely talent artist stands. Proof that life is worth living, if only to await the next volume of his true heroes.

[Greg L Goldstein · Rating 5 out of 5]

Exceptional art by an exceptional artist. Nearly every image is an absolute gem.

[Vincent Campbell · Rating 5 out of 5]

In an ideally crazed world this is how I would wish to appear.

[Joanne · Rating 5 out of 5]

This book? Fuhgeddaboudit!

The art is so good, even my mother-in-law couldn’t complain—and she complains about everything!

[Bill · Rating 5 out of 5]

It’s Drew Friedman so it’s fabulous.