It's definitely a comedy about sex and manners - more explicitly about manners, class, and etiquette, thugh sex and sexuality are woven into almost every conflict in the book. The cast is peppered with unpleasant caricatures of the bourgeoisie and intelligentsia, though Hong manages to humanise the protagonist and her main love interest to an extent. I was still left with a bad taste in my mouth, which I think was intentinal, given the blinkered narcissism and exploitation on display. Judith, the protagonist, is the penniless heir to a noble Korean family, and her voice is believably pompous and hard-done-by given her earnestly awful circumstances. Every character is trapped by ideas of what and who they ought to be, and their behaviour is extrapolated from those anxieties. There is a strange plot thread about converting to Judaism that seems to appear out of nowhere and has little consequence, but again that feels deliberate. This isn't the usual sort of thing I'd read but I'm happy I picked it up, as a nice change of pace.