WITH A NEW INTRODUCTION BY ANDREW HUNTER MURRAY'For as long as I'm immersed in a P.G. Wodehouse book, it's possible to keep the real world at bay and live in a far, far nicer, funnier one' MARIAN KEYES'Sunlit perfection' STEPHEN FRY'Wodehouse is as loved as ever, and his vivid prose style and unique comic invention are major contributions to English fiction' GUARDIANA summertime collection of stories at delight and to entertain, fit for Wodehouse fans and anyone who wants an uplifting, amusing read.'Paper has rarely been put to better use' CAITLIN MORAN'Ingenious. Worth reading again and again' SPECTATOR'Incomparable and timeless genius' KATE MOSSE'The funniest writer ever to put words to paper' HUGH LAURIE
Sir Pelham Grenville Wodehouse, KBE, was a comic writer who enjoyed enormous popular success during a career of more than seventy years and continues to be widely read over 40 years after his death. Despite the political and social upheavals that occurred during his life, much of which was spent in France and the United States, Wodehouse's main canvas remained that of prewar English upper-class society, reflecting his birth, education, and youthful writing career.
An acknowledged master of English prose, Wodehouse has been admired both by contemporaries such as Hilaire Belloc, Evelyn Waugh and Rudyard Kipling and by more recent writers such as Douglas Adams, Salman Rushdie and Terry Pratchett. Sean O'Casey famously called him "English literature's performing flea", a description that Wodehouse used as the title of a collection of his letters to a friend, Bill Townend.
Best known today for the Jeeves and Blandings Castle novels and short stories, Wodehouse was also a talented playwright and lyricist who was part author and writer of fifteen plays and of 250 lyrics for some thirty musical comedies. He worked with Cole Porter on the musical Anything Goes (1934) and frequently collaborated with Jerome Kern and Guy Bolton. He wrote the lyrics for the hit song Bill in Kern's Show Boat (1927), wrote the lyrics for the Gershwin/Romberg musical Rosalie (1928), and collaborated with Rudolf Friml on a musical version of The Three Musketeers (1928).
Nice collection of PGW's short stories. I'd already read some of them, but there were several I hadn't read. Considering these stories were written about a century ago, they are still freshly humorous.
Like all of PGW's works, this is not a book one should read at a single sitting. One savors each tale at a gentlemanly pace, and reads them more than once. And then, a few weeks later, when one is weighed down by the drudgery of life in the 21st century, one reads them all over again.
No matter which century it is, Wodehouse is always fun to read. And no matter how many times I read his tales, I add another interesting word to my English vocabulary.
Opened up my eyes to the repetitive nature of Wodehouse’s work and would have also liked a greater frequency of Jeeves and Wooster stories considering the title of the book.