I received an advanced reading copy through NetGalley
Bernd Brunner’s Extreme North considers how our notions of the North have developed and changed over the centuries and amongst different people; from the source material for literary epics to rival the Greeks to the myth-making factory of the Third Reich. As with many histories revolving around a changing idea, the sources employed and their thematic groupings can feel scattered, producing an overall sense of how ideas of the North took hold but without a strong central narrative. Brunner is aided in gathering up the loose threads of these ideas by concentrating on medieval to modern sources, largely those coming from Europe and North America, and given the scale of the question he asks, one can not begrudge him too much for these limitations. Work focusing more on African, Asian, and South American conceptions of the North would make a profitable comparison.
Though the range of sources, both primary and secondary, is doubtless impressive, it can at times leave the book feeling encyclopaedic rather than one to be consumed cover-to-cover. This feeling is accentuated by frequent short chapters that have the quality of encyclopaedic entries; a structure that breaks the book into analytical and narrative sections that can be difficult to explicitly relate. However, this does not prevent these individual ‘entries’ from proving compelling or useful, even if not easily worked into a larger arc. Indeed, this structure mirrors the collection of Ole Worm, the early-modern professor and keeper of Northern curiosities, with which the book begins and ends. Worm’s collection was eclectic, taking in the cultural productions, arts, and wildlife of the regions it sought to represent. Extreme North is its own such museum in miniature, and each reader will have to decide whether they can contend with Brunner’s scattered collection.
If one can accept the structure then the book has many threads to pull – from the shift away from the classical world to the fabricated Ossian of Scotland in the eighteenth century, the fabled Nordic Atlantis that was still being referenced in the twentieth, or the way in which a corrupted Norse mythology has been put to work by ignorant extremists in our own time. Brunner also makes a contribution towards our understanding of the global North-South divide, as opposed to the more commonly referenced East-West. Though Extreme North is not a comparative work in this sense, it does help to explain some of the historical antecedence for the view of the global North as wealthier and less troubled than the global South, which helps to put some of our debates on inequality today into greater context.
Perhaps most significantly, in writing about a space that is dominated in many minds by the largely white countries of Scandinavia, the hyper-masculine Vikings, and rugged men with an Amundsen-shape, Brunner is still able to explore the lives of women, native peoples of the remote North, and people of colour. In this, Brunner is able to not only examine how our notions of North came to be, but also how notions ought to change.