Nuns with Shotguns by P. H. Mountain is a raucous, high-octane continuation of his autobiographical series The World Is My Ashtray, picking up where Pepperoni, Jalapeños & LSD left off.
Set primarily in the Rocky Mountain ghost town of Eldora, Colorado, the memoir immerses readers in a surreal microcosm of hermits, mountain saloons, and twenty-year-old ambition. The setting spectacular, serene, and sparsely populated becomes both sanctuary and launchpad. Paul retreats there determined to write his way to financial freedom, hunched over a typewriter, fueled by beer, hallucinogens, and relentless self-belief.
What makes Nuns with Shotguns compelling is its tonal duality. On the surface, it’s comedic and irreverent motorcycle blasts through mountain roads, acid trips on alpine peaks, chaotic romances, and absurd social encounters. But beneath the bravado lies something more introspective: an awareness of mortality, loss, and the fragile beauty of fleeting moments.
The prose carries a magnetic, stream-of-consciousness intensity. Mountain does not romanticize recklessness so much as embrace it fully presenting a young man determined to squeeze life for every drop of sensation before the tech revolution reshapes the world.
The memoir’s episodic structure weddings, betrayals, brutal losses, mountain epiphanies mirrors the turbulence of early adulthood. It captures that volatile period where identity is still forming, where ambition and self-destruction often coexist.
For readers drawn to countercultural memoirs, mountain-town eccentricity, and stories that balance absurd humor with existential reflection, Nuns with Shotguns offers an unapologetic, vividly told ride.