✰ 3 stars ✰
“Alone, disconnected, uprooted, knowing no one. Completely alone.
Face it, the life you’ve known could very well be over.”
Don't you just hate it when a book starts off so promisingly like A Lethal Question did, only for it to fall off the trails as quickly as possible? Cuz, uff, I can't even express how cheated felt that from such an explosive start and an intriguing beginning, it could suddenly derail into a moment of absurdity and unfortunate misses. 🤦🏻♀️
“He’s being driven by fear and suspicion. Is he becoming paranoid?
No, it’s just that he wants to live.”
It is amazing how one's life can so drastically be affected when one random act takes place when you least expect it - one that brings about life-altering consequences that will change your life forever. Such is the case for Manhattan psychiatrist Bill Madrian, when one day, his client asks the innocuous question 'Hey, Doc . . . ya wanna know who clipped Boris Levenko?' A loaded question that feels perfectly harmless, but as swiftly as it was it said, it throws him into the fray of Mafia crime bosses, dangerous clan wars, and the resilient pursuit of his life - with peril lurking at every corner of his life. 😥
The most enjoyable part about this story was the start - well-panned out, well-thought out and delivered well. A life on the run - thrown into disarray - losing everything that he was ever connected to - realistically portrayed and it kept my interest. 👍🏻👍🏻 The pacing was crisp and tight - keeping me on the toes with Bill as he tried to navigate his once simple life into what it now was. 'How fragile and perilous our existence is. You can be gone in an instant.' Bill's sudden loss of his life was palpable and I liked being in his mind as he tried to make some rational sense of how he was supposed to proceed in this situation - what next step would cater to his survival? 😟
And the writing really helped heighten how disconnected Bill had become from his life - ripped away from his peers, his family, the technology that rooted him to his existence - fearing for his life at every twist and turn - 'This is a matter of survival. Don’t take any chances.' I felt his despair and I felt sorry for him - I DID! 🥺 'For the love of god . . . I fell asleep in one world and woke up in another' - who would want that! The suspense was built upon at a strong pacing - elevating the tension and keeping intrigue as to how he was going to find his way out of this unfortunate mess.
But, it's when he meets his 'love interest' - that I found my interest waning. Like, she came out of nowhere, and she was annoying - I'm sorry, she was. She took the meat out of the entire situation and even when he's warned not to be sidetracked - he still is! 😩
“You’re strong . . . stronger than I am,” he says. “We’ll get through this.”
“There’s something weird about all this,” she whispers. “I can’t put my finger on it.”
No, sorry, you were the only weird thing about this story - an unnecessary addition that was unlikable and I didn't quite enjoy having you along for the ride. 🙎🏻♀️ I didn't like that the chapters were even dedicated to her perspective, because she wasn't even the voice of reason, she was just being silly and unwelcome. Her inclusion even served as a downside to the writing style even and just became something of a cliché thriller, rather than something that could have been different and more appealing. 🙍🏻♀️
“Yes, I trust every man in this room. But I long ago learned that two people can only keep a secret if one of them is dead.”
As this is an ARC, there were several typos and spelling inconsistencies, but as the reader was warned beforehand, I didn't take it too much to offense. It's just that the sudden extremity of derailment to the storyline - the abrupt shift in perspectives and it just became ridiculously absurd that I wholeheartedly agreed with this sentiment 'Bill waits, marveling at his newly discovered capacity for bullshit.' Yes, my thoughts exactly! 😐 And another thing that ticked me off was some strange word choices - '...in the morning, they luxuriate in bed...'??? Okay... Like, this has to be the first I've ever read the morning after described like that. Oh well, there's a first for everything. 🙅🏻♀️
I did like how the different Mafia families were incorporated into the narrative - almost with a Sopranos-esque feel to it, and how their code of loyalty had been violated and how extreme they would go to ensure 'this headshrinker, William Madrian, must die before the problem spirals out of control. The longer he lives, the greater the danger he’ll talk to someone.' Yet, even so, some of the Mafia interactions were delivered in a very cheesy way. I get that they are representing foreign parties, but it just sounded a little too stilted for me to imagine someone delivering threats against each other. 🤷🏻♀️
To keep this as evasive as possible, there is one titular character that has a very prominent role - who remains in the shadows, but is vital to the whole story. I felt at times that this was actually serving as an introduction to his character, like a sort of first case storyline for him. I may be wrong, but the way it came out certainly led to that feeling. In any event, Mark Rubinstein presented an interesting idea with a compelling start, but quickly devolved into such unbelievable notions and unrelated characters that made me angry that it could not have been something more worthwhile. 😔