Sometimes historical figures are so compelling they rise above a workmanlike story and hackneyed prose.
That's the case with Jackie And Maria, Gill Paul's fictionalized take on Jackie Kennedy and Maria Callas, whose glamorous lives intertwined with that of billionaire shipping tycoon Aristotle Onassis.
Most people will know more about Jackie's relationships – to her U.S. president husband, Jack, obviously, and brother-in-law Bobby, and possibly her competitive sister, Lee. But the more intriguing story concerns Callas, who rose from a humble background to become the leading operatic soprano of her day. Her affair with Onassis – a fellow Greek – emerges as a great love story and almost as tragic as the operatic roles she sang on stage.
Paul shuttles back and forth between the women's lives, taking us through a basic chronology of events. There are some surprises. I didn't know, for instance, that Callas performed at JFK's famous birthday party celebration at Madison Square Garden, the same one where Marilyn Monroe upstaged everyone with her breathy rendition of "Happy Birthday." And although I had heard of Jackie's sister, Lee Radziwill, I didn't realize she had had her own affair with Onassis, while he was also paired with Callas.
Paul speculates about certain things: a baby that Callas and Onassis may have had, who died shortly after birth; a meeting between Callas and Jackie after an opera (apparently the two never did meet in real life); and did Lee actually sleep with her brother-in-law behind Jackie's back?
Paul discusses all of her biographical sources and what she made up in a lengthy afterward. She also discusses things like the so-called Kennedy curse.
I appreciate the fact that she tries to rescue Callas's reputation as a temperamental diva, claiming we don't judge powerful men in the same way we do powerful women. True, but some of Callas's petty squabbles are a matter of public record. What comes across, however, is her musical discipline and work ethic, something that ironically was affected by her relationship with Onassis. She found love, but it cost her her career; by the time she returned to the stage, her voice was almost gone.
Jackie's marriage to Onassis, meanwhile, remains mysterious. What did she get out of it, besides future financial security?
One of the most moving themes in the book is lost children. Jackie had lost three children, one in a miscarriage, two shortly after birth; Maria lost the one – which is speculation (Paul reveals in the afterward that there are rumours Onassis wanted Maria to have an abortion.) So it's something that the two women had in common. They also had difficult relationships with their strong-willed, embittered mothers.
While all three characters in this real-life love triangle have intriguing lives, Paul's writing style is merely passable. There are lots of clichés. At times the prose seems like a mere recounting of facts.
Lucky for her the facts are interesting enough to keep us turning the pages.