Now that Kotono’s free of her ex, everything should be fine. Except he’s got some ideas about that and breaking him of them might require the application of one of the dumbest tropes in manga. And with Saku caught in the middle, honesty might be the best policy, but it doesn’t necessarily prevent you from getting hurt.
Lately I have been worried my appreciation of the genre is on the wane, but it turns out it just needs to be done well. Here comes a story about fake dating to save the day.
Cough.
Fake dating. This is probably the biggest, greatest, most annoying trope in all of shojo for me. While Io Sakisaka is not going to suddenly change my mind on it, she knows how to use it to twist the knife in inimitable fashion.
A single adjustment to the normal usage (guy and girl fake date and then love happens) and this turns into all the heightened drama you want (and expect) from this mangaka. Here, it’s not our lead girl, Saku, who’s fake dating the dear boy of her dreams. No, that’s entirely too obvious.
Instead, her best friend Kitono, recently split from her super creepy boyfriend, is “dating” Haruki to try and get her ex to take a hint. It’s not the worst plan, but boy does it ever sit well with pretty much nobody but Kitono, whose own motivations remain somewhat shrouded for lots of this volume.
This is, in a word, delicious. I feel that somebody must have done this before, but talk about putting life into one of the most boring genre staples. Poor Saku is stuck supporting her friend while it’s making her absolutely miserable. That’s dang clever.
And when Saku and Haruki get together after missing one another for a bit, the chemistry between them is palpable. You can tell just how much they want to be together and how they dislike this stumbling block that should have a time limit, except Kitono is really set on extending it.
Plus, Iryu, the guy who inserted himself in the narrative at the picnic, keeps tossing out his blunt assessments of the situation and how Saku’s acting. He’s working with half the knowledge and being a judgemental dink, but parts of what he says aren’t wrong either.
Iryu is the type who thinks the truth is best, no matter the cost, and Saku is not inclined to be honest when it hurts her friends. She bottles her feelings to make sure Kitono is safe and secure. Her take isn’t wrong, but Iryu has a point too. So far he seems to be in the story to make Saku feel bad, but I’ll allow it.
Naturally, this all explodes in spectacular fashion and, in another brutally telling swipe at the way of romance manga, Saku decides that she needs to clear the air and be honest with her friend. Which immediately precedes things becoming worse for her.
It’s an examination of the difference between love and friendship, wrapped up in the problems that erupt when the two are suddenly in conflict with one another. Sure, we’ve seen this before in some fashion, even by this author, but not quite like this and rarely this well.
This is really, really fun in the way of Sakisaka’s best work. Saku’s a super likeable lead character and Haruki makes a solid match, even if he feels a bit less developed. Thus far I think it’s doing more for me than Love Me, Love Me Not did. The plot is different and it feels fresher.
5 stars - heck with it; this is the best thing I’ve read from Io Sakisaka in ages and I hope it is a sign of further complications to come.