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Agatha Christie: The Sunday Times bestselling biography of the legendary creator of Hercule Poirot and Miss Marple
A new, fascinating account of the life of Agatha Christie from celebrated literary and cultural historian Lucy Worsley.
"Nobody in the world was more inadequate to act the heroine than I was."
Why did Agatha Christie spend her career pretending that she was “just” an ordinary housewife, when clearly she wasn’t? Her life is fascinating for its mysteries and its passions and, as Lucy Worsley says, "She was thrillingly, scintillatingly modern." She went surfing in Hawaii, she loved fast cars, and she was intrigued by the new science of psychology, which helped her through devastating mental illness.
So why—despite all the evidence to the contrary—did Agatha present herself as a retiring Edwardian lady of leisure?
She was born in 1890 into a world that had its own rules about what women could and couldn’t do. Lucy Worsley’s biography is not just of a massively, internationally successful writer. It's also the story of a person who, despite the obstacles of class and gender, became an astonishingly successful working woman.
With access to personal letters and papers that have rarely been seen, Lucy Worsley’s biography is both authoritative and entertaining and makes us realize what an extraordinary pioneer Agatha Christie was—truly a woman who wrote the twentieth century.
"Nobody in the world was more inadequate to act the heroine than I was."
Why did Agatha Christie spend her career pretending that she was “just” an ordinary housewife, when clearly she wasn’t? Her life is fascinating for its mysteries and its passions and, as Lucy Worsley says, "She was thrillingly, scintillatingly modern." She went surfing in Hawaii, she loved fast cars, and she was intrigued by the new science of psychology, which helped her through devastating mental illness.
So why—despite all the evidence to the contrary—did Agatha present herself as a retiring Edwardian lady of leisure?
She was born in 1890 into a world that had its own rules about what women could and couldn’t do. Lucy Worsley’s biography is not just of a massively, internationally successful writer. It's also the story of a person who, despite the obstacles of class and gender, became an astonishingly successful working woman.
With access to personal letters and papers that have rarely been seen, Lucy Worsley’s biography is both authoritative and entertaining and makes us realize what an extraordinary pioneer Agatha Christie was—truly a woman who wrote the twentieth century.
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First published September 8, 2022
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About the author
Lucy Worsley
33 books2,979 followersI was born in Reading (not great, but it could have been Slough), studied Ancient and Modern History at New College, Oxford, and I've got a PhD in art history from the University of Sussex.
My first job after leaving college was at a crazy but wonderful historic house called Milton Manor in Oxfordshire. Here I would give guided tours, occasionally feed the llamas, and look for important pieces of paper that my boss Anthony had lost. Soon after that I moved to the Society for the Protection of Ancient Buildings, in the lovely job for administrator of the Wind and Watermills Section. Here I helped to organise that celebrated media extravaganza, National Mills Day. I departed for English Heritage in 1997, first as an Assistant Inspector and then as an Inspector of Ancient Monuments and Historic Buildings; Bolsover Castle, Hardwick Old Hall, and Kirby Hall were my favourite properties there. In 2002 I made a brief excursion to Glasgow Museums before coming down to London as Chief Curator of Historic Royal Palaces in 2003. Yes, this is a brilliant job, but no, you can’t have it. (Bribes have been offered, and refused.)
You might also catch me presenting history films on the old goggle box, giving the talks on the cruise ship Queen Mary 2, or slurping cocktails.
***
Lucy Worsley, OBE (born 18 December 1973) is an English historian, author, curator, and television presenter.
Worsley is Joint Chief Curator at Historic Royal Palaces but is best known as a presenter of BBC Television series on historical topics, including Elegance and Decadence: The Age of the Regency (2011), Harlots, Housewives and Heroines: A 17th Century History for Girls (2012), The First Georgians: The German Kings Who Made Britain (2014), A Very British Romance (2015), Lucy Worsley: Mozart’s London Odyssey (2016), and Six Wives with Lucy Worsley (2016).
-From Wikipedia
My first job after leaving college was at a crazy but wonderful historic house called Milton Manor in Oxfordshire. Here I would give guided tours, occasionally feed the llamas, and look for important pieces of paper that my boss Anthony had lost. Soon after that I moved to the Society for the Protection of Ancient Buildings, in the lovely job for administrator of the Wind and Watermills Section. Here I helped to organise that celebrated media extravaganza, National Mills Day. I departed for English Heritage in 1997, first as an Assistant Inspector and then as an Inspector of Ancient Monuments and Historic Buildings; Bolsover Castle, Hardwick Old Hall, and Kirby Hall were my favourite properties there. In 2002 I made a brief excursion to Glasgow Museums before coming down to London as Chief Curator of Historic Royal Palaces in 2003. Yes, this is a brilliant job, but no, you can’t have it. (Bribes have been offered, and refused.)
You might also catch me presenting history films on the old goggle box, giving the talks on the cruise ship Queen Mary 2, or slurping cocktails.
***
Lucy Worsley, OBE (born 18 December 1973) is an English historian, author, curator, and television presenter.
Worsley is Joint Chief Curator at Historic Royal Palaces but is best known as a presenter of BBC Television series on historical topics, including Elegance and Decadence: The Age of the Regency (2011), Harlots, Housewives and Heroines: A 17th Century History for Girls (2012), The First Georgians: The German Kings Who Made Britain (2014), A Very British Romance (2015), Lucy Worsley: Mozart’s London Odyssey (2016), and Six Wives with Lucy Worsley (2016).
-From Wikipedia
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Displaying 1 - 30 of 1,335 reviews
November 23, 2022
Having read a couple of Agatha Christie novels, I was intrigued enough to buy a Copy of Agatha Christie: A Very Elusive Womanand tbh it really didn't float my boat. I felt like I needed to be a fan of Christie in order to get something from this book. The author references a lot of characters and plot lines from Christie’s novels which if you haven't read a great deal of her work may make for tedious reading. Perhaps a reader who is more familiar with her work may well get more from this book than me.
Having said that, I was interested in the author's life and her family and the book does give a good account of her life.
I think this would made a good read if you are better acquainted with her work than I was.
An ok read for me just not one for my favourites shelf.
Having said that, I was interested in the author's life and her family and the book does give a good account of her life.
I think this would made a good read if you are better acquainted with her work than I was.
An ok read for me just not one for my favourites shelf.
September 15, 2022
This feels like a stop-start narrative - it races along in jolly Lucy fashion until it gets bogged down in describing a house or a Christie relative, and then pulls itself out and goes bounding off again. It's full of Worsleyisms in an attempt to make Christie modern: 'many people... fail to realise what a total man-magnet she was in her youth', or, on Archie Christie, Agatha's first and unfaithful husband: 'He was incredibly hot'. It all feels a bit try-hard as if trying to separate this from more sober biographies or assessments of Christie.
To be fair, however much Worsley is on side with Christie, she doesn't shy away from recording her racial clichés and unrepentant anti-Semitism. She does, though, try to remake Christie as a modern independent woman, however much Christie was herself pretty reactionary, with little sympathy for suffragette/feminist positions.
This is full of open spoilers from Christie's books so if you haven't read them yet, you might want to avoid this. I'd say that if you've read any other biography of Christie such as Laura Thompson's Agatha Christie: A Mysterious Life, you won't learn anything new. Worsley pays a lot of attention to the missing eleven days but doesn't ultimately come up with anything different.
By the end of the book, Christie still seems to escape understanding: she's described as shy and a 'man-magnet', she's confident and retiring, she escapes through writing and she writes because she needs the money - of course, people are multiple and not easily pigeon-holed but by the end of this book I still didn't feel I really had a handle on Christie as either writer or woman - elusive, indeed.
To be fair, however much Worsley is on side with Christie, she doesn't shy away from recording her racial clichés and unrepentant anti-Semitism. She does, though, try to remake Christie as a modern independent woman, however much Christie was herself pretty reactionary, with little sympathy for suffragette/feminist positions.
This is full of open spoilers from Christie's books so if you haven't read them yet, you might want to avoid this. I'd say that if you've read any other biography of Christie such as Laura Thompson's Agatha Christie: A Mysterious Life, you won't learn anything new. Worsley pays a lot of attention to the missing eleven days but doesn't ultimately come up with anything different.
By the end of the book, Christie still seems to escape understanding: she's described as shy and a 'man-magnet', she's confident and retiring, she escapes through writing and she writes because she needs the money - of course, people are multiple and not easily pigeon-holed but by the end of this book I still didn't feel I really had a handle on Christie as either writer or woman - elusive, indeed.
April 30, 2023
So many things made this biography fascinating to me. I'm currently engaged in a project to read Christie's novels in publication order, one per month. I look forward to each one and enjoy watching the changes in English society as time rolls on. I have also read Christie's autobiography and wondered what she omitted and what she massaged to make it look better.
I think many women can relate to the desire to be seen as attractive and/or feminine. This desire seems to me to be manifested in Ms. Christie as disavowing her ambition and claiming not to be too serious about being an author. Her behaviour tells a different story, as she had very definite ideas about her novels, even down to the blurbs on the covers. Her publishers found her a formidable client, so there was definitely ambition there even if she wouldn't admit to it. I wonder if she was conscious of the dichotomy between words and actions?
I think her reluctance to claim her rightful recognition has contributed to her relegation by the literature snobs to ‘merely' genre fiction. I am constantly amazed by how deftly she introduces her characters, how amusing her dialogue is, and how well structured her plots are. She accomplished so much in so few pages. Considering her haphazard education, her work is even more amazing. She had a huge role in shaping the mystery genre, pioneering devices like the unreliable narrator and psychological profiling.
Like so many writers, Christie was an introvert. She didn't seek publicity and in fact often fled from it. Many members of the public seemed to resent her unwillingness to open herself to them, thereby proving her point, that her audience expected too much. She was willing to pretend that she was a regular citizen, not a celebrated author, a ridiculous proposition. It seems that male critics, directors, and reviewers were particularly hostile—how dare a mere woman be so successful and yet demand a private life?
I had read that her final novels revealed the possibility of dementia and this author repeats the reasons for this speculation. It seems reasonable, if sad. However I cannot feel sorry for her. She had a long and eventful life, filled with more happiness than tribulation, and died quickly and quietly. A life well lived and a wonderful literary legacy.
I think many women can relate to the desire to be seen as attractive and/or feminine. This desire seems to me to be manifested in Ms. Christie as disavowing her ambition and claiming not to be too serious about being an author. Her behaviour tells a different story, as she had very definite ideas about her novels, even down to the blurbs on the covers. Her publishers found her a formidable client, so there was definitely ambition there even if she wouldn't admit to it. I wonder if she was conscious of the dichotomy between words and actions?
I think her reluctance to claim her rightful recognition has contributed to her relegation by the literature snobs to ‘merely' genre fiction. I am constantly amazed by how deftly she introduces her characters, how amusing her dialogue is, and how well structured her plots are. She accomplished so much in so few pages. Considering her haphazard education, her work is even more amazing. She had a huge role in shaping the mystery genre, pioneering devices like the unreliable narrator and psychological profiling.
Like so many writers, Christie was an introvert. She didn't seek publicity and in fact often fled from it. Many members of the public seemed to resent her unwillingness to open herself to them, thereby proving her point, that her audience expected too much. She was willing to pretend that she was a regular citizen, not a celebrated author, a ridiculous proposition. It seems that male critics, directors, and reviewers were particularly hostile—how dare a mere woman be so successful and yet demand a private life?
I had read that her final novels revealed the possibility of dementia and this author repeats the reasons for this speculation. It seems reasonable, if sad. However I cannot feel sorry for her. She had a long and eventful life, filled with more happiness than tribulation, and died quickly and quietly. A life well lived and a wonderful literary legacy.
Read
December 7, 2024Anyone thinking that Agatha Christie was merely a quiet English lady who wrote diverting cozies featuring a little old lady or a Belgian detective with an egg-shaped head or a somewhat madcap couple called Tommy and Tuppence is in for a big surprise. Agatha Christie, it turns out, was a powerhouse of a writer who not only wrote crime and mystery novels but also composed poetry, created successful plays produced all over the world (Why did I not know she wrote "Witness for the Prosecution"??), assisted in the development of her books-to-film, wrote stand-alone thrillers, and financed and took part in myriad archealogical expeditions. The author of this biography has done a massive amount of research on her subject, with the cooperation of Agatha Christie's family and her friends, not to mention her publisher. She reveals the legendary Queen of the Cozy with all her positive attributes as well as all of her warts. At the same time, the author places Christie firmly within the times during which she lived, spanning the late Victorian period, seeing her involved in volunteer work during two world wars, falling in love with a handsome cad who broke her heart, being both celebrated and reviled, and all the time establishing herself as one of the most successful "working women" of the 20th Century. This is a fascinating book, as fascinating as it is thorough. The author's respect for her subject is evident throughout. What I did not know prior to reading it was how worthy of respect that subject actually was.
October 22, 2022
I finished this in Zermatt, Switzerland. I loved listening to this highly entertaining account of Christie from Lucy Worsley on the train rides through the Alps. It might not be the definitive biography of Chirstie but it was highly interesting.
July 15, 2023
This is how you write a biography! You can treat your "subject" with respect without whitewashing their actions/traits or "sterilising" them to boring non-humans.
Lucy Worsley has done full justice to Agatha Christie, her life and her work. Loved that she presented AC and her times in 3D and did not pussyfoot around possible sensitive subjects (like Christie's appatent antisemitism in her novels even after WWII, her attitude to motherhood, or the weak quality of her later books).
Working on full review.
Lucy Worsley has done full justice to Agatha Christie, her life and her work. Loved that she presented AC and her times in 3D and did not pussyfoot around possible sensitive subjects (like Christie's appatent antisemitism in her novels even after WWII, her attitude to motherhood, or the weak quality of her later books).
Working on full review.
May 30, 2024
I have only read one Agatha Christie book. I was drawn to this book because I am fascinated by Lucy Worsley. Her narration was enjoyable. It took me a few library checkouts to get this book done, but it was worth the effort. Christie led an interesting and fulfilling life.
April 27, 2025
Šita apžvalga bus ilga. Su prisiminimais ir nostalgija, tai pasiimkit popkornų :D Aš ir Agatha Christie. OOOOH, kokia ji man svarbi. Jei Rowling ir Lindgren išmokė pamilt skaitymą iš esmės, tai Christie parodė koks gyvas yra detektyvo žanras. Jos "Pavojus Endhauze" buvo pirmas mano gyvenime perskaitytas detektyas. O kaip atsitiktinai jis papuolė man į rankas! Buvau gal penktokė, ruošiausi į pižamų vakarėlį pas klasiokę ir neturėjau knygos. Aišku, pagalvosit - kam ta knyga vakarėly, bet aš su knyga rankose VISUR vaikštau nuo vaiksytės. Namuose viskas buvo perskaityta, tad nulėkiau į bibliotekę (gretimam name ji buvo) ir čiupau pirmą pasitaikiusią knygą. Ir pasitaikė man Agathos Endhauzas.
Pirma mano savarankiškai nusipirkta knyga buvo "Blogis po saule". Legendinis Christie detektyvas. Buvom Marijampolėj, man kokie 13 metų buvo, ėjom su pusseserėm į prekybcentrį, turėjau penkis litus. Visos nuvarė saldainių, o aš į knygyną. "Blogis po saule" kainavo penkis litus, tai ir nusipirkau. Perskaičiau tą patį vakarą. Dar dabar ant knygos yra kainos lipdukas <3
Daug brangių prisiminimų turiu su Agatha, kuri mano skaitymo skonį iš vaikų literatūros ir fantastikos apvertė aukštyn kojom ir parodė, kad mano širdis yra detektyvų ir trilerių lentynoj. Ir nors mes ją įsivaizduojame kaip mielą moterėlę, kepusią vieną knygą po kitos, oiiii! Ši biografija parodo, kokia didi, dramatiška ir aktyvi siela ji buvo. Koks įdomus jos asmeninis gyvenimas, kiek taisyklių ji sulaužė, kiek širdžių pavergė ir kiek asmeniškumų sudėjo į savo detektyvus. Pergyvenusi abu pasaulinius karus, dirbusi slauge, buvus aristokrate, atsidūrė ant bankroto ribos. Kelionės, aistros, meilės, kūryba, išdavystės, aukštuomenė, gedulas, prisirišimai ir išsiksyrimai - tik dalis to, ką taip talentingai, aiškiai, įdomiai, detaliai autorė sudėjo į itin išsamią Christie biografiją.
Knyga skaitosi kaip įdomiausias romanas. Lengvai, greitai ir nesinori paleist. Buvo beprotiškai smalsu įkišt nosį į savo mylimiausios autorės gyvenimą, pažint ją ne kaip nusikaltimų karalienę, o kaip žmogų. Pilna netikėtų faktų, detalių aprašymų, sklandžiai ir pagauliai aprašytas Christie gyvenimas taip įsuko, kad jau tapo vienu geriausių šių metų skaitinių. Didžiulė rekomendacija tiek Agathos kūrybos fanams, tiek biografijų mėgėjams.
Pirma mano savarankiškai nusipirkta knyga buvo "Blogis po saule". Legendinis Christie detektyvas. Buvom Marijampolėj, man kokie 13 metų buvo, ėjom su pusseserėm į prekybcentrį, turėjau penkis litus. Visos nuvarė saldainių, o aš į knygyną. "Blogis po saule" kainavo penkis litus, tai ir nusipirkau. Perskaičiau tą patį vakarą. Dar dabar ant knygos yra kainos lipdukas <3
Daug brangių prisiminimų turiu su Agatha, kuri mano skaitymo skonį iš vaikų literatūros ir fantastikos apvertė aukštyn kojom ir parodė, kad mano širdis yra detektyvų ir trilerių lentynoj. Ir nors mes ją įsivaizduojame kaip mielą moterėlę, kepusią vieną knygą po kitos, oiiii! Ši biografija parodo, kokia didi, dramatiška ir aktyvi siela ji buvo. Koks įdomus jos asmeninis gyvenimas, kiek taisyklių ji sulaužė, kiek širdžių pavergė ir kiek asmeniškumų sudėjo į savo detektyvus. Pergyvenusi abu pasaulinius karus, dirbusi slauge, buvus aristokrate, atsidūrė ant bankroto ribos. Kelionės, aistros, meilės, kūryba, išdavystės, aukštuomenė, gedulas, prisirišimai ir išsiksyrimai - tik dalis to, ką taip talentingai, aiškiai, įdomiai, detaliai autorė sudėjo į itin išsamią Christie biografiją.
Knyga skaitosi kaip įdomiausias romanas. Lengvai, greitai ir nesinori paleist. Buvo beprotiškai smalsu įkišt nosį į savo mylimiausios autorės gyvenimą, pažint ją ne kaip nusikaltimų karalienę, o kaip žmogų. Pilna netikėtų faktų, detalių aprašymų, sklandžiai ir pagauliai aprašytas Christie gyvenimas taip įsuko, kad jau tapo vienu geriausių šių metų skaitinių. Didžiulė rekomendacija tiek Agathos kūrybos fanams, tiek biografijų mėgėjams.
August 12, 2025
A few years ago, if someone had told me I'd be reading non-fiction and listening to audiobooks, I wouldn’t have believed them. Yet here I am, this marks my 100th non-fiction read, experienced through a mix of physical book and audiobook.
This book is definitely one for the Agatha Christie fans. It’s not life-changing or revolutionary, but it offers a deeper, more nuanced understanding of the Queen of Mystery herself. Lucy Worsley, being the skilled historian she is, manages to present Christie's life and legacy in an engaging and accessible way without making it dry or overly academic.
Christie is both my most-read and most-owned author, so I went into this already a devoted fan, and still came away learning new things about her. The book deepened my appreciation for the novels I’ve already read and made me more excited about the ones still waiting on my shelf. As the title suggests, Agatha Christie truly was an elusive woman, and this book does a great job of showing that.
This book is definitely one for the Agatha Christie fans. It’s not life-changing or revolutionary, but it offers a deeper, more nuanced understanding of the Queen of Mystery herself. Lucy Worsley, being the skilled historian she is, manages to present Christie's life and legacy in an engaging and accessible way without making it dry or overly academic.
Christie is both my most-read and most-owned author, so I went into this already a devoted fan, and still came away learning new things about her. The book deepened my appreciation for the novels I’ve already read and made me more excited about the ones still waiting on my shelf. As the title suggests, Agatha Christie truly was an elusive woman, and this book does a great job of showing that.
January 30, 2023
I am one of those book persons who becomes star struck by authors. I’ve met some at book festivals and events and seriously I am so in awe, I get totally tongue tied. I’d always rather read about an author versus a movie star (or Harry!). I have loved Agatha Christie since I was a teenager. I devoured her books in those days and then moved on for quite a while. Having gone to her home in Devon a few years ago, my interest has been rekindled.
I listened to this book. It was narrated by the author, Lucy Worsley and if you know of Lucy Worsley, you know she is a wonderful, dramatic speaker.
It was great learning more about Agatha. In recent years, she has become the subject of a number of books, all based on her 11 day disappearance in 1926. Well, there is a lot more to that woman than that and the author has done a thorough research, having access to Christie’s archives.
If you are interested in learning more about her, then this book is an excellent resource and the audiobook is exceptional.
Published: 2022
I listened to this book. It was narrated by the author, Lucy Worsley and if you know of Lucy Worsley, you know she is a wonderful, dramatic speaker.
It was great learning more about Agatha. In recent years, she has become the subject of a number of books, all based on her 11 day disappearance in 1926. Well, there is a lot more to that woman than that and the author has done a thorough research, having access to Christie’s archives.
If you are interested in learning more about her, then this book is an excellent resource and the audiobook is exceptional.
Published: 2022
September 25, 2022
I will preface this review by stating I have not read other Agatha Christie biographies, nor have much prior knowledge about her as a person other than the sensational 1926 much talked about disappearance. If you are of the same knowledge level as I, this ought to be an enjoyable read. Lucy Worsley encompasses all of Dame Agatha Christie's 85 years of life and the afterwards in regards to her estate. Her source listing at the back of the book supports that Worsley deeply researched her subject. What I appreciated in reading this book is the fact that Worsley's writing is rather conversational. Much like her BBC specials, she takes a casual tone in educating her audience with interjecting perspectives on her subject that the modern readers find relatable whilst learning. I've also given it a high rating due to the fact that I was astonished that I couldn't put a biography down. I eagerly was counting down the hours until I could pick it up again. I will also add that Lucy warns us and I'll second her warning for readers: There are numerous Agatha Christie book plot spoilers throughout the pages in her book . Be warned if you'd rather not have any revelations made prior to reading her books. I've got a spotty memory so odds are, I'll have forgotten what the spoilers Worsley reveals are by the time I get to reading all the Christie novels.
Agatha Christie's life was incredible when one reads it all put down on paper. Born in 1890, she spent her early childhood in a luxurious late Victorian household and her transformative adolescence in the Edwardian age. She saw both World Wars and the ensuing social, economic, and psychologic aftermath for the British people and West Asia (during her travels there). Still writing during the 1950's-1970's, her writing showed hints of evolving with the times and also steadfastly not evolving in terms of racial and social terminology used. Worsley pads through this deferentially with interspersing displeasure and explanations for this. However, the breadth of what Agatha Christie experienced in a lifetime was astonishing to me to see it all displayed. I found this book to be an incredibly well written piece that gave me a terrific introductory education on Agatha Christie. I found her endearing, slightly problematic at moments, fascinating, relatable, and ultimately maintaining a bit of mystery still. Which I suppose, after reading my impressions of her, I'd hope to be described similarly after death. She was after all human; just subject to far more scrutiny in her lifetime than I will ever be.
Bits of the book I jotted down that spoke to me:
Agatha's described "Plutocratic Period" : After the dramatic aftermath of the 1926 disappearance and her subsequent divorce. Her ex- husband rapidly remarries the woman he was seeing. Agatha embarks on a journey to see Ur and travels on the Orient Express . In her autobiography, she explains it as a tale of reinvention. Which I loved to read, as prior to this, there are hints at her suicidal ideations due to the death of her mother and husband's infidelity. Agatha is finding inspiration again. She writes "I was going by myself . I should find out what of person I was." . That stopped me in my tracks. It was so relatable to me as a woman. Throughout life, we tend to lose ourselves for varying reasons and have to go find the person we were. She later muses that she was a "good weight" between 1926-1928. Throughout her life, Agatha would be emancipated from worrying about her weight or fretting about it... again deeply relatable to me. She frets about her weight to her fiancee Max during their courtship, "Perhaps I am (little Piglet!) your favourite size!! Do say I am!" He responds (so so perfectly) "Darling, you not only are my favourite size but always will be, expanding or contracting" I immediately thought, Agatha- stop your dithering, how can you not marry this man?!
Her thoughts on travel: "Your travel life has the essence of a dream... you are yourself but a different self" . I haven't read it put like that before and found it to be quite right.
As a lover of the Middlebrow genre, I thoroughly enjoyed Worsley and Christie's references to it! Christie was referred to as a middlebrow author. In terms of her own thoughts on the Battle of the Brows, referencing her second husband Max a writer and archeologist, "I am a lowbrow and he is a highbrow, yet we complement each other." Worsley points out that during the timeframe coinciding with sales of Christie's novels in which she wrote about people's homes and their meanings with a "peculiarly homely brand of death", the magazines Good Housekeeping and Woman and Home were launched targeting the new middle class female reader focused on her home. Her "murders of quiet, domestic interest" employing domestic objects found in the home, appealed to her readership. Agatha would show us her adeptness at reinvention through time and experience.
Agatha Christie writing under the pseudonym "Mary Westmacott" was new to me. (I warned you in the beginning I'm not extremely well versed in Agatha Christie). She took distinct pleasure in writing anonymously under this pen name and was intensely grieved when she lost that anonymity. Worsley writes that the main reason people read Westmacott is see what reveals about the life and opinions of Agatha Christie. Which I found to be in the similar thread to others opinions devaluing middlebrow fiction. I say this due to their being classified as such "The Westmacotts are definitely uneven in quality, but their reception was also damaged by their female authorship and subject matter: 'somewhat juvenile romantic novels' was one conclusion by a male critic. Yet they'll always have supporters, especially among people who aren't ashamed to enjoy middlebrow mid-century writers like Monica Dickens or Dorothy Whipple". Needless to say, I'll be picking up a Westmacott or two for myself.
All in all, this was an utterly enjoyable read for me. One I will be reflecting on for some time to come.
Agatha Christie's life was incredible when one reads it all put down on paper. Born in 1890, she spent her early childhood in a luxurious late Victorian household and her transformative adolescence in the Edwardian age. She saw both World Wars and the ensuing social, economic, and psychologic aftermath for the British people and West Asia (during her travels there). Still writing during the 1950's-1970's, her writing showed hints of evolving with the times and also steadfastly not evolving in terms of racial and social terminology used. Worsley pads through this deferentially with interspersing displeasure and explanations for this. However, the breadth of what Agatha Christie experienced in a lifetime was astonishing to me to see it all displayed. I found this book to be an incredibly well written piece that gave me a terrific introductory education on Agatha Christie. I found her endearing, slightly problematic at moments, fascinating, relatable, and ultimately maintaining a bit of mystery still. Which I suppose, after reading my impressions of her, I'd hope to be described similarly after death. She was after all human; just subject to far more scrutiny in her lifetime than I will ever be.
Bits of the book I jotted down that spoke to me:
Agatha's described "Plutocratic Period" : After the dramatic aftermath of the 1926 disappearance and her subsequent divorce. Her ex- husband rapidly remarries the woman he was seeing. Agatha embarks on a journey to see Ur and travels on the Orient Express . In her autobiography, she explains it as a tale of reinvention. Which I loved to read, as prior to this, there are hints at her suicidal ideations due to the death of her mother and husband's infidelity. Agatha is finding inspiration again. She writes "I was going by myself . I should find out what of person I was." . That stopped me in my tracks. It was so relatable to me as a woman. Throughout life, we tend to lose ourselves for varying reasons and have to go find the person we were. She later muses that she was a "good weight" between 1926-1928. Throughout her life, Agatha would be emancipated from worrying about her weight or fretting about it... again deeply relatable to me. She frets about her weight to her fiancee Max during their courtship, "Perhaps I am (little Piglet!) your favourite size!! Do say I am!" He responds (so so perfectly) "Darling, you not only are my favourite size but always will be, expanding or contracting" I immediately thought, Agatha- stop your dithering, how can you not marry this man?!
Her thoughts on travel: "Your travel life has the essence of a dream... you are yourself but a different self" . I haven't read it put like that before and found it to be quite right.
As a lover of the Middlebrow genre, I thoroughly enjoyed Worsley and Christie's references to it! Christie was referred to as a middlebrow author. In terms of her own thoughts on the Battle of the Brows, referencing her second husband Max a writer and archeologist, "I am a lowbrow and he is a highbrow, yet we complement each other." Worsley points out that during the timeframe coinciding with sales of Christie's novels in which she wrote about people's homes and their meanings with a "peculiarly homely brand of death", the magazines Good Housekeeping and Woman and Home were launched targeting the new middle class female reader focused on her home. Her "murders of quiet, domestic interest" employing domestic objects found in the home, appealed to her readership. Agatha would show us her adeptness at reinvention through time and experience.
Agatha Christie writing under the pseudonym "Mary Westmacott" was new to me. (I warned you in the beginning I'm not extremely well versed in Agatha Christie). She took distinct pleasure in writing anonymously under this pen name and was intensely grieved when she lost that anonymity. Worsley writes that the main reason people read Westmacott is see what reveals about the life and opinions of Agatha Christie. Which I found to be in the similar thread to others opinions devaluing middlebrow fiction. I say this due to their being classified as such "The Westmacotts are definitely uneven in quality, but their reception was also damaged by their female authorship and subject matter: 'somewhat juvenile romantic novels' was one conclusion by a male critic. Yet they'll always have supporters, especially among people who aren't ashamed to enjoy middlebrow mid-century writers like Monica Dickens or Dorothy Whipple". Needless to say, I'll be picking up a Westmacott or two for myself.
All in all, this was an utterly enjoyable read for me. One I will be reflecting on for some time to come.
November 17, 2023
Agatha Christie is amongst my favourite authors of all time, so a book dedicated to her life was always going to appeal.
The stat that only Shakespeare and the Bible have sold more than the Queen of Crime just shows her enduring appeal.
Especially as the first Poirot book celebrated its 100th anniversary recently.
This autobiography goes into great details of Christie's life, starting from childhood.
One nice aspect is that each section is broken into decades, which gives a real sense of the way of the world that Christie inhabited.
I'd say this book was aimed towards Christie fans as many of her novels are referenced (spoilers!), though it's nice to see where she got her inspiration from.
Worsley takes great care in getting the reader to understand and appreciate Christie's life - especially the rocky parts.
The dissaperance in 1926 is practically well written.
The stat that only Shakespeare and the Bible have sold more than the Queen of Crime just shows her enduring appeal.
Especially as the first Poirot book celebrated its 100th anniversary recently.
This autobiography goes into great details of Christie's life, starting from childhood.
One nice aspect is that each section is broken into decades, which gives a real sense of the way of the world that Christie inhabited.
I'd say this book was aimed towards Christie fans as many of her novels are referenced (spoilers!), though it's nice to see where she got her inspiration from.
Worsley takes great care in getting the reader to understand and appreciate Christie's life - especially the rocky parts.
The dissaperance in 1926 is practically well written.
November 13, 2022
Lucy Worsley delves into the life of the Queen of Crime in an informative & enjoyable biogrpahy. Worsley's style of writing makes this a fine read & although there's nothing groundbreaking here it's still well worth a look.
I was delighted to buy this signed copy from The Bookery, a community owned independant bookshop in Crediton.
I was delighted to buy this signed copy from The Bookery, a community owned independant bookshop in Crediton.
December 8, 2022
I'm a big fan of Lucy Worsley, and when I saw that she had written a biography of one my favorite mystery writers, I had to read it. I was not disappointed to say the least. Lucy fleshes out and gives depth to a woman who was truly ahead of her time. Rising to become one of the most successful authors of all time, she was actually quite humble in her life.
Lucy also doesn't shy away from addressing some of the more problematic stereotypes of people Agatha wrote about in her novels. In all, it's a well rounded and highly engaging look at a remarkable woman. Definite recommend.
Lucy also doesn't shy away from addressing some of the more problematic stereotypes of people Agatha wrote about in her novels. In all, it's a well rounded and highly engaging look at a remarkable woman. Definite recommend.
January 16, 2024
Fairly interesting biography of Agatha Christie, though there wasn’t much I didn’t already know, and I felt not really enough about the books themselves. The chapter about her disappearance is probably the most interesting part, as it goes into more detail than other accounts I have read. But as for reading about her life, Christie’s own fascinating Autobiography is the most interesting book by far.
September 13, 2022
3.5 rounded up. For some reason the first half of this didnt really work for me- it was just bland, but the second half was much more interesting.
July 5, 2023
A great biography of a great writer, but if you haven't read many of her books, you might want to steer clear for now as it does have spoilers to quite a lot of her novels.
October 12, 2022
An elusive woman even after reading this book, alas.
As a long-time fan of Lucy Worsley’s documentaries on the Tudors, Austen, mysteries, and romance novels, I squee-ed when I heard she was writing a biography of Christie.
But the book, while readable, is disappointingly superficial. The first third is largely a distillation of Christie’s autobiography. So I say…read the autobiography, which is truthfully more revelatory and amusing than Worsley’s pull quotes.
The second part is Worsley’s explanation of Christie’s breakdown and disappearance after a suicide attempt. While I did learn her attempt to crash her car was more serious than I knew before, the fact that a woman might be distraught after her husband left her for her friend…well, I guess I’ve never found it that shocking. Nor do I think of it as the defining biographical moment of Christie’s life, as Worsley insists.
The final third is better, but I found the attempt to stress the fact Christie’s identity as a woman writer above all else a bit perplexing. Christie often wrote using a man’s voice and had legions of male fans. If anything, the ability to shirk her gender in print is what is fascinating about her work. And the cultural forgetting that often denies women can write well at all while ignoring the fact the bestselling author after the Bible and Shakespeare is a woman who created male and female detectives.
The analysis of the books themselves is also thin-there are spoilers yet no deep analysis of the style and voice, and Christie’s later output is wholly dismissed as inferior, despite such wonderful books as Endless Night.
Part of the problem may be Christie was an intensely private person. I was particularly irritated by Worsley saying Agatha Christie’s greatest character was herself. Christie was an author of such prolific output who created so many marvelous characters; this idea seems clichéd and reductive.
Readable but not a must-read.
As a long-time fan of Lucy Worsley’s documentaries on the Tudors, Austen, mysteries, and romance novels, I squee-ed when I heard she was writing a biography of Christie.
But the book, while readable, is disappointingly superficial. The first third is largely a distillation of Christie’s autobiography. So I say…read the autobiography, which is truthfully more revelatory and amusing than Worsley’s pull quotes.
The second part is Worsley’s explanation of Christie’s breakdown and disappearance after a suicide attempt. While I did learn her attempt to crash her car was more serious than I knew before, the fact that a woman might be distraught after her husband left her for her friend…well, I guess I’ve never found it that shocking. Nor do I think of it as the defining biographical moment of Christie’s life, as Worsley insists.
The final third is better, but I found the attempt to stress the fact Christie’s identity as a woman writer above all else a bit perplexing. Christie often wrote using a man’s voice and had legions of male fans. If anything, the ability to shirk her gender in print is what is fascinating about her work. And the cultural forgetting that often denies women can write well at all while ignoring the fact the bestselling author after the Bible and Shakespeare is a woman who created male and female detectives.
The analysis of the books themselves is also thin-there are spoilers yet no deep analysis of the style and voice, and Christie’s later output is wholly dismissed as inferior, despite such wonderful books as Endless Night.
Part of the problem may be Christie was an intensely private person. I was particularly irritated by Worsley saying Agatha Christie’s greatest character was herself. Christie was an author of such prolific output who created so many marvelous characters; this idea seems clichéd and reductive.
Readable but not a must-read.
May 13, 2025
4/5
Jau buvau skaičiusi šios autorės knygą apie Karalienę Viktoriją, tai žinojau, ko tikėtis – išsamaus, nenuobodaus, istorinių detalių kupino ir gyvai, švelniu ir skoningu humoru pagardinto pasakojimo. Ir tikrai – nors nesu skaičiusi nei vienos Christie knygos (taip, rimtai), knyga pasirodė įdomi ir įtraukianti, o herojės įvairiapusiškumas – pagarbiai ir intriguojančiai atskleistas. Mano skoniui gal net kiek per smulkmeniškas šis pasakojimas, todėl džiaugiuosi, kad pasirinkau klausyti autorės įgarsintą audio knygą – tada kažkaip viskas gyviau. Bet kokiu atveju, įdomu skaityti ne tik kaip pasakojimą apie įdomią, talentingą, nepaprastai daug pasiekusią moterį, bet ir kaip istorinių detalių kupiną laikmečio portretą, nutapytą talentingos istorikės, galinčios ir norinčios analizuoti įvairiausius aspektus ir to laiko žmonių reakciją į juos. Ypač svarbus ir reikalingas pasirodė tiek feministinis, tiek požiūrio į psichines problemas aspektai – jiems skirta labai nemažai dėmesio.
Jei jūs, kaip ir aš, nesate prisiekę Christie fanai, o gal skaitę vos vieną knygą, o gal neskaitę visai, gal tik kelias ekranizacijas matę, tai reikėtų pasiruošti – jos knygų analizės čia tikrai nemažai. Ir siužeto posūkių išdavimo, jei netyčia lentynoje Christie knygas turite, bet dar prie jų nepriėjote. Ir jei nesate į jos gyvenimą įsigilinę, tai čia – puikus būdas tai padaryti, atskleidžiantis Christie kaip rašytoją, dramaturgę, kūrėją, žmoną, motiną, dukterį ir tiesiog neįtikėtinai įdomų ir reikšmingą žmogų.
Jau buvau skaičiusi šios autorės knygą apie Karalienę Viktoriją, tai žinojau, ko tikėtis – išsamaus, nenuobodaus, istorinių detalių kupino ir gyvai, švelniu ir skoningu humoru pagardinto pasakojimo. Ir tikrai – nors nesu skaičiusi nei vienos Christie knygos (taip, rimtai), knyga pasirodė įdomi ir įtraukianti, o herojės įvairiapusiškumas – pagarbiai ir intriguojančiai atskleistas. Mano skoniui gal net kiek per smulkmeniškas šis pasakojimas, todėl džiaugiuosi, kad pasirinkau klausyti autorės įgarsintą audio knygą – tada kažkaip viskas gyviau. Bet kokiu atveju, įdomu skaityti ne tik kaip pasakojimą apie įdomią, talentingą, nepaprastai daug pasiekusią moterį, bet ir kaip istorinių detalių kupiną laikmečio portretą, nutapytą talentingos istorikės, galinčios ir norinčios analizuoti įvairiausius aspektus ir to laiko žmonių reakciją į juos. Ypač svarbus ir reikalingas pasirodė tiek feministinis, tiek požiūrio į psichines problemas aspektai – jiems skirta labai nemažai dėmesio.
Jei jūs, kaip ir aš, nesate prisiekę Christie fanai, o gal skaitę vos vieną knygą, o gal neskaitę visai, gal tik kelias ekranizacijas matę, tai reikėtų pasiruošti – jos knygų analizės čia tikrai nemažai. Ir siužeto posūkių išdavimo, jei netyčia lentynoje Christie knygas turite, bet dar prie jų nepriėjote. Ir jei nesate į jos gyvenimą įsigilinę, tai čia – puikus būdas tai padaryti, atskleidžiantis Christie kaip rašytoją, dramaturgę, kūrėją, žmoną, motiną, dukterį ir tiesiog neįtikėtinai įdomų ir reikšmingą žmogų.
October 19, 2022
La mejor biografía que se ha escrito sobre Agatha Christie, su vida personal, psicología, editorial, familiar y hasta sexual quedan al descubierto como nunca antes, y es posible, quizás por primera vez, verla como una mujer de su tiempo, más allá del icono literario en el que se ha convertido.
November 22, 2024
At best synthesizes what others have written about Agatha Christie much more intelligently and much more interestingly. Annoyingly glib, pop-trendy, staggeringly superficial, sensationalist, fanciful and frequently silly. Contains no book analyses — it occasionally regurgitates other people’s — and teems with misnomers, exaggerations and inaccuracies.
Mr Pye is a character in The Moving Finger, not in Murder is Easy. In the controversial film Agatha the eponymous heroine did not try to murder Nancy Neele — she meant to commit suicide and make it look it was Nancy Neele who killed her, thus causing her to hang for it. At Bertram’s Hotel is hardly a ‘riff on celebrity culture.’ Worsley also suggests that there might have been more than a flirtation between Agatha’s daughter Rosalind and Max Mallowan, that indeed they might have been one of the ‘secret couples’ one finds in Agatha Christie’s books. Etc etc
The authorized biography by Janet Morgan remains the best. Laura Thompson might have been a bit gushing and perhaps too reliant on the Mary Westmacotts as a source of information about Christie’s life but she introduced some interesting new material (concerning Max Mallowan’s dalliances and possible infidelity) and she devoted one whole, truly fascinating chapter (An English Murder) to Agatha Christie’s books.
Lucy Worsley is most certainly not as clever as she seems to think, or else she believes her readers are easy to dazzle. (Judging by some of the rave reviews on goodreads that, sadly, appears to be the case.) Despite her impressive credentials, there is something about Lucy’s kooky, color-coordinated, pretty-dolly show-biz persona — as evidenced by her TV appearances — which intimates that she is, if not exactly a fraud, not quite the real thing either.
Mr Pye is a character in The Moving Finger, not in Murder is Easy. In the controversial film Agatha the eponymous heroine did not try to murder Nancy Neele — she meant to commit suicide and make it look it was Nancy Neele who killed her, thus causing her to hang for it. At Bertram’s Hotel is hardly a ‘riff on celebrity culture.’ Worsley also suggests that there might have been more than a flirtation between Agatha’s daughter Rosalind and Max Mallowan, that indeed they might have been one of the ‘secret couples’ one finds in Agatha Christie’s books. Etc etc
The authorized biography by Janet Morgan remains the best. Laura Thompson might have been a bit gushing and perhaps too reliant on the Mary Westmacotts as a source of information about Christie’s life but she introduced some interesting new material (concerning Max Mallowan’s dalliances and possible infidelity) and she devoted one whole, truly fascinating chapter (An English Murder) to Agatha Christie’s books.
Lucy Worsley is most certainly not as clever as she seems to think, or else she believes her readers are easy to dazzle. (Judging by some of the rave reviews on goodreads that, sadly, appears to be the case.) Despite her impressive credentials, there is something about Lucy’s kooky, color-coordinated, pretty-dolly show-biz persona — as evidenced by her TV appearances — which intimates that she is, if not exactly a fraud, not quite the real thing either.
October 10, 2023
Lucy Worsley portrait of Dame Agatha Christie is full of great details, and complements the autobiography I read by Christie some years ago. Worsley used correspondence and other materials to create a better picture incidents and events mentioned in the autobiography, while also providing context with information about historical sentiments of the period. I also liked that Worsley didn't dance around two aspects of Christie: the author's somewhat indifferent parenting, and the fact that Christie's stories were filled with bigoted characters, and Christie's own anti-semitism, which editors had to filter out increasingly from her writings as the years progressed post-WWII.
Agatha Christie was a fascinating woman, living life on her terms (after the end of her first marriage), and building a circle of friends and relations she loved to socialize with and rely on, and also dictating terms of how her books were to be published. An introvert who was uncomfortable with the spotlight, she was also reluctant naming herself as an author, no doubt due to her Victorian upbringing, when women of her station were not supposed to work for a living. What is not unexpected is the disdain levelled at her by male critics and directors*, who could not countenance a successful, forthright woman who enjoyed enormous, worldwide popularity for her writing.
She lived a long and happy life, and left behind a big body of work, much of which I've enjoyed. If you're a Christie fan, this is a worthwhile biography to check out.
* Christie produced not only many novels, but also several plays that enjoyed success on stage.
Agatha Christie was a fascinating woman, living life on her terms (after the end of her first marriage), and building a circle of friends and relations she loved to socialize with and rely on, and also dictating terms of how her books were to be published. An introvert who was uncomfortable with the spotlight, she was also reluctant naming herself as an author, no doubt due to her Victorian upbringing, when women of her station were not supposed to work for a living. What is not unexpected is the disdain levelled at her by male critics and directors*, who could not countenance a successful, forthright woman who enjoyed enormous, worldwide popularity for her writing.
She lived a long and happy life, and left behind a big body of work, much of which I've enjoyed. If you're a Christie fan, this is a worthwhile biography to check out.
* Christie produced not only many novels, but also several plays that enjoyed success on stage.
January 25, 2025
"Present but unnoticed, she was using life for her art."
I have mixed feelings about this book.
Maybe I should have realized Lucy Worsley would have included spoilers of Agatha Christie's works, whether it was to talk about the author's tricks or some other reason, but I made the mistake of thinking she would be subtle. Instead, Worsley just loves throwing spoilers here, spoilers there.
Perhaps I should have read all of Christie's works before tackling this. But seeing as this was a gift, for Jólabókaflóð of 2024, I wanted to read it now.
When I don't focus on how she spoiled a good deal of books for me, I can appreciate this book for offering a new perspective on Christie. It is a good biography about the author, and it offered new pieces of information that I had not been aware of beforeor had forgotten about completely from previous readings about the Queen of Mystery.
Anyway, I have decided my rating for Worsley's book is a 3.5 out of 5 stars. Instead of rounding up, though, I'm rounding down for now as I'm still a little bitter about how she spoiled a great deal of Christie's books when she did not need to.
I have mixed feelings about this book.
Maybe I should have realized Lucy Worsley would have included spoilers of Agatha Christie's works, whether it was to talk about the author's tricks or some other reason, but I made the mistake of thinking she would be subtle. Instead, Worsley just loves throwing spoilers here, spoilers there.
Perhaps I should have read all of Christie's works before tackling this. But seeing as this was a gift, for Jólabókaflóð of 2024, I wanted to read it now.
When I don't focus on how she spoiled a good deal of books for me, I can appreciate this book for offering a new perspective on Christie. It is a good biography about the author, and it offered new pieces of information that I had not been aware of before
Anyway, I have decided my rating for Worsley's book is a 3.5 out of 5 stars. Instead of rounding up, though, I'm rounding down for now as I'm still a little bitter about how she spoiled a great deal of Christie's books when she did not need to.
September 22, 2022
Lucy Worsley is fab - she’s as good in print as on TV. This is intelligent history in plain English with a warm hug and bucket loads of passion. She debunks many myths that surround Christie’s life placing things reported of her in the culture and context in which they were written. Loved it and made we want to critically re read some of her key mystery novels.
May 30, 2022
(Read as a proof copy, hence review prior to publication).
This is really really good. The previous official biog I've read managed to make Christie's life rather tedious. This rockets along, fast, frothy and subtly furious. Absolutely loved it.
This is really really good. The previous official biog I've read managed to make Christie's life rather tedious. This rockets along, fast, frothy and subtly furious. Absolutely loved it.
September 26, 2022
I've been dying to get my hands on this audio version of Lucy Worsley's latest in depth look into a famous female. Having read her books on Austen and Queen Victoria I knew this would be a well written, interesting, often lighthearted look at the life of an extraordinary woman.
I learned lots of facts about Agatha Christie and enjoyed the almost novel-like feel if this biography. Let's face Agatha Christie's life often seemed to read like fiction. From her beginnings as a child brought up in a wealthy family who lost their fortune, through her rushed first marriage to Archie to the end of her life when she had become a dame, a 40 year marriage to her beloved Max and become the world's most successful female writer. This book gives you everything you'll need to know.
I treated myself and listened to the wonderful Lucy read her own work and who better to present her findings. I can't heap enough praise on it but then (cards on the table) I've been a huge fan of both Lucy Worsley and Dame Agatha's for a long time so I am biased.
However if you're only even vaguely interested in the author herself you'll still find this book fascinating. She led such a full life - wife, mother, amateur archaeologist and author, Agatha Christie loved nesting and bought numerous homes, which she loved shopping for to fill. Her life with Max Mallowan as an amateur archaeologist was just as fulfilling but she always came back to her writing (if only to pay for all the houses, trinkets and digs).
I'd recommend this book to anyone who likes a well written and researched biography or anyone who is a fan of Dame Agatha (or Lucy). The audio book is a joy to listen to and I loved it.
I learned lots of facts about Agatha Christie and enjoyed the almost novel-like feel if this biography. Let's face Agatha Christie's life often seemed to read like fiction. From her beginnings as a child brought up in a wealthy family who lost their fortune, through her rushed first marriage to Archie to the end of her life when she had become a dame, a 40 year marriage to her beloved Max and become the world's most successful female writer. This book gives you everything you'll need to know.
I treated myself and listened to the wonderful Lucy read her own work and who better to present her findings. I can't heap enough praise on it but then (cards on the table) I've been a huge fan of both Lucy Worsley and Dame Agatha's for a long time so I am biased.
However if you're only even vaguely interested in the author herself you'll still find this book fascinating. She led such a full life - wife, mother, amateur archaeologist and author, Agatha Christie loved nesting and bought numerous homes, which she loved shopping for to fill. Her life with Max Mallowan as an amateur archaeologist was just as fulfilling but she always came back to her writing (if only to pay for all the houses, trinkets and digs).
I'd recommend this book to anyone who likes a well written and researched biography or anyone who is a fan of Dame Agatha (or Lucy). The audio book is a joy to listen to and I loved it.
October 10, 2022
Sorry to be the party-pooper, but up until the chapter on the 1926 disappearance I found this to be quite a flimsy affair. The disappearance is well-covered - although (like the book as a whole) I'm not sure how much is new - and it picks up after that. For a bit. Until reverting back to its flimsiness for the final third. Like Jonathan Dimbleby's Barbarossa, this feels like one of those products where you find a prominent personality, get them to write about a subject that will sell, then tot up the sales and the cash. I've never read anything by Worsley before, nor - despite her ubiquity - watched any of her programmes. But I'm told she's a 'personality'. It comes across in the many personal asides she makes throughout the book. Personally, I prefer biographies where the writer stays well out of the way. All this doesn't make the book terrible; if you haven't read a biography of Christie then this is perfectly adequate. But it feels more like a commercial product than a lifetime's work.
March 8, 2023
3.5 ⭐️ As someone who’s never read other biographies on Agatha Christie or her auto biography (I must read it now!) I enjoyed knowing more of what lays behind her books and personal life. The reason this didn’t get a higher rating is the personal opinions the author inserted quite often that either were irrelevant to Agatha Christie/or to me conforming her to our modern view on life/thinking.
Overall interesting but could’ve been better.
Overall interesting but could’ve been better.
November 2, 2023
Biographies (and all non-fiction work) are hard to review. By nature they are less fantastical, less suspenseful and (yes) sometimes that means they can be "boring".
So what makes a good biography? To me (and I am by no means an expert) a good biography is an honest and stark depiction of the subject matter. The trap the biographer can so easily fall into is the 'heroification' of the subject, and unfortunately for Worsley, I think this is what happened to her. Worsley had an idea as to who Agatha was, and refused to deviate from that narrative.
Worsley did a good job portraying Christie's life, she wove characters from Christie's own work into the book; many of which seemed to be inspired by Christie's life. But Worsley did not seem to have a handle on who Christie was as a person.
Worsley seemed set on depicting Agatha Christie as a modern woman, she made a lot of assumptions about Agatha's motivations and true intentions -- some that starkly contrasted Christie's own words and actions. This made for a somewhat confusing narrative; was Agatha Christie shy or a 'man magnet'? Was she the devoted loving home-maker or the strong willed writer? By the end of the book, we still don't know (maybe i should have known from the title.)
Also, this book dedicated a large number of pages to taxes. which really did feel 'boring'
So what makes a good biography? To me (and I am by no means an expert) a good biography is an honest and stark depiction of the subject matter. The trap the biographer can so easily fall into is the 'heroification' of the subject, and unfortunately for Worsley, I think this is what happened to her. Worsley had an idea as to who Agatha was, and refused to deviate from that narrative.
Worsley did a good job portraying Christie's life, she wove characters from Christie's own work into the book; many of which seemed to be inspired by Christie's life. But Worsley did not seem to have a handle on who Christie was as a person.
Worsley seemed set on depicting Agatha Christie as a modern woman, she made a lot of assumptions about Agatha's motivations and true intentions -- some that starkly contrasted Christie's own words and actions. This made for a somewhat confusing narrative; was Agatha Christie shy or a 'man magnet'? Was she the devoted loving home-maker or the strong willed writer? By the end of the book, we still don't know (maybe i should have known from the title.)
Also, this book dedicated a large number of pages to taxes. which really did feel 'boring'
October 19, 2022
SO very happy I read this biography about the mysterious AC. Mysterious, not because she was that unusual or had anything to hide, but simply because she valued her privacy. Unlike so many today, she did not want to spill her guts to the world for the amusement/entertainment of others. This wonderfully balanced bio does not paint the picture of a disturbed, confused or troubled woman, but a hugely talented, yet very ordinary woman in search of love, stability, companionship and happiness. That she was such an amazingly and consistently successful author over the course of a very long life, threw her constantly in the public eye which can never be a good thing for someone who seeks seclusion. Her every book/play/decision—especially as she became more famous—was under scrutiny, and as she was a wealthy, popular and successful woman her ups and downs were critiqued all the more.
Yet despite all this pressure, she continued to produce works of high quality at a prodigious rate almost until her death. To be continued…
After reading a recent review* on a bio about Ms. Christie, which told me almost nothing about her, I decided I needed to learn for myself what she was like. Decided to listen to this for my forthcoming trips to Ft. Smith and St. Louis. So far, the author seems very level-headed and willing to entertain all previous conceptions/descriptions of AC and point out their strengths and weaknesses. Exactly what a good biographer should do.
*Can't recall the reviewer or the biography.
Yet despite all this pressure, she continued to produce works of high quality at a prodigious rate almost until her death. To be continued…
After reading a recent review* on a bio about Ms. Christie, which told me almost nothing about her, I decided I needed to learn for myself what she was like. Decided to listen to this for my forthcoming trips to Ft. Smith and St. Louis. So far, the author seems very level-headed and willing to entertain all previous conceptions/descriptions of AC and point out their strengths and weaknesses. Exactly what a good biographer should do.
*Can't recall the reviewer or the biography.
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