Courtroom dramas are a staple of the fiction world. The genre has been around since Erle Stanley Gardner wrote his Perry Mason novels beginning in 1933. Gardner wrote 82 novels and four short stories about the lawyer, and the series ranks only behind Harry Potter and Goosebumps in sales. Sadly, the TV series offers viewers a more sedate, more wily than wild Perry Mason.
Most readers today read the legal thrillers of Michael Connelly, John Grisham, Lisa Scottoline, and Scott Turow. I also read and enjoy Robert Bailey, Paul Levine, Steve Martini, and Victor Methos.
One of my favorite legal thriller authors happens to be Sheldon Seigel. Like some of the best authors in this genre (Methos, Turow) Seigel is a lawyer, practicing in the San Francisco area, although he is a third-generation native of Chicago's Southeast Side.
Seigel is a member of the Board of Directors of the Northern California Chapter of the Mystery Writers of America, and an active member of the International Thriller Writers and Sisters in Crime.
Siegel published his first novel, Special Circumstances about San Francisco criminal defense attorneys Mike Daley and Rosie Fernandez in 1998.
Before we discuss The Confession, which is the fifth in the series of 13 novels, let's briefly discuss his two main characters. In legal thrillers, you have authors like Grisham, who regularly introduces new characters and others like Turow, who focuses his novels on the Kindle County justice system. Like Connelly's Mickey Haller, it's these characters we fall in love with. Often, the process of unraveling a mystery or exposing the truth seems secondary to the journey of the primary characters.
In Seigel's case, he devised a world of point and counterpoint, of different ethnicities, of the City of San Francisco that is essentially a character in the novels, and ancillary characters that are so much more than wallpaper to drive the plot along.
The two main characters are Mike Daley and Rosie Fernandez. Daley is a former Catholic priest who left to become a lawyer. Fernandez is a lawyer, who happened to be married to Daley (when he was a lawyer, of course) and then got divorced. Despite their personal struggles, the two opened a small law firm and somehow become entangled in the San Francisco's biggest legal cases.
With Daley being an ex-priest, the novel's title, The Confession, reverberates with irony, sarcasm, and intrigue.
Here are the liner notes for the novel: "Confessions abound-some of them quite unexpected-in Sheldon Siegel's new legal thriller. Mike Daley doesn't go to confession much since he left the priesthood twenty years ago and became a lawyer, but that doesn't stop his old friend, Father Ramon Aguirre, from trying to get him there. "It wouldn't kill you to go to church once in a while," he tells Mike. But it does kill someone. For several months, a ruinous sexual harassment suit has been building against the San Francisco Catholic Archdiocese, and when the plaintiff's lawyer is found dead, an apparent suicide, an almost audible sigh of relief is heard in certain quarters. But that is before the police find evidence of murder. Even worse-the evidence points to Father Aguirre. Mike and his ex-wife law partner, Rosie, jump in to take the priest's case, but what started out as difficult soon appears impossible as forensics, witnesses, and secrets from Father Aguirre's past all incriminate their client. Soon, their wits are the only things keeping the priest from a life sentence or worse, and wits simply may not be enough-unless they can conjure up a miracle of their own."
The Confession is definitely worth a read. Seigel wisely offers readers of summary of his Daley-Fernandez world, so new readers to his legal thriller series can hit the ground running after a few pages.
What makes The Confession so good, as well as the entire series? First, Seigel takes a chance that pays off. He writes his Mike Daley character in the first person. In the hands of a lesser writer, the first person viewpoint would be needlessly restrictive. Seigel, however, is a master of his first-person narration. In his Daley persona, Seigel is funny, sarcastic, a social observer, a relentless critic of hypocrisy, and displays a caustic wit.
Second, the priest to lawyer conversion fits neatly into the controversy crockpot with all the trials and tribulations of the Catholic Church. It's like Mike Daley went from rooting for God as a priest to making deals with the devil as a lawyer.
Third, Seigel does not let his characters remain static. In the classic Perry Mason novels, it was rare that the four main characters had much development, either emotional, financial or personal. By contrast, the Daley-Fernandez tryst has gone through numerous iterations in the series, and the secondary characters like Daley's ex-cop PI brother Pete, and Rosie's mother all have a narrative thread. In short, Seigel doesn't allow his secondary characters to be setups for the main event.
Finally, if you watched too much Fox News and have this view of San Francisco of all rich elites with too much money and too little common sense, Seigel's graphic and detailed descriptions of the city, such as the Tenderloin district, will shock, surprise and seduce you. Unlike some legal thrillers where the income level of the characters is well into seven figures, Seigel portrays citizens that the justice system, the social safety net, and cultural relevance has neglected. Seigel is obviously a rich man, but he clearly has not forgotten his blue-collar Chicago roots.
Give The Confession a try. As Saint Augustine once said, "The confession of evil is the beginning of good works."