Discursive, satisfying weaving of observer and observed 4.5 rating
Personally, if the writer themselves engages me, I really like this style of biography, which merges autobiography or memoir, reminding us that ‘biographies’ can never be fully objective as an author’s own view of their subject matter will be the lens of interpretation they create.
So, this biography of Victor Hugo’s youngest daughter - about whom I knew nothing at all, and indeed, knew little of the life of Hugo himself – absorbed me because Bostridge brought in so many other subjects. These included his own life and personality, as these explained why he was drawn to his subject. His magpie subject hopping into, for example, spiritualism, and an examination of Truffaut, whose film, starring Isabelle Adjani, ‘Adele H’, also put another spin on obsession, prevents the kind of dryness some autobiographies lean into.
Indeed, Bostridge himself puts his own history of a certain relationship under the microscope, recounting his undergraduate days, and the pain of earlier breakup of his parent’s marriage. Parallels could be drawn (though were not overstated) with the somewhat complex history of Hugo’s marriage and infidelities. Also under the microscope, some of the changing thinking about mental illness and PTSD, and the debates around causation, - neurochemistry and inheritance, neurochemistry and the influence of events.